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@abbsound.bsky.socialOct 6, 2026, 2:53 AM

Who Is Photographing Whom? (Lucky SHD 100)

A monument is photographed.
Film photographs the photographers.
April says nothing.

#filmphotography #lomography #blackandwhite #monochrome #35mm #fedmicron #luckyshd100 #bnw #ClassicMono #monument #analog #halfframe #lomopunk #expiredfilm ##MotionBlur

On Sretensky Boulevard, someone raises a phone to eye level.
The blur conceals the details. Only the gesture remains: a person attempting to preserve something.
Fed Micron does not yet know what that something is.
Not yet.

Series: Variations on a Theme "...with a Film Across Moscow"
Location: Sretensky Boulevard, Moscow
Photo taken: April 6, 2018
Film format: 35mm half-frame
Camera: Fed Micron (№8110014)
Film: Lucky SHD 100 New Black & White (expired, expiration date unknown)
Developer: Xtol
Scanner: Noritsu LS-1100
Every photograph preserves memory while simultaneously becoming someone else's memory.

A person took out a phone.
The phone took out an image.
The image had not arrived yet.
So everyone waited for the second frame.
The answer turns out to be surprisingly simple. On the other side of the lens stands the monument to Vladimir Grigorievich Shukhov. History, bronze, and public memory become the subject of another photograph. A curious chain emerges: the monument watches the city, the passerby photographs the monument, and the film photographs them both.

Series: Variations on a Theme "...with a Film Across Moscow"
Location: Sretensky Boulevard, Moscow
Photo taken: April 6, 2018
Film format: 35mm half-frame
Camera: Fed Micron (№8110014)
Film: Lucky SHD 100 New Black & White (expired, expiration date unknown)
Developer: Xtol
Scanner: Noritsu LS-1100
Memory prefers to cast in bronze not who we became, but who we dreamed of being at dawn.

The monument stood still.
The person stood opposite.
The photograph stood between them.
Curiously, it turned out to be the busiest one.
@abbsound.bsky.socialOct 2, 2026, 11:30 PM

“At the Confluence of Centuries” (Lucky SHD 100 New)

Spire by the stream.
Through bare spring branches
Cathedral domes gleam.

#filmphotography #lomography #blackandwhite #monochrome #cityscape #bw #landscape #35mm #fedmicron #luckyshd100 #bnw #ClassicMono

River and canal.
Buildings from different centuries
await the same May.

At the junction of the Moskva River and the Vodootvodny Canal, time behaves in unusual ways. A modest nineteenth-century gatekeeper's house stands beside the Imperial River Yacht Club. Behind them rise the domes of the Cathedral of Christ the Saviour and the buildings of the former Red October factory. For a moment, the city appears to abandon chronology altogether, allowing several eras to occupy the same landscape at once. The photograph merely accepted the invitation.

Technical Credits
Foreground: Babiegorodskaya Dam Gatekeeper's House (1830s), Moscow Imperial River Yacht Club (founded 1867)
Background: Cathedral of Christ the Saviour, Red October complex
Location: Moscow River and Vodootvodny Canal Confluence Moscow, Russia
Photo taken: April 14, 2018
Film format: 35mm half-frame
Camera: Fed Micron (№8110014)
Film: Lucky SHD 100 New Black & White (expired, expiration date unknown)
Developer: Xtol
Lab & Scanner: printbypro / Noritsu LS-1100
Philosophy: A city comes alive where different centuries engage in a quiet dialogue.

Bare spring branches act as a great fine-detail test for Lucky SHD 100 scanned on the Noritsu LS-1100. The background architecture and brick textures retain sharp graphic clarity without soft edges.
@abbsound.bsky.socialSep 28, 2026, 3:04 AM

Nameless Lenin: A Conversation That Never Happened (FED Micron+Lucky SHD 100)

In the first frame Lenin observed the photographer.
In the second frame the photographer observed Lenin.
No winner could be determined.
Both sides maintained silence.

#filmphotography #35mm #fedmicron #luckyshd100 #bnw

Marble holds the gaze.
The artist's name is erased,
The leader stays stern.

