@marshallshaffer.bsky.social
Freelance writer frequently seen on The Playlist, Decider, Slant Magazine, Slashfilm, and Crooked Marquee. We'll get along. (he/him)
https://marshallandthemovies.substack.com/
@slantmagazine.comReposted by @marshallshaffer.bsky.socialNathan Fielder and Lance Oppenheim’s YOU CAN SEE EVERYTHING innovatively probes this gray area between the fabulations made about Elizabeth Holmes and those made by her. Read @marshallshaffer.bsky.social's review.
@slantmagazine.comReposted by @marshallshaffer.bsky.socialSandra Wollner’s shape-shifting wonder EVERYTIME, writes @marshallshaffer.bsky.social, is most perceptive when conveying the strange nature of grieving in the digital age. The film has its U.S. premiere today at #NYFF64. tinyurl.com/mrx8tmye
@slantmagazine.comReposted by @marshallshaffer.bsky.socialBassam Tariq’s subversive YOUR MOTHER YOUR MOTHER YOUR MOTHER is more than a triumph of representation alone. Read @marshallshaffer.bsky.social's review.
@marshallshaffer.bsky.socialIt was my second best of the fest
@marshallshaffer.bsky.socialBad Venice IMO!
@lwlies.comReposted by @marshallshaffer.bsky.socialCédric Kahn’s verité-style drama, 5/18 (A Place to Heal), eschews the typical pathologizing that comes with the territory of treating teenage mental maladies, writes @marshallshaffer.bsky.social #Venezia83
@slantmagazine.comReposted by @marshallshaffer.bsky.socialIt’s no exaggeration to say that Julia Loktev’s MY UNDESIRABLE FRIENDS: PART II - EXILE has the charge of an espionage thriller. Read @marshallshaffer.bsky.social's #Venezia83 review.
