Which of the colourised 1901 illustrations has stayed with you most?

Which of the colourised 1901 illustrations has stayed with you most?
"Your father had an accident there. He was put in a pie by Mrs McGregor." The text has been in every edition since 1901.
In a letter to Warne in early 1902, Beatrix Potter added a postscript: "I do not know if it is worth mentioning — but Dr. Conan Doyle had a copy for his children and he has a good opinion of the story and words."
In the 1901 edition, Mrs Rabbit grows rabbit tobacco in her garden — "which is what we call lavender." Then: "Did you ever happen to see a little old buck-rabbit enjoying a pipe of rabbit-tobacco?" There is an illustration.
In the 1901 edition there is an illustration of a cabbage in Mr McGregor's garden — and a passage of text: "There surely never was such a garden for cabbages!
There is a dedication in the 1901 edition. There is none in the 1902.
Every publisher wanted a bigger, more expensive book. Beatrix Potter wanted the opposite.
She drew forty-two illustrations for the private edition, all in pen and ink. Forty-one made it into the book.
In 1900 Beatrix Potter sent her manuscript to at least six publishers. Every single one said no.
The 1902 Warne edition — the first to appear in colour.
In December 1901 Beatrix Potter paid Strangeways & Sons of Tower Street to make 250 copies of The Tale of Peter Rabbit at her own expense.
The Tale of Benjamin Bunny by Beatrix Potter. Complete.
Christmas 1903. Her father walked through the Burlington Arcade in Mayfair and found a toy squirrel labelled Nutkin on sale. She had not made it. Had not been asked.
"When the storm is over and the sun is shining again, then they will all come out of doors and play." — Beatrix Potter
Twenty-three of Beatrix Potter's tales, with audio narration. Free.
Mrs Tiggy was a real hedgehog, and Beatrix Potter's model for Mrs Tiggy-Winkle.
"I have had a perfectly happy life." — Beatrix Potter
The Tale of Jemima Puddle-Duck by Beatrix Potter. Complete.
Beatrix Potter illustrated every page of every tale herself. No studio. No delegation. Every brush mark, hers.