A direct half-length portrait brings forward one of the most sculpturally convincing monuments to Lenin in the Muzeon collection. Moving past standard Soviet mass production, this white marble piece stands out with its refined execution: the confident turn of the shoulders, a hand tucked into the pocket, natural folds along the lapel, and a piercing, squinting gaze fixed directly on the viewer. Though preserving high academic mastery, the sculpture has lost its creator's name, registered in museum archives simply as "Author Unknown." Captured on Lucky SHD 100 film with the half-frame FED Micron against a crisp April sky, the historical icon turns into a study of pure sculptural art.

Artwork: Lenin
Author: Unknown
Material: Marble
Location: Moscow, Arts Park «Muzeon»
Photo taken: April 9, 2018
Film format: 35mm half-frame
Camera: Fed Micron (№8110014)
Film: Lucky SHD 100 New Black & White (expired, expiration date unknown)
Developer: Xtol
Lab & Scanner: printbypro / Noritsu LS-1100
Philosophy:  Great craftsmanship remains great even when the artist's name surrenders to the identity of his subject.

Xtol delicately renders the marble's midtones: bright spring sunlight hits the left side of the figure without clipping highlights on the forehead or suit lapels, while expired Lucky SHD 100 lends a velvety micro-contrast against the bare tree branches.I asked a question.
The marble kept the silence.
An experienced agent.

In the first photograph, he was observing.
In the second, the stringer moved closer.
Fed Micron has no zoom lens, so negotiations with history had to be conducted in person. A few steps forward, a low angle, an attempt to establish direct visual contact.
Lenin listened carefully.
Did not interrupt.
Did not argue.
Did not reply.
Stone is sometimes far more disciplined than people.

Technical Credits:
Artwork: Lenin
Author: Unknown
Material: Marble
Location: Moscow, Arts Park «Muzeon»
Photo taken: April 9, 2018
Film format: 35mm half-frame
Camera: Fed Micron (№8110014)
Film: Lucky SHD 100 New Black & White (expired, expiration date unknown)
Developer: Xtol
Lab & Scanner: printbypro / Noritsu LS-1100
Philosophy:  Stone keeps secrets better than any human, for its silence spans centuries.

The stringer stepped closer.
Lenin refused to step back.
They looked at each other.
The result was a draw.


The low-angle perspective emphasizes the sculptured jawline, brow, and suit collar. April sunlight highlights the stone's tactile surface, converting this anonymous monument into a dramatic, almost tangible study.

Xtol development at this ultra-close range shines brilliantly: micro-textures, tiny chips, and marble grains on the chin and nose remain fully visible. Expired Lucky SHD 100 offers a rich tonal span from deep shadows in the eye sockets to clean highlights on the shoulder.
@abbsound.bsky.socialSep 28, 2026, 2:18 AM

White Square: Monologue on a Non-Existent Hat. Part V-VIII (Lucky SHD 100New)

Oh look, it is me!
Am I turning into hat?
No, just Nadine here.

#LomoPunk #StreetPortrait #FilmPhotography #35mm #35mmFilm #BlackAndWhite #BWFilm #BW #Monochrome #ClassicMono #FilmIsNotDead #Girl #fedmicron #luckyshd100

Hat sits on the head.
What stays hidden under brim?
Could it be a thought?

The White Square turns into a stage where Nadine Froh plays herself — and everyone passing by.
The hat becomes a metaphor for a gesture that needs no explanation.
The city watches silently: glass and dome, office and church, all breathing in one rhythm.
It’s not a walk — it’s a dialogue between chance and form.

Technical Credits:
Model: Nadine Froh
Film format: 35mm half frame
Camera: Fed Micron (№8110014)
Film: Lucky SHD 100 New (Exp. 2018.04)
Lab & Scanner: printbypro / Noritsu LS-1100
Location: White Square, Lesnaya St., 5, Moscow
Date of shooting: April 2018
Philosophy: “We don’t seek meaning — we just try it on, like a hat.”

A tiny frame, half the length of an ordinary human glance. Within it, Chinese silver that fell asleep in the previous decade meets a Soviet shutter mechanism. The grain is as thick as morning porridge, the contrast has departed for Berlin along with Nadine, and the details have slipped into half-frame non-existence. This is not an image defect; it is a live broadcast of time slowly chewing on light.Oh look, it is me!
Am I turning into hat?
No, just Nadine here.

