thread between them to mimic the look of a crime scene board, where clues are connected with string. That is how I explored the theme of threads in my FMP(2/2)

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bottom reinforce the idea of connection and binding, visually tying the artwork together. (3/3)

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fashion designers and artists like Vivienne Westwood. (3/3)

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jigsaw ceramic piece to show my idea. Each member of my family has a piece of jigsaw and when it's connected, it makes a complete puzzle. (2/2)

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found its fossils long before discovering the creature was still alive. (3/3)

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evolution of how buildings are made throughout history creates another thread connecting the past to the present. (3/3)

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experience even better and developed my art skills in many different ways. (5/5)

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I made a painting of the human facial muscle structure disconnected from the face and attached to it by loose muscle to resemble threads. (2/2)

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canvas and being draped over the edge. The painting on the canvas is a lighter purple than the fabric to show the fabric expanding out. (2/2)

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decorative beads create extra detail. Through painting and textile work, I explored the connection between 'Threads' and living plants. (3/3)

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experienced, whether good or bad. I feel a connection with my younger self when creating art, as that's when you first lean into your creativity. (3/3)

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us, and without it, life would not exist. (5/5)

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delicate linework to communicate ideas of emotional bonds and destiny. (3/3)

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feel authentic rather than perfect, reflecting how alternative fashion is often built over time through personal interests, experiences, and creativity.(3/3)

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Maurizio Anzeri inspired me to physically unite the frame and the canvas using embroidery. (4/4)

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colour palette beautifully illustrates my deep personal and cultural connection to my Sri Lankan identity and traditions. (3/3)

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