Some highlights from the Sofia Coppola/Pedro Almodovar conversation at #NYFF64

CLARISSA directors Chuko and Arie Esiri discuss the beauty of adaptation on the #NYFF64 red carpet. 🇳🇬

Day 12 at #NYFF64: Luca Guadagnino's Artificial is a JOLT--a wildly entertaining tech-bro horror story about the rise, fall, and rise of Sam Altman. Andrew Garfield finds a way to play a conscienceless twink sociopath who just wants to be loved and thinks he's adorbs that utterly chilled me, and...>

Back at #NYFF64 for my 4th day. About to watch two movies today.

Isabelle Stever’s I RARELY WAKE UP DREAMING is marked by a granular attention to everyday life in a time of upheaval. The film has its North American premiere at #NYFF64. shorturl.at/5Tea0

Paul Thomas Anderson’s CAMERON WINTER AT CARNEGIE HALL captures a young musician and a storied venue that seem made for each other. Read Taylor Williams's #NYFF64 review. shorturl.at/GcpNo

And somehow, Artificial is also a horror comedy. It’s genuinely hilarious until you realize what these people are actually discussing. The monster isn’t hiding in the dark it’s sitting in a conference room deciding how fast humanity should move into the unknown. 4/4

#NYFF64 #Filmsky🎬 #Moviesky🎥

Artificial is the real sequel to The Social Network. Ambition, ego, betrayal and people building technology that will change society except this time the stakes feel exponentially larger. 3/4

#NYFF64 #Filmsky🎬 #Moviesky🎥

Andrew Garfield completely disappears into Sam Altman and Monica Barbaro is excellent as always. But Yura Borisov is the real star for me. He gives the film its heart and brings so much weight to Ilya Sutskever’s growing realization of what they’re actually creating 2/4

#NYFF64 #Filmsky🎬 #Moviesky🎥

#Artificial is an intimate character study told on a massive scale. Luca Guadagnino takes the people behind technology that could reshape the world and makes the story feel incredibly personal, funny, uncomfortable and increasingly terrifying. 1/4

#NYFF64 #Filmsky🎬 #Moviesky🎥

I've never seen the original film but that didn't negate how deeply affecting, MAKING MARIE ANTOINETTE, a beautiful mother-daughter portrait that shows there's no greater love than a parents immense pride of their history making child. #NYFF64

www.rendyreviews.com/movie-review...

Matthew Joseph Jenner sees a classic novel in a new cultural light in Arie and Chuko Esiri's CLARISSA, and unconventional examination of the strange intersections between the past, present and future #NYFF64 buff.ly/07tiQqC

With What Can’t Be Mentioned, Dan Sallitt crafts a comedic sequel to his incest drama. Read our #NYFF64 review:

Tizza Covi and Rainer Frimmel's The Loneliest Man in Town is a portrait of an idiosyncratic artist who’s outlasted nearly everything from his past except his dreams.

Read @thekentman.bsky.social's #NYFF64 review:

With Heil Jupiter!, Carlos Reygadas has broken into a new sphere of creativity. It’s a sight to behold.

Read our Critic's Pick review from #NYFF64: thefilmstage.com/nyff-review-...

Pedro Almodóvar’s BITTER CHRISTMAS, which has its U.S. premiere today at #NYFF64, commits a strange act of creative trespass. shorturl.at/0MGAr

🍿 Movie Industry Events:
The 64th #NewYorkFilmFestival continues! Running until Monday, October 12, the #NYFF64 consists of 100+ feature-length films, specially curated to reflect the current state of #Cinema.
More? www.filmlinc.org/nyff/nyff64-...

#NewYorkFilmFestival, #NYFF64, #IndustryEvents

Thank you to Cristian Mungiu and Sebastian Stan for sharing their Palme d’Or winner FJORD with #NYFF64 audiences! ✨ 🎥 🇷🇴 🇳🇴

#Behemoth: I struggled with the nonlinear structure at first; it bobs and weaves through about 15 years of time. But eventually I settled into it, carried along the rhythms of its protagonist's life. #nyff #nyff64