Kaleidotrope is a quarterly e-zine of sci-fi, fantasy & horror edited by Fred Coppersmith since 2006.
Read it at http://www.kaleidotrope.net
Support it at http://patreon.com/kaleidotropezine
Avatar and cover art by Cody Vrosh

@kaleidotrope.bsky.social
Kaleidotrope is a quarterly e-zine of sci-fi, fantasy & horror edited by Fred Coppersmith since 2006.
Read it at http://www.kaleidotrope.net
Support it at http://patreon.com/kaleidotropezine
Avatar and cover art by Cody Vrosh
My new Genre Grapevine covers the continuing issues with Must Read Magazines, the new owner of Asimov's, Analog and F&SF.
Must Read Magazines has pushed the patience of the science fiction and fantasy genre with secrecy, silence, bad contracts, and bad statements. www.patreon.com/jasonsanford...
The sad, tired, unimpressive sameness of generative AI’s output isn’t even top of my list of reasons not to use it, but oh man does it always look sad, tired, and unimpressively the same.
Every time an author says they’ve used AI to truly realize their vision, I think, *that’s* what the story looked like in your head? 😕
Kaleidotrope opens to fiction and poetry submissions on October 18.
This is the last time Kaleidotrope will be open to fiction and poetry submissions this year, and I don't yet know exactly how long it will be closed after that.
Damian Stockli’s “A Brief History of the Doorway Program”: A portal found near Cairo leads a secret U.S. team to human societies on alien worlds. Alien tech reshapes power on Earth.
https://kaleidotrope.net/autumn-2026/a-brief-history-of-the-doorway-program-by-damian-stockli/ #SciFi #ShortFiction
Come away, O human child, and enjoy @mariness.bsky.social's new story of unexpected deals made with fairies in "The Bargain.
Kaleidotrope opens to fiction and poetry submissions on October 18.
You should absolutely care about your reprint rights, but there are other reasons why you should care how much copyright your publisher tries to take.
Have you read it yet?
If a publisher like MRM is trying to hold on to your copyright, that begs the question of what they're going to do with it. License it all as AI training data, I would have to imagine. 😠
That's lovely to hear. Kaleidotrope doesn't pay enough to attempt any kind of rights grab, but also? Why be that guy? I would much rather have authors and artists who want to work with me again than hold on to the copyrights that are rightfully theirs.
A really useful, informative, and straightforward thread, especially for new authors. Know your rights. Negotiate for them. Publishing is a partnership, and publishers who don’t respect that frankly don’t deserve your work.
Today's throwback story rec is After Midnight, in a Dead Woman’s Shoes by Frances Rowat at Kaleidotrope (2022) kaleidotrope.net/archives/sum...
Lose yourself in @kittrick.bsky.social's new poem "Good Morning Forgetfulness."
Moreover, a publisher who only removes unfair clauses from contracts when they get pushback from more experienced writers or artists isn’t to be trusted.
A publishing contract is just that—a negotiated deal between parties that should honor the rights of *both* authors and publishers. But a contract that’s unfair to authors ultimately hurts publishers too. A publisher who tries to grab too many rights ultimately ends up with none, and rightly so.
as this is a lesbian day, please consider enjoying this story of mine about a giant lesbian!
Just a reminder: anything submitted to Kaleidotrope before the submissions window opens won’t be held until then—it won’t be read at all. If you accidentally send me something too early, you’ll need to re-send it when submissions open.
Always check the date in guidelines whenever you see a call for submissions—even when it’s from the editor/publisher, who ought to know better. 😉