#bestfilminlondontoday: #LFF picks: Day 4 (Sat Oct 10) 'Western writer-director Valeska Grisebach’s film is a skilfully directed drama with a strong feminist spine' THE DREAMED ADVENTURE at BFI Southbank capitalcelluloid.blogspot.com/2026/09/capi...

#bestfilminlondontoday: #LFF picks: Day 3 (Fri Oct 9) 'we are shown to be vain, lustful, perverse, self-serving, murderous, disease-ridden, exploitative. Approach with extreme caution' @tomhuddleston.bsky.social. THE DEVILS landmark director’s cut at BFI capitalcelluloid.blogspot.com/2026/09/capi...

#bestfilminlondontoday: #LFF picks: Day 2 (Thu Oct 8) 'Javier Bardem turns in a career-scariest performance'
@peterbradshaw1.bsky.social. Cannes hit THE BELOVED at Royal Festival Hall capitalcelluloid.blogspot.com/2026/09/capi...

#bestfilminlondontoday: #LFF picks: Day 1 (Wed Oct 7) 'the haunting, dreamlike consistency recalls that other fairy story of innocence & menace, The Night of the Hunter' Restored screening of Powell & Pressburger's rarely seen GONE TO EARTH 1950 at BFI capitalcelluloid.blogspot.com/2026/09/capi...

#bestfilminlondontoday Oct 6 at capitalcelluloid.blogspot.com. 'Chabrol’s most elegant, acerbic and heartfelt entertainments in years.' THE GIRL CUT IN TWO with intro by director's daughter and scriptwriter, Cécile, at BFI capitalcelluloid.blogspot.com/2026/08/capi...

#bestfilminlondontoday Oct 5 at capitalcelluloid.blogspot.com. Described by Scorsese as "a deeply — and I mean deeply — unsettling and disturbing movie” WAKE IN FRIGHT English premiere of @arrowvideo.bsky.social 4K restoration @princecharlescinema.com capitalcelluloid.blogspot.com/2026/08/capi...

Today’s #bestfilminlondontoday (very rarely seen) is a banger …

#bestfilminlondontoday Oct 4 at capitalcelluloid.blogspot.com guide to rep cinema scene. Walerian Borowczyk's bizarre, remarkable film BLANCHE (1971) in excellent Contemporary Films season at ICA Cinema capitalcelluloid.blogspot.com/2026/08/capi...

#bestfilminlondontoday Oct 3 at capitalcelluloid.blogspot.com. ‘engrossing & exciting as you’d expect from the maker of ‘Thief’ & ‘Heat’. I loved it.’ @geoff-andrew.bsky.social … COLLATERAL (2004) in 35mm season at Everyman Screen on the Green capitalcelluloid.blogspot.com/2026/08/capi...

#bestfilminlondontoday Oct 2 at capitalcelluloid.blogspot.com. Hugely enjoyable trip through the 'decline and fall of the Studio 54-era disco scene in early-1980s Manhattan' in @whitstillman.bsky.social's THE LAST DAYS OF DISCO (35mm) at BFI capitalcelluloid.blogspot.com/2026/08/capi...

#bestfilminlondontoday Oct 1 at capitalcelluloid.blogspot.com. ‘Chabrol's flair for characterisation, pacing & evocation of bourgeois complacency & anti-bourgeois hatred creates a palpable sense of unease’ @geoff-andrew.bsky.social … LA CEREMONIE at BFI capitalcelluloid.blogspot.com/2026/08/capi...

#bestfilminlondontoday Sep 30 at capitalcelluloid.blogspot.com guide to rep cinema scene. 35mm screening will feature a Q&A with director Hettie Macdonald, moderated by Reclaiam The Frame's Melanie Iredale ... BEAUTIFUL THING (1996) at Genesis Cinema capitalcelluloid.blogspot.com/2026/08/capi...

#bestfilminlondontoday Sep 29 at capitalcelluloid.blogspot.com ‘The ensemble cast brilliantly conveys the bonds and rifts that form between prisoners’ 35mm screening KING RAT 1965 w/intro by director’s daughter at BFI capitalcelluloid.blogspot.com/2026/08/capi...

#bestfilminlondontoday Sep 28 at capitalcelluloid.blogspot.com. Winding Refn's remarkable ONLY GOD FORGIVES @princecharlescinema.com. Booed at Cannes but @peterbradshaw1.bsky.social
gets close to heart of film here www.theguardian.com/film/2013/au...

#bestfilminlondontoday Sep 27 at capitalcelluloid.blogspot.com 'Think of it as a Hitchcock thriller—a Rohmer favorite—only with words not knives, that cut straight to the heart' Keith Uhlich A SUMMER'S TALE 35mm at ICA + Q&A w/ film's editor Mary Stephen capitalcelluloid.blogspot.com/2026/08/capi...

#bestfilminlondontoday Sep 26 at capitalcelluloid.blogspot.com guide to rep cinema scene. 'Chabrol’s mise en scene and his handling of the period and performances are masterful' The devastating STORY OF WOMEN (1988) in director's season at BFI capitalcelluloid.blogspot.com/2026/08/capi...

#bestfilminlondontoday Sep 25 at capitalcelluloid.blogspot.com guide to rep cinema scene. Filmmaker @asifkapadia.bsky.social introduces 35mm screening of Miike's breakthrough film AUDITION (1999) at
@riocinema.bsky.social in great 'Rio Forever' strand capitalcelluloid.blogspot.com/2026/08/capi...

#bestfilminlondontoday Sep 24 at capitalcelluloid.blogspot.com guide to rep cinema scene. 'For viewers who enjoy the grim moral ironies of Highsmith, this can be highly recommended' J Rosenbaum THE CRY OF THE OWL (35mm) in Chabrol season at BFI capitalcelluloid.blogspot.com/2026/08/capi...

#bestfilminlondontoday Sep 23 at capitalcelluloid.blogspot.com. Chabrol's exquisite LES BICHES (1968) in director's season at BFI 'Impeccably performed, often bizarrely funny, the film winds with brilliant clarity to a splendid Grand-Guignolesque ending' capitalcelluloid.blogspot.com/2026/08/capi...

#bestfilminlondontoday Sep 22 at capitalcelluloid.blogspot.com guide to rep cinema scene. Peter Sellers' personal 16mm print of Bryan Forbes' surreal comedy THE WRONG BOX (1966) + intro by the lovely Nanette Newman. Perfect evening NFT1 at BFI capitalcelluloid.blogspot.com/2026/08/capi...