I do hope she made it to the arrival of the Ergon

Working on Inside Outside was mostly a digital process for me, though the majority of notes I did make were illegible scribbles! But I did map out different content plans for the book and sketched a mind map of the 1.Outside album concept (which artist Paul Thomas later did properly for me).

Me too. The Buddha of Suburbia, 1.Outside and Earthling were such interesting and creative works. As much as I like 1999's Hours..., I was so disappointed at the time that he went back to basics.

Exactly. For some reason in the 90s, they wanted to pigeonhole him. And he was having none of that. And the bold decision to play his lesser-known songs on tour was a masterstroke in setlist craftsmanship.

Likewise. I adored it immediately. I was puzzled by the short-sighted critical backlash at the time.

Thirty-one years later, 1.Outside still raises more questions than it answers. I've spent years digging into the music, the characters, the recording sessions, the tour and the stories surrounding an album that refuses to sit quietly in the past.

On 25 September 1995, David Bowie opened the door to a non-linear world of art crimes, technology and obsession with a seedy cast of characters. It was an album that baffled critics and puzzled fans.

In 2019, I made a science fiction concept album called Mutate. I had a specific vision for how I wanted it to sound; an instrumental fusion of electronic, rock and industrial. But I was never entirely happy with the result...

Monday is the last day to see the video replay of Doctor Who Saved My Life!