"I was so desperate to change and I didn't know how. And this film gave that to me." - Jordan Firstman on the life-changing experience of making CLUB KID #NYFF64

"I was so desperate to change and I didn't know how. And this film gave that to me." - Jordan Firstman on the life-changing experience of making CLUB KID #NYFF64
An amazing panel on the possibilities and challenges confronting contemporary film moderated by Erika Balsom, author of THE EDGES OF CINEMA, with Peggy Ahwesh , Éric Baudelaire, and Tiffany Sia as part of #NYFF64. bit.ly/4wWIGzg @erikaaaa.bsky.social @filmlinc.bsky.social @columbiaup.bsky.social
John Lynn braves the cacophony of Nicolás Pereda's EVERYTHING ELSE IS NOISE, another singular and compelling addition to Pereda’s distinctive body of work #NYFF64 buff.ly/i83JXv5
Day 10 at #NYFF64: Jordan Firstman's big-buzz debut Club Kid, a confident dram-com about a cokey NYC downtown party boy who has to get his messy-gay life together when the (ideal) kid he didn't know he fathered is airdropped into his life, has real visual style and a very sure sense of its milieu. >
Paweł Pawlikowski’s FATHERLAND distinguishes itself from Ida and Cold War with a bitter humor. The film has its New York premiere today at #NYFF64. shorturl.at/ibXVf
Tonight at 6 pm! To mark the publication of her new book, THE EDGES OF CINEMA, Erika Balsom will lead a panel discussion featuring #NYFF64 filmmakers Peggy Ahwesh, Éric Baudelaire, and Tiffany Sia. bit.ly/4ruRTgh @erikaaaa.bsky.social @filmlinc.bsky.social @columbiaup.bsky.social
"The way Zischler and Hüller play their relationship is so wonderfully real and subtle and appropriately opaque for all us non-Mann family members, that it at times brought tears to my eyes" - we review Fatherland, playing at #NYFF64 tonight www.eyeforfilm.co.uk/review/fathe... #74SSIFF #LFF2026
#AStatement #Film #Review – outstanding #climatechange dramedy about a 1980 meeting
#NewYorkFilmFestival: #PaulRudd, #PaulGiamatti and #TatianaMaslany lead an excellent ensemble in this dramatization of a failed conference on climate change
Backstage with Pedro Pascal, Will Arnett, Tony Gilroy and more of the BEHEMOTH! team at #NYFF64.
Day 9 of #NYFF64 and we got the world premiere of Tom McCarthy's The Statement, an up-close-and-in-the-conference-room dramatization of the agonizing convulutions of a group trying to craft a statement on climate change in 1980. This could have been just talk, and there's a TON of it, but >
📣 Merch restock alert! 📣
Our crewnecks are back in-stock at Alice Tully Hall!
Take home a piece of #NYFF64 with limited-edition merch for the 64th New York Film Festival, available at Alice Tully Hall only, beginning at the start of each day’s screening, while items last.
Jordan Firstman’s feature directorial debut, CLUB KID, finds fresh life in a familiar story of arrested adolescence. The film has its New York premiere tonight at #NYFF64. Read @tylekurner.bsky.social's review. bit.ly/4ANVJFv
The beast in Andrey Zvyagintsev’s blistering MINOTAUR is a nation that demands human sacrifice to feed its delusions of grandeur. The film has its New York premiere today at #NYFF64. bit.ly/4htgZsv
It’s also great having Tony Gilroy making features again. Olivia Wilde and Eva Victor are excellent in supporting roles, but the real heart of Behemoth! is its love for film music and the emotional power a great score can have. A wonderful character study. 3/3
#NYFF64 #Filmsky🎬 #Moviesky🎥
Pedro Pascal is fantastic, giving one of his best performances as a man whose entire life has been shaped by music. Tony Gilroy’s script and direction are equally strong, using the nonlinear structure and score beautifully to take us through Alex’s past and present. 2/3
#NYFF64 #Filmsky🎬 #Moviesky🎥
#CameronWinter at #CarnegieHall #Film #Review – #PaulThomasAnderson’s sumptuous recording is an immediate classic
#NewYorkFilmFestival: The Geese frontman mesmerizes in a #concertfilm that is both swoony and austere