Keywords are how readers search — not how catalogs shelve.
Categories put you on a shelf. Keywords match the phrases a reader actually types. Complementary, not stuffing.
Where do your keywords still sound like catalog labels?

Keywords are how readers search — not how catalogs shelve.
Categories put you on a shelf. Keywords match the phrases a reader actually types. Complementary, not stuffing.
Where do your keywords still sound like catalog labels?
Look Inside starts where the want starts.
If page one is weather, waking, or backstory, cut the throat-clearing. Open on desire so the sample promises the book.
Where does your true want begin?
Stamp-size is the real cover test.
If title and mood vanish when you squint, the full-size beauty never gets clicked.
One clear idea. Strong contrast. Title that survives the shrink.
What still reads at arm’s length?
Price is a promise, not a race to the floor.
Match the number to the craft readers feel on the page — and to what your category already expects. Undercutting everything rarely builds trust.
What price feels honest for your next book?
Stephen King's Writing Process: What the Master Actually Does — and What Writers Can Learn
https://www.rfr.bz/b94d55353
Stephen King's writing process is examined in-depth. Dig in.
#StephenKing #WritingProcess #Horror #Fiction #AuthorCraft
Genre shelves the book. Motive explains the buy.
Pick one primary motive and two supports. Then align cover, blurb, tags, sample, and price — contradictions kill the sale.
Which motive does your manuscript hire itself for?