Even as somebody who only watched like 2 or 3 #JacobGeller videos, this still hurts a bit to learn about the allegations, true or not.

Even as somebody who only watched like 2 or 3 #JacobGeller videos, this still hurts a bit to learn about the allegations, true or not.
Why do you get paid more to talk, with this oversentimental overlay, about video games than the people who make them? Best of all Possible Worlds theory applies to you momentarily. #videogames #JacobGeller #Egypt
Where other RPGs treat skills as tools for dominance, Disco Elysium treats them as internal voices in a dialogue with a dying world. It proves that while we may try to retreat into the void, a city's history—and our own—persists in the cold salt air.
By inviting us to share in their final moments of imagination, the game reminds us that keeping someone's story alive is the most human act of all.
#WhatRemainsOfEdithFinch #AnnapurnaInteractive #JacobGeller #GameAnalysis #VideoEssays
Connecting *Subnautica* to centuries of maritime folklore—from the Scandinavian Kraken to the elusive Giant Squid—Geller reminds us that the ocean refuses to submit to human hubris. To explore the abyss, we must first surrender to its vastness.
"The scene in which people are needlessly killed in horrifying ways is, actually, about people being needlessly killed in horrifying ways".
#SpecOpsTheLine #JacobGeller #GameAnalysis #VideoEssays #IndieGames
You sit by a campfire, toast a marshmallow, play a song on your instrument, and watch the sun collapse. It reminds us that while we cannot unexplode the sun, the moments of wonder we share before the end are real, valuable, and entirely ours.
"It’s one of the few choices I can make"—this "modern Majora’s Mask " proves that human connection remains our ultimate defiance against the abyss.
#ClairObscur #Expedition33 #JacobGeller #GameAnalysis #IndieGames