Using “Story 2” by @clppng.bsky.social to teach time signatures went over very well today.
In Goodnight Goodnight the animals all brush their teeth, take baths, AND THEN exercise before bed

@clppng.bsky.social
Diggs /// Hutson /// Snipes DEAD CHANNEL SKY /// 03-14-2025 on @subpop.bsky.social
In Goodnight Goodnight the animals all brush their teeth, take baths, AND THEN exercise before bed
Using “Story 2” by @clppng.bsky.social to teach time signatures went over very well today.
What's that? VISIONS OF BODIES BEING BURNED by @clppng.bsky.social is next? Of course it is. The second Horrorcore album from your favorite's favorite, it's not just more political & supernatural, it maintains the masterclass of the first drop. Essential listening.
My copy looked like this. Depressing that reprint replaced Name of the Rose with Da Vinci Code
THERE EXISTED AN ADDICTION TO BLOOD is a sonic masterpiece by @clppng.bsky.social. Horrorcore noise rap by the best to ever do it, the production draws influence from classic horror films, Daveed Diggs delivers impeccable flow, and we even get social commentary.
Lots of good answers here but nobody has mentioned the incredible sets in Son of Frankenstein (1939)
Correct answer
You going to Monterey Market or Berkeley Bowl?
Unfortunately, tonight's discussion has been canceled. We will post a new event date ASAP, stay tuned.
Thanks for your understanding.
- Haley & @clppng.bsky.social
Oh yeah this was good. We stopped using it live cause we’d always accidentally whap the faders with a cable and the volumes would jump around
Hi everyone,
@clppng.bsky.social and I have had to push back our conversation until this coming Tuesday, the 22nd, at 6:30pm PST.
Please join us then to discuss their masterpiece "Splendor & Misery", 10 years after its release.
I only felt a “shared bond” immediately after 9/11 by participating in the largest protest movement in the history of the world as every representative democracy marched off to war
I'm very excited to announce that on September 17th, I'll be hosting a conversation with @clppng.bsky.social to discuss "Splendor & Misery" and its legacy, a decade since its release.
The discussion will be streamed live from my YouTube channel, starting at 6:30pm PST.
Sometimes I get excited about weird things... that's why I made a video about "the Doppler swing" and how you can hear it in one of my favorite @clppng.bsky.social songs www.youtube.com/shorts/FVwjK...
Afterward we tried to tell Masami how great his set was but we were just babbling in rapid English at him while he smiled politely and Jim O’Rourke had to come up and tell us that he definitely wasn’t understanding anything we said.
Security let us into the photo pit for Merzbow, but said “only for the first three songs.” Masami played one 50 minute continuous roar so nobody ever made us leave
The lady who hired us told us we weren’t allowed to talk to Eddie Vedder, Cecil Taylor, or Aphex Twin
Got to meet dozens of our heroes—SY, Peaches, The Dead C, Fred Anderson/William Parker/Hamid Drake, Cannibal Ox, Stephen Malkmus, Kevin Drumm, Pita, Boredoms, Sleater-Kinney, Mats Gustafson, etc…
In 2002 Jonathan and I were hired by UCLA (we were students there at the time) to film backstage interviews at the All Tomorrow’s Parties fest happening on campus. That year it was curated by Sonic Youth…
Yep. It’s cool. They got permission eventually