Grilled Cheese

ExploreLog inSign up
Terms of UsePrivacy PolicyCommunity StandardsHelpGet the app

Grilled Cheese is a product of Village Compute

Version devBuilt at: 2026-10-13 09:58:44 EDT

Explore

PostsPeople
LatestRanked
Load more
@toptags.bsky.socialOct 6, 2026, 5:31 AM

🚀 BlueSky trending hashtags (15m) #16-30:

#inktober2026 #chastity #r4today #birdoftheday #womensart #impromptutheater #locktober #news #auspol #adult #섹트 #birds #digitalart #music #tittytuesday

👇 #1-15 trending hashtags

@womensartbluesky.bsky.socialOct 6, 2026, 5:11 AM

'Broad haven, Pembrokeshire' by contemporary Welsh painter Sarah Evans #WomensArt

Painted landscape with a row of white houses on the edge of a yellow field near a small track and under a dramatic blue grey sky
@siguesiguesputnik.bsky.socialOct 6, 2026, 1:11 AM

Beautiful #WomensArt

@grahammunology.bsky.socialOct 5, 2026, 10:03 PM

😍 despite my challenging feelings about spiders, I love the work of Louise Bourgeois #Womensart #Awesomeness

@trendtags.bsky.socialOct 5, 2026, 10:01 PM

🔥 BlueSky trending hashtags (30m):

#art #dlsite #aiイラスト #nsfw #furry #aiart #bb28 #oc #furryart #abdl #gay #gamedev #mcm #photography #womensart

@toptags.bsky.socialOct 5, 2026, 10:01 PM

🚀 BlueSky trending hashtags (15m) #16-30:

#mcm #womensart #pussy #gay #boobs #abdl #locktober #kinktober #kinktober2026 #vore #onlyfans #unlockingwomensart #commission #sketch #indiegame

👇 #1-15 trending hashtags

@womensartbluesky.bsky.socialOct 5, 2026, 9:47 PM

Lepiota procera, 1894
watercolour by
Beatrix Potter. Best known for her children's books. Potter also studied mycology, the scientific study of fungi and was a keen conservationist #WomensArt

Watercolour featuring a study of three mushrooms or toadstools of the same species against a cream background
@womensartbluesky.bsky.socialOct 5, 2026, 9:39 PM

Maman (1999) by French-US artist Louise Bourgeois #Womensart

Monochrome photograph featuring a huge sculpture resembling a spider sited in an area with a city backdrop
@dina54-54.bsky.socialOct 5, 2026, 6:35 PM

"Kaiju" Graphite on paper, with a variety of imported papers background, large, poster sized
Made as a present for my husband
#mixedmedia #mixedmediaart #mixedmediaartist #godzillaart #fantasyart #graphitedrawing #monsterart #womensart

Photo, no description
@alphakitty.bsky.socialOct 5, 2026, 4:12 PM

10/5/1869 — b. Ellen Thesleff, Finnish artist. Expressionist painter, early modernist; a pioneer of modern painting and woodcutting techniques. A leading Finnish #modernist painter; earlier works executed in realist and #symbolist styles (1900) #womenshistory #womenartists #womensart #expressionism

Self-portrait drawing by Ellen Thesleff | 1894-95
@elizphotoclique.bsky.socialOct 5, 2026, 3:12 PM

#Art #WomensArt #LeeKrasner
.
‘Each artist on their own terms’: why Lee Krasner was every bit the equal to husband Jackson Pollock
At a landmark exhibition at New York’s Met Museum, Mrs Pollock finally steps out of her spouse’s shadow
@theguardian.com
.
www.theguardian.com/artanddesign...

@omsweetom.bsky.socialOct 5, 2026, 2:43 PM

gm w/ "In Memory Of" by @sourpower.bsky.social
objkt.com/users/tz2QZT...

Share #art, support artists, sustain culture

#ArtWins
💗 🎨📸 👨‍💻🎶

#DigitalArt #WomensArt #WomenArtists

Photo, no description
@womensartbluesky.bsky.socialOct 5, 2026, 2:33 PM

Japanese photographer Miyoko Ihara's photographs of her grandmother, Misao's bond with her much loved cat Fukumaru #WomensArt

Photograph featuring an older smiling Japanese woman with her white cat on her lap with a sunflower in her hair and on the cat's head
@giovyjo.bsky.socialOct 5, 2026, 9:01 AM

📚
#LibriInArte #BooksInArt
#BooksInPaintings
#readers #lettori
#WomensArt

@womensartbluesky.bsky.socialOct 5, 2026, 2:27 AM

Portraot of Janet Flanner, pioneering US writer, 1927 by photographer Berenice Abbott #Womensart

Monochrome photograph featuring a sitting white woman facing left with strped trousers black jacket and top hat on which two small eye masks are strapped
@womensartbluesky.bsky.socialOct 5, 2026, 2:23 AM

Pippa Dyrlaga is a paper cutting artist and print maker based in England #womensart

Paper cut artwork featuring a squirrel eating an acorn facing left within three interlocking circles
@simonett-a.mastodon.uno.ap.brid.gyOct 4, 2026, 8:46 PM

•
by Evelyn Dunbar (1906-1960)
at Imperial College, London

An English Calendar 1938
a detail – October

#womensart

An English Calendar 1938 by Evelyn Dunbar (1906-1960) at Imperial College, LondonAn English Calendar 1938 a detail – October by Evelyn Dunbar (1906-1960) at Imperial College, London
@simonett-a.mastodon.uno.ap.brid.gyOct 4, 2026, 7:24 PM

•
Un riccio in un paesaggio, c.1643-51

di Giovanna Garzoni
#womensart

Giovanna Garzoni, Un riccio in un paesaggio, c.1643-51, Coll.Priv.
@mdstamper.bsky.socialOct 4, 2026, 5:59 PM

“Africa” by Loïs Mailou Jones (American) – Oil on canvas board / 1935 – The Johnson Collection (Spartanburg, South Carolina) #WomenInArt #WomenArtists
#LoisMailouJones #BlackArt #AfricanAmericanArt #TheJohnsonCollection #artText #LoïsMailouJones #WomensArt #WomanArtist #africa #HarlemRenaissance

American artist Loïs Mailou Jones painted “Africa” in 1935, five years after joining the faculty of Howard University, where she would teach for nearly half a century. Colleagues there encouraged the Boston-born artist to challenge racist stereotypes and explore African heritage, and this painting reflects that developing engagement. Three monumental Black figures fill the composition, pressed close to the picture plane against a glowing yellow-orange background and broad tropical leaves. The central woman dominates the upper half of the painting, her long, symmetrical face framed by dark hair and accented with green, almond-shaped eyes. She wears dangling gold earrings, a necklace of pale tusks or teeth, and patterned fabric draped across one shoulder. Below her, two additional figures overlap across the foreground. At left, a figure tilts inward beneath stacked gold neck rings and an elaborate spiral earring. At right, another face reclines horizontally, partially obscuring the boldly striped garment at center. Deep browns, greens, golds, cream, blue, and red repeat across skin, jewelry, foliage, and textiles, creating a tightly orchestrated pattern. The elongated faces, simplified features, still expressions, and compressed space give the figures a sculptural presence that evokes African masks, an aesthetic vocabulary Jones would return to throughout her career. At the same time, the work displays her exceptional command of decorative pattern and color, skills rooted partly in her early training as a textile designer. The Johnson Collection describes the painting’s jewel-like palette, patterned cloth, jewelry, and mask-inspired faces as central to Jones’s response to calls for Black artists to engage more directly with African cultural traditions.