@dwhdaily.bsky.social
I write the Daily column for Criterion's Current.
@dwhdaily.bsky.socialBallot sent.
@dwhdaily.bsky.socialStanley Kubrick and Hal Ashby @ Bright Lights, Kevin Jerome Everson @mediacityfilmfest.bsky.social, James Gray @readliberties.bsky.social + @indiewire.com, @axelleropert.bsky.social @ Lucky Star, goings on @lightindustry.bsky.social …
Did You See This? www.criterion.com/current/post...
@dwhdaily.bsky.socialRemembering Eva Marie Saint … www.criterion.com/current/post...
@dwhdaily.bsky.socialBeatrice Gibson has been making award-winning shorts for nearly 20 years, and in Locarno, she won a Best Emerging Director Award for her first feature, AT NIGHT.
Screens Sunday at #NYFF64, Sunday and Tuesday in London, and on 10/25 at AFI Fest ! www.criterion.com/current/post...
@dwhdaily.bsky.socialEva Marie Saint made her feature film debut starring opposite Marlon Brando in ON THE WATERFRONT (1954) and costarred in Hitchcock’s NORTH BY NORTHWEST (1959). She’s died at 102, ten years after her husband passed away. They’d been married 65 years!
@dwhdaily.bsky.socialFests: Busan, London, Ghent, Boston, Pordenone, Lumière.
Series: Dovzhenko, Belmondo, Claire Atherton, Ninjin Club, Alex Cox, Bruce LaBruce.
Screenings: Robert Beavers, Michael Powell, Peter Watkins, Tony Conrad, Lynne Ramsay.
There’s a lot going on this week ! www.criterion.com/current/post...
@dwhdaily.bsky.socialHow could I not pair ELSINORE, which opens the 70th London Film Festival on Wednesday, with THE MAN I LOVE, screening this week in New York?
@dwhdaily.bsky.socialOh, wow, hi!
@dwhdaily.bsky.socialAnd it’s back in the spotlight again today. If only Kreuzberg weren’t so far away from Schöneberg … www.spiegel.de/kultur/video...
@dwhdaily.bsky.socialGreat design concept for this oeuvre: 39 “smallish (25×70cm)” Agnès Varda posters by Malmsten Hellberg @fontsinuse.com
“Each film title has its own typeface … All text, including copyright info etc on each poster is set in the same typeface.”
@dwhdaily.bsky.socialPaweł Pawlikowski @newyorker.com, Eric Rohmer @readliberties.bsky.social, Charles Burnett @ Film International, Bob Fosse @crooked-marquee.bsky.social, Elaine Equi (@elaineequi.bsky.social) @nybooks.com …
Did You See This? www.criterion.com/current/post...
@dwhdaily.bsky.socialReviews of Werner Herzog’s BUCKING FASTARD may be mixed, but everyone agrees that Rooney and Kate Mara’s sister act is pretty winning — www.criterion.com/current/post...
@dwhdaily.bsky.socialArthur Harari’s THE UNKNOWN stumped more than a few viewers in Cannes, but it seems to have found its footing at #NYFF64 — www.criterion.com/current/post...
@dwhdaily.bsky.socialShirley Clarke, Orson Welles, George Cukor, Lynne Ramsay, Olivier Assayas, Bree Daniels … the September Books roundup ! www.criterion.com/current/post...
@dwhdaily.bsky.socialNew @cineastemagazine.bsky.social, new @filmquarterly.bsky.social, Winona Ryder @ Metrograph, Neil Jordan @letterboxd.social, @luxante.bsky.social on Renate Adler vs Pauline Kael @nybooks.com …
Did You See This? www.criterion.com/current/post...
@dwhdaily.bsky.socialFarewell to Marina Vlady, who won a Best Actress Award in Cannes for her turn in Marco Ferreri’s THE CONJUGAL BED (1963) but is surely best known for her Juliette in Jean-Luc Godard’s 2 OR 3 THINGS I KNOW ABOUT HER (1967). She was 88.
@dwhdaily.bsky.social#NYFF64 opens tomorrow @filmlinc.bsky.social ! www.criterion.com/current/post...
@dwhdaily.bsky.socialBeyond Fest opens tonight @amcinematheque.bsky.social ! bsky.app/profile/amci...
@dwhdaily.bsky.social“The reemergence of [Paula Delsol’s] LA DÉRIVE [1964] is part of one of the most significant phenomena in contemporary film culture: an archive fever running high enough to inspire delirium.”
Erika Balsom @nybooks.com — www.nybooks.com/online/2026/...
@dwhdaily.bsky.social“Long Live the Underground! Celebrating Six Decades of the Film-Makers’ Cooperative and Millennium Film Workshop” opens tomorrow @ MoMA ! www.criterion.com/current/post...
