“Sagal Abdi-Wali has not just defeated the Greens in a local byelection. She has defied history”, writes Peter Kellner

Ignore the Greens’ misleading claims, writes Peter Kellner

The debate about NAZA raging inside Israel (where the film still hasn’t been shown) is mostly about numbers (of innocent civilians killed). But the film isn’t really about the numbers. It’s about the system, writes Jo-Ann Mort

“At the end of the day, they are not a friend, they are a client—being paid to see them is no public, or even, private endorsement of them”, writes Tilly Lawless

Five years ago, whistleblower Frances Haugen leaked Facebook documents showing the company was aware of harms amplified by its algorithms. But big tech is more powerful than ever...

Frances Haugen on bringing her tech takedown to Hollywood and making social media a less harmful place, writes Liz Connor

The crime writer on suing Anthropic—and how London’s inequality inspired his new murder mystery, writes Graeme Green

Raised in a council house, Ian Rankin is still attuned to the effects of inequality. The bestselling novelist talks to Graeme Green about his new murder mystery, set in a glitzy London high-rise

Postwar connectivity, which has favoured consumers over producers, has upset deep-seated notions of occupational dignity and trashed dreams of economic self-sufficiency

“We don’t forget our motherlands just because we are miles and continents away. That emotional bond is always there.” Elif Shafak speaks to Graeme Green about why she left Turkey—and rebuilt a life in London

“Writing a column is a question of rhythm.” Ian Bostridge’s latest Classical Notes range from Copenhagen to LP Hartley’s THE GO-BETWEEN:

“We now speak as if the global order was in place for centuries; in reality it was short-lived,” writes Rana Dasgupta