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@shinkyo-poesy.artOct 6, 2026, 1:53 PM

随論　『縦書きの楽譜』
-Essay "The musical score in vertical writing"-

【沈黙を破る、思索の軌跡】
Trace the trajectory of the thought.

新約詩篇~詩人・心鏡公式サイト~
shinkyo-poesy.art/theory.html#...

#反現代詩 #新約詩篇 #詩人 #芸術 #哲学
#MonoChrome #ShinkyoPoesy

An abstract monochrome artwork with warm tints based on the essay 'The musical score in vertical writing'. The vertical composition is dominated by a central, obscured dark mass above a series of heavy, rugged horizontal bands, like a heavily textured print or woodcut. The entire surface is covered in organic patterns, stains, scratches, and grid-like imperfections. The obscured circular mass in the center embodies the 'words within the poem, a sequence of chords' that are 'absolutely' unable to become 'the musical score in vertical writing', struggling with the 'technical difficulties' of the calculator's 'framework'. The dense horizontal layers at the base visualize the 'base' of the 'rules of the West', 'horizontal writing', and 'binary numbers, 1 and 0, a sequence of numbers'. The intricate grid patterns and boundary lines within the textures visually render the 'boundary lines, reference lines' and 'orderly vertical writing', showing the 'subordination to the reference' of 'Hiragana' and 'Katakana' derived from 'Kanji'. The profound, burdened sense of cultural collision and formal constraint visualizes 'Shinkyo's poems, horizontal writing' and the fundamental 'rationale' for 'Japanese'.
@shinkyo-poesy.artSep 21, 2026, 1:20 PM

『信徒』 （Op.25）
"Believers" (Op.25)

【詩篇の全容は、この扉の奥に】
Knock, and the gate to the poem shall be opened.

詩人・心鏡公式サイト『新約詩篇』
shinkyo-poesy.art/works_3.html...

#反現代詩 #新約詩篇 #詩人 #芸術 #哲学
#MonoChrome #ShinkyoPoesy #AbstractArt

An abstract monochrome artwork based on the poem "Believers" (Op.25). The composition is dominated by dark, heavy, and twisted brushstrokes rising from the bottom, visually translating the 'twisted backs' and the 'arms spread left and right'. These rigid, tree-like silhouettes appear 'stopped' and 'frozen' in a posture of 'waiting' and 'praying' within the 'night park sinking in unmoving shadows' and the 'night garden'. Above them, soft, diffused gray washes evoke the 'gray clouds' hiding and revealing the sky, setting the stage for the 'soundless co-performance played by the moon and stars'. The piece perfectly captures the solemn, timeless atmosphere of silent devotion.
@shinkyo-poesy.artSep 6, 2026, 12:55 PM

『雲丹』 （Op.24）
"Sea Urchin" (Op.24)

【詩篇の全容は、この扉の奥に】
Knock, and the gate to the poem shall be opened.

詩人・心鏡公式サイト『新約詩篇』
shinkyo-poesy.art/works_3.html...

#反現代詩 #新約詩篇 #詩人 #芸術 #哲学
#MonoChrome #ShinkyoPoesy #AbstractArt

An abstract monochrome artwork based on the poem "Sea Urchin" (Op.24). The composition is centered on a dense, intensely black, spherical mass covered in sharp, radiating spikes. This visually translates the 'sea urchin' that is 'round yet not round' and its 'coldly shining' and 'warmly shining' 'sea urchin spines'. The central entity is surrounded by deep, swirling dark washes representing the 'dark and black ocean floor' and the flowing 'lukewarm water' and 'chilled water'. Intense, high-contrast white bursts and piercing lines break through the darkness from behind the urchin, embodying the 'flickering' light that flashes 'red, blue, yellow, white', and the chaotic energy of 'struggling limbs everywhere'. The swirling textures around the edges capture the atmospheric shift towards the 'bright, white sea' where the vision ultimately 'vanishes as a dream'.