The White Square turns into a stage where Nadine Froh plays herself — and everyone passing by.
The hat becomes a metaphor for a gesture that needs no explanation.
The city watches silently: glass and dome, office and church, all breathing in one rhythm.
It’s not a walk — it’s a dialogue between chance and form.

Technical Credits:
Model: Nadine Froh
Film format: 35mm half frame
Camera: Fed Micron (№8110014)
Film: Lucky SHD 100 New (Exp. 2018.04)
Lab & Scanner: printbypro / Noritsu LS-1100
Location: White Square, Lesnaya St., 5, Moscow
Date of shooting: April 2018
Philosophy: “We don’t seek meaning — we just try it on, like a hat.”

A tiny frame, half the length of an ordinary human glance. Within it, Chinese silver that fell asleep in the previous decade meets a Soviet shutter mechanism. The grain is as thick as morning porridge, the contrast has departed for Berlin along with Nadine, and the details have slipped into half-frame non-existence. This is not an image defect; it is a live broadcast of time slowly chewing on light.Nadine and the sign.
Brunch starts right at twelve o'clock.
The hat stays so still.

The White Square turns into a stage where Nadine Froh plays herself — and everyone passing by.
The hat becomes a metaphor for a gesture that needs no explanation.
The city watches silently: glass and dome, office and church, all breathing in one rhythm.
It’s not a walk — it’s a dialogue between chance and form.

Technical Credits:
Model: Nadine Froh
Film format: 35mm half frame
Camera: Fed Micron (№8110014)
Film: Lucky SHD 100 New (Exp. 2018.04)
Lab & Scanner: printbypro / Noritsu LS-1100
Location: White Square, Lesnaya St., 5, Moscow
Date of shooting: April 2018
Philosophy: “We don’t seek meaning — we just try it on, like a hat.”

A tiny frame, half the length of an ordinary human glance. Within it, Chinese silver that fell asleep in the previous decade meets a Soviet shutter mechanism. The grain is as thick as morning porridge, the contrast has departed for Berlin along with Nadine, and the details have slipped into half-frame non-existence. This is not an image defect; it is a live broadcast of time slowly chewing on light.Lean against the wall.
Hat, puffer coat, paving stones.
Irony now sleeps.

The White Square turns into a stage where Nadine Froh plays herself — and everyone passing by.
The hat becomes a metaphor for a gesture that needs no explanation.
The city watches silently: glass and dome, office and church, all breathing in one rhythm.
It’s not a walk — it’s a dialogue between chance and form.

Technical Credits:
Model: Nadine Froh
Film format: 35mm half frame
Camera: Fed Micron (№8110014)
Film: Lucky SHD 100 New (Exp. 2018.04)
Lab & Scanner: printbypro / Noritsu LS-1100
Location: White Square, Lesnaya St., 5, Moscow
Date of shooting: April 2018
Philosophy: “We don’t seek meaning — we just try it on, like a hat.”

A tiny frame, half the length of an ordinary human glance. Within it, Chinese silver that fell asleep in the previous decade meets a Soviet shutter mechanism. The grain is as thick as morning porridge, the contrast has departed for Berlin along with Nadine, and the details have slipped into half-frame non-existence. This is not an image defect; it is a live broadcast of time slowly chewing on light.
@abbsound.bsky.socialSep 24, 2026, 5:51 PM

White Square: Monologue on a Non-Existent Hat. Part I - IV (Lucky SHD 100 New)

“We don’t seek meaning — we just try it on, like a hat”

#LomoPunk #StreetPortrait #FilmPhotography #35mm #35mmFilm #BlackAndWhite #BWFilm #BW #Monochrome #AnalogPhotography #FilmIsNotDead #Girl #fedmicron #luckyshd100

Hat and a open hand.
Who will toss a coin into
Pure empty space now?

The White Square turns into a stage where Nadine Froh plays herself — and everyone passing by.
The hat becomes a metaphor for a gesture that needs no explanation.
The city watches silently: glass and dome, office and church, all breathing in one rhythm.
It’s not a walk — it’s a dialogue between chance and form.

