Emmy-winning re-recording mixer Tim Hoogenakker, CAS, gets ready for take-off while crafting a symphony of solenoids and startup procedures

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Experience the haunting sounds of Widow’s Bay and the deep sound design work of Emmy-nominated editor Kyle Reiter, ACE

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PLUR1BUS editor Chris McCaleb, ACE, uses some “trickery” and motion effects in Avid Media Composer to change the timing of scenes

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Explore the creative process of Widow’s Bay with Emmy-winning re-recording mixer Tim Hoogenakker, CAS

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Step into the suspense of PLUR1BUS with Emmy-winning composer Dave Porter

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Widow’s Bay editor Jen Bryson pinpoints the perfect moment in her Emmy-nominated episode where ADR was needed

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BEEF editor, Laura Zempel, ACE, carefully crafts the power shifts and hidden agendas in her Emmy-nominated episode

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PLUR1BUS editor Joey Liew worked with a selection from the show’s music supervisor playlist to craft his Emmy-nominated episode

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Unlock the eerie yet captivating sound of Widows Bay with Emmy-nominated re-recording mixer Larry Benjamin, CAS

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Emmy-nominated editor of Euphoria, Aaron I. Butler, ACE, explains how asymmetrical editing helped him work with Hans Zimmer’s score

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