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Since 2001, we've brought you uncompromising, candid takes on the world of film, music, television, video games, theater, and more.
@slantmagazine.comThere are certainly pleasures to be found on 'She's the Best,' but Troye Sivan himself seems to get lost. Read our review.
@slantmagazine.com“I understood the massive self-awareness that you have as an immigrant in a different country where you just feel different, or you’re aware of other people looking at your differences.” Read our chat with Sebastian Stan about his work in FJORD.
@slantmagazine.com'Avatar: Seven Havens' boldly moves fans into the realm of post-apocalyptic sci-fi. Read our review.
@slantmagazine.comOTHER MOMMY, for better and for worse, wastes no time with pleasantries. Read Charles Lyons-Burt on Rob Savage’s film.
@slantmagazine.comSurprises abound in LA BOLA NEGRA, from the evocative to the dubious, but none is more provocative than its wish-fulfilling reimagining of a lost Lorca work. Read @certifieded.bsky.social's review.
@slantmagazine.comA dramatization of the U.S.’s first meeting dedicated to climate policy in 1980, Tom McCarthy's A STATEMENT similarly embodies the tensions of balancing perspectives in a democratic system. Read @marshallshaffer.bsky.social's #NYFF64 review.
@slantmagazine.comRead our interview with Julia Loktev about her MY UNDESIRABLE FRIENDS project, what exile means to her, and more.
@slantmagazine.comIt’s no exaggeration to say that Julia Loktev’s MY UNDESIRABLE FRIENDS: PART II - EXILE has the charge of an espionage thriller. The film opens Friday at Film Forum.
@slantmagazine.comAt its best, Luca Guadagnino’s ARTIFICIAL is an eerily funny tale of the seductions of what amounts to a queer vampire, whose monstrous creation could doom the whole race of mortals. #NYFF64
@slantmagazine.comCLIVE BARKER’S HELLRAISER: REVIVAL entices with flashes of distinct personality only to reveal the overfamiliar rhythms of survival horror and the tyranny of video game crafting systems. Read @midfalutin.bsky.social's review.
@slantmagazine.comJulianne Moore’s virtuosic performance, writes @tylekurner.bsky.social, gives Jesse Eisenberg’s musical comedy THE DEBUT its emotional footing. The film has its New York premiere today at #NYFF64. shorturl.at/GMU8i
@slantmagazine.comNathan Fielder and Lance Oppenheim’s YOU CAN SEE EVERYTHING innovatively probes this gray area between the fabulations made about Elizabeth Holmes and those made by her. Read @marshallshaffer.bsky.social's review.
@slantmagazine.comAnna Biller’s THE FACE OF HORROR sees the fastidious re-fashioner of cinema’s mid-1960s golden age transplanting a classic Japanese ghost story to 14th-century England. #LFF Read @roccotthompson.bsky.social's review.
@slantmagazine.comNoah Segan’s low-key character study THE ONLY LIVING PICKPOCKET IN NEW YORK fully immerses us in its milieu. The film has its New York premiere today at #NYFF64. shorturl.at/cPmWS
@slantmagazine.comPoland’s troubled history cast a long shadow over the Polish Film Festival in Gdynia, though many of its standout works demonstrated a more universal apprehension about the future. shorturl.at/rO5ak
@slantmagazine.comIan Charleson’s need to play Hamlet is never unpacked for us across ELSINORE, writes @certifieded.bsky.social, even if Andrew Scott makes you feel it in your gut the way Ian does. #LFF
@slantmagazine.comAaron Sorkin’s THE SOCIAL RECKONING may leave you wondering: What reckoning? Read @jakecole.bsky.social's review.
@slantmagazine.comIsabelle Stever’s I RARELY WAKE UP DREAMING is marked by a granular attention to everyday life in a time of upheaval. The film has its North American premiere at #NYFF64. shorturl.at/5Tea0
@slantmagazine.comPart sacrificial love story, part lighthearted allegory about consumerism and media manipulation, Frank Oz’s LITTLE SHOP OF HORRORS is a movie musical big in both heart and biting critique. Now available on 4K UHD. shorturl.at/VNr1y
@slantmagazine.comPaul Thomas Anderson’s CAMERON WINTER AT CARNEGIE HALL captures a young musician and a storied venue that seem made for each other. Read Taylor Williams's #NYFF64 review. shorturl.at/GcpNo