Technical Credits:
Model: Nadine Froh
Film format: 35mm half frame
Camera: Fed Micron (№8110014)
Film: Lucky SHD 100 New (Exp. 2018.04)
Lab & Scanner: printbypro / Noritsu LS-1100
Location: White Square, Lesnaya St., 5, Moscow
Date of shooting: April 2018
Philosophy: “We don’t seek meaning — we just try it on, like a hat.”

A tiny frame, half the length of an ordinary human glance. Within it, Chinese silver that fell asleep in the previous decade meets a Soviet shutter mechanism. The grain is as thick as morning porridge, the contrast has departed for Berlin along with Nadine, and the details have slipped into half-frame non-existence. This is not an image defect; it is a live broadcast of time slowly chewing on light.A hat is a ring.
Yet why does it sit right there
So brazenly void?

The White Square turns into a stage where Nadine Froh plays herself — and everyone passing by.
The hat becomes a metaphor for a gesture that needs no explanation.
The city watches silently: glass and dome, office and church, all breathing in one rhythm.
It’s not a walk — it’s a dialogue between chance and form.

Technical Credits:
Model: Nadine Froh
Film format: 35mm half frame
Camera: Fed Micron (№8110014)
Film: Lucky SHD 100 New (Exp. 2018.04)
Lab & Scanner: printbypro / Noritsu LS-1100
Location: White Square, Lesnaya St., 5, Moscow
Date of shooting: April 2018
Philosophy: “We don’t seek meaning — we just try it on, like a hat.”

A tiny frame, half the length of an ordinary human glance. Within it, Chinese silver that fell asleep in the previous decade meets a Soviet shutter mechanism. The grain is as thick as morning porridge, the contrast has departed for Berlin along with Nadine, and the details have slipped into half-frame non-existence. This is not an image defect; it is a live broadcast of time slowly chewing on light.A bow and a hat.
All of this is just a game.
The felt hat knows not.

The White Square turns into a stage where Nadine Froh plays herself — and everyone passing by.
The hat becomes a metaphor for a gesture that needs no explanation.
The city watches silently: glass and dome, office and church, all breathing in one rhythm.
It’s not a walk — it’s a dialogue between chance and form.

Technical Credits:
Model: Nadine Froh
Film format: 35mm half frame
Camera: Fed Micron (№8110014)
Film: Lucky SHD 100 New (Exp. 2018.04)
Lab & Scanner: printbypro / Noritsu LS-1100
Location: White Square, Lesnaya St., 5, Moscow
Date of shooting: April 2018
Philosophy: “We don’t seek meaning — we just try it on, like a hat.”

A tiny frame, half the length of an ordinary human glance. Within it, Chinese silver that fell asleep in the previous decade meets a Soviet shutter mechanism. The grain is as thick as morning porridge, the contrast has departed for Berlin along with Nadine, and the details have slipped into half-frame non-existence. This is not an image defect; it is a live broadcast of time slowly chewing on light.The hat tumbles down.
Is it a decline of taste
Or just a quick draft?

The White Square turns into a stage where Nadine Froh plays herself — and everyone passing by.
The hat becomes a metaphor for a gesture that needs no explanation.
The city watches silently: glass and dome, office and church, all breathing in one rhythm.
It’s not a walk — it’s a dialogue between chance and form.

Technical Credits:
Model: Nadine Froh
Film format: 35mm half frame
Camera: Fed Micron (№8110014)
Film: Lucky SHD 100 New (Exp. 2018.04)
Lab & Scanner: printbypro / Noritsu LS-1100
Location: White Square, Lesnaya St., 5, Moscow
Date of shooting: April 2018
Philosophy: “We don’t seek meaning — we just try it on, like a hat.”

A tiny frame, half the length of an ordinary human glance. Within it, Chinese silver that fell asleep in the previous decade meets a Soviet shutter mechanism. The grain is as thick as morning porridge, the contrast has departed for Berlin along with Nadine, and the details have slipped into half-frame non-existence. This is not an image defect; it is a live broadcast of time slowly chewing on light.