@lizbethmyles.bsky.social
Scottish SFF writer and podcaster. Hugo Award finalist. Author of The Politics of Doctor Who. Telefantasy Time Jump co-host: https://www.patreon.com/TelefantasyTimeJump. Writes a lot of Doctor Who things. Likes trebuchets.
@paulcornell.bsky.socialReposted by @lizbethmyles.bsky.social#Murderbot just hit another milestone! Meaning another @garyerskine.bsky.social graphic! www.kickstarter.com/projects/cos...
@lizbethmyles.bsky.socialCongrats!! 🥂
@lizbethmyles.bsky.social99%! Meeples!!
@lizbethmyles.bsky.socialI love how this series shows the very stark difference between someone who’s superb at Traitoring (Maya, who I very much want to win) and someone who is…less so (everyone else). #TheTraitors
@lizbethmyles.bsky.socialOver 90% there! Meep!
@lizbethmyles.bsky.socialDo you mean this exciting project? This one right here? www.kickstarter.com/projects/cos...
@lizbethmyles.bsky.socialWhat are the cross-industry standards you advocate? How do they benefit your members? What are the consequences for breaking them? What are examples of ethical use? How do you hope to retain any confidence from your members? Why can't you oppose AI use *and* demand transparency in how it's used?
@lizbethmyles.bsky.socialSoA: "We are clear that there can never be any truly ethical use of generative AI." Charter SoA just signed: "We are committed to promoting responsible and ethical use of AI." Okay!
@lizbethmyles.bsky.socialAlmost halfway there in half an hour! Weirdly satisfying watching the number tick up.
@lizbethmyles.bsky.socialThe statement is wilted word salad that gives publishers using AI a way to justify benefiting from the theft of labour.
@lizbethmyles.bsky.socialI am perplexed as to why the Society of Authors believes one can't stand against the use of generative AI *and* fight for transparency in how the publishing industry is using it.
@lizbethmyles.bsky.socialSoA: "We are clear that there can never be any truly ethical use of generative AI."
Charter SoA just signed: "We are committed to promoting responsible and ethical use of AI."
Their blog post is up, but they haven't linked it yet: societyofauthors.org/2026/10/15/c...
@crobertcargill.bsky.socialReposted by @lizbethmyles.bsky.socialFor those of you who plan on listening on Apple, you can subscribe here, which helps our position in the algorithm. So follow if you can!
@lizbethmyles.bsky.socialOh, this is so very my wheelhouse! Can't wait!
@lizbethmyles.bsky.socialOoh, it's so close to 3k sign-ups! SO CLOSE.
@lizbethmyles.bsky.socialYou monster!
@lizbethmyles.bsky.socialRecorded about half an hour after I finished watching, so full of my soaringly fizzy excitement (not necessarily a plus point), about how much I adore it. Have I watched every piece of British telly? No. Not even close. Is this one of the greatest creations of British telly? Yes. Yes, it is.
@lizbethmyles.bsky.socialOh, the horror thing is an interesting idea. (It's not an absence of silly jokes so much as my inability to take even the most serious bits seriously. Sometimes I think I'd benefit from a DM who was less about having fun and more about trying to kill the players.)
@lizbethmyles.bsky.socialI know they're actors, so it's a bit different, but I struggle so hard not to be painfully self-conscious when playing. I can't help making stupid jokes, but I want to be able to be more immerse-y. Serious. Have some real suspension of disbelief. Not constantly wonder where all the farmers are at.
@lizbethmyles.bsky.socialI've been completely sucked into the first campaign of Dungeon Masters. I came for Devora Wilde & Neil Newbon, I stayed...actually everyone is superb, I'd stay for all, but stayed hardest for Christian Navarro. Who feels so intense and committed and is basically how I wish I could play D&D.
