Dragon's Eye Recordings

@dragonseyerecordings.com

Digital imprint and publisher focusing on elevating marginalized voices in experimental music.
Curated by @yannnovak.com.

https://www.dragonseyerecordings.com

@dragonseyerecordings.com

A new episode of theย ๐——๐—˜๐—ฅ ๐— ๐—ถ๐˜… ๐—ฆ๐—ฒ๐—ฟ๐—ถ๐—ฒ๐˜€ย is almost here. This month, Max Devereaux weaves together a mix of the music he & Alec used to shape the textural direction, composition, & conceptual direction of Febrile. Airing tomorrow on @campradio.bsky.social @ 4PM CET / 7AM PST

๐Ÿ“ป LISTEN โ†’ www.listen.camp

This is a flyer for a radio show. In the center is a photo of Max Devereaux looking a suite, wearing glasses and looking straight into the camera. There is a greenish textured wall behind him. At the top it reads "Episode 47โ€ with the DER triangle logo. on the side it reads โ€œ10.13.2026 | 16:00 - 17:00 CEST". At the bottom it reads "DER Mix Series: Max Devereaux".This is a flyer for a radio show. At the top it reads "Playlist 47โ€ below that it reads: Olivier Messiaen โ€” Et Exspecto Resurrectionem Mortuorum: I. Des Profondeurs De L'Abรฎme; Toshimaru Nakamura โ€” NIMB 51; Morton Feldman โ€” Le Bureau Des Pianistes - Intermission VI (1953); Koji Kondo โ€” Water Temple (The Legend of Zelda: Ocarina of Time); Iannis Xenakis โ€” Concret PH; Akira Kosemura โ€” Pale; Ennio Morricone โ€” Pace apparente; Jon Hassell โ€” Paris I; Louis and Bebe Barron โ€” The Monster Pursues / Morbius is Overcome; Haruomi Hosono & Tadanori Yokoo โ€” Hepatitis; Kazuya Ishigami โ€” Mec Worm; John Cage โ€” Williams Mix (Realized by David Tudor & Earle Brown); Cleo Laine โ€” At The River (Charles Ives cover); Taku Sugimoto โ€” Stained Glass Windows; Koji Kondo โ€” Title Theme (The Legend of Zelda: Ocarina of Time); Ryuichi Sakamoto โ€” solari. At the bottom it reads "DER Mix Series: Max Devereaux."
@dragonseyerecordings.com

Dragonโ€™s Eye Recordings is excited to welcome ๐—˜๐—ฑ๐—ผ๐—ฎ๐—ฟ๐—ฑ๐—ผ ๐—–๐—ฎ๐—บ๐—บ๐—ถ๐˜€๐—ฎ to our roster. Edoardo Cammisaย has been questioning the boundaries between silence and sound, and the infinite in-betweenness that emerges from them, since 2013.

๐Ÿ‘ค LEARN MORE โ†’ www.dragonseyerecordings.com/artist/cammi...

Light grey flyer with text on the top that reads โ€œEdoardo Cammisa,โ€ on the left it reads โ€œNew Artist,โ€ on the right it reads โ€œ2026,โ€ and has the triangular Dragonโ€™s Eye Recordings logo at the bottom. In the center is a photo of Edoardo Cammisa sitting on a beach in a white t-shirt with his back to the camera. There is beach grass in the foreground and the ocean is visible in the distance.
@dragonseyerecordings.com

"There is always something happening around the edges, although the record has the good manners not to point at every detail with a fluorescent marker."

New review of ๐™ˆ๐™ž๐™ญ๐™š๐™™ ๐™Ž๐™ž๐™œ๐™ฃ๐™–๐™ก๐™จ ๐™„๐™„๐™„ by @faxmusik.bsky.social and @brauliolam13.bsky.social Lam from Chain D.L.K.

๐Ÿ“– READ โ†’ chaindlk.com/reviews/13777

@rushabnandha.bsky.socialReposted by @dragonseyerecordings.com

Serving as both continuation and contradiction of Tear, soarsoftly seeks to carry the careful transients of the first record forward while opposing nearly every one of its ideals. soarsoftly is out on @dragonseyerecordings.com on October 30, and available now for pre-order on Bandcamp ๐Ÿค

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