Jello Biafra didn't just front a band, he ran a full-scale assault on complacency. Dead Kennedys made hardcore feel like a warning label.

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Are we not men? Devo asked the question in matching jumpsuits and answered it with some of the strangest, sharpest hooks New Wave ever produced.

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Leather, a Gibson Melody Maker, and absolutely zero patience for anyone telling her no. Joan Jett didn't ask punk to let her in, she kicked the door down.

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Art school nerves turned into some of the most inventive rhythms of the era. #TalkingHeads made "weird" feel like the only reasonable way to make music.

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The sound changed, but the edge remained. New Order turned post punk into something darker, bigger, and entirely their own.

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Cool, mysterious, and unmistakably New Wave, Martha Davis gave The Motels a presence all her own.

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There was nobody quite like Lene Lovich. Her unmistakable voice and theatrical style made her a standout of the New Wave era.

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One artist. Thousands of eyes. David Bowie had a way of turning a crowd into part of the spectacle.

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Boston had no shortage of attitude, and Del Fuegos brought plenty of their own. Rock ’n’ roll with a punk edge.

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The Go-Go’s brought punk energy to the pop charts and changed the game for women in rock.

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Before the MTV stardom, there was punk. Billy Idol brought that attitude with him every time he hit the stage.

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Fast, loud, and straight out of Boston. Gang Green brought hardcore to full speed.

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Before the solo years, Aimee Mann fronted ’Til Tuesday and made New Wave unmistakably her own.

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Under the red lights, David Byrne was impossible to ignore. A Talking Heads moment frozen in time.

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Al Jourgensen never played it safe. With Ministry, he pushed industrial music into darker territory.

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