The amazing John Coltrane, born 100 years ago today in Hamlet, NC.
#JohnColtrane #Trane100 #BOTD #JazzSky

The amazing John Coltrane, born 100 years ago today in Hamlet, NC.
#JohnColtrane #Trane100 #BOTD #JazzSky
For #Trane100
“Naima”, from Giant Steps, 1959
John Coltrane, tenor saxophone
Wynton Kelly, piano
Paul Chambers, bass
Jimmy Cobb, drums
#Trane100
#JohnColtrane
#GiantSteps
Remembering John Coltrane On His Centennial Birthday
Ah, why pick and choose, just look at the whole thread
John Coltrane performs live at the Concertgebouw in Amsterdam, October 27, 1963
📷 Gijsbert Hanekroot
#Trane100
For the John Coltrane Centennial
#Trane100
John Edward Dowell
Coltrane Sonnet from Visual Poems
1971
Museum of Modern Art
John Coltrane by Esmond Edwards, 1957
Used on the cover of Coltrane / Prestige 7105
#Trane100
"Coltrane had this kind of direct openness of his face that lent itself to a certain kind of expression. You get the impression that he is a dedicated, devoted kind of person, which he was."
- EE
I love the Felix Sockwell illustration on the cover of the CD reissue of Thelonious Monk Quartet with John Coltrane at Carnegie Hall, from 1957
#Trane100
Ahmed Abdul-Malik, bass
Shadow Wilson, drums
I love this William Claxton photo of John Coltrane at the Guggenheim Museum, 1960
#Trane100
The painting is by Pierre Soulages.
Ben Webster & John Coltrane by Roy DeCarava, 1960
Geoff Dyer wrote a wonderful essay about this photograph:
www.nytimes.com/2017/05/09/m...
Gift link 🎁
#Trane100
"Coltrane would never get to be as old as Webster was in this picture."
Patti Smith hugs John Coltrane's A Love Supreme close to her heart, as all true jazz lovers do.
📷 Danny Clinch, New York, 2000
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This was taken in Michael Carlucci’s Subterranean Records, Cornelia Street
John Coltrane by Burt Goldblatt, 1960s
"That precise tension - rhapsodic devotion versus a kind of measured elegance - is present, in one form or another, in nearly every great work of American art."
- Amanda Petrusich
John Coltrane recording Giant Steps
📷 Lee Friedlander, 1959
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"There are times here when Coltrane is remarkably soft, lyrical, and just plain pretty. You can tag this LP as one of the important ones."
- Ralph J. Gleason, from his original Down Beat review
Ted Williams' picture of John Coltrane’s saxophone & Miles Davis’ trumpet on Sarah Vaughan's dressing table, Chicago, 1958
#Trane100
John Coltrane by Chuck Stewart, 1966
#Trane100
"Even at his most expressive he was a student, earnest, self-possessed, apparently uninterested in the shocking-diversion aspect of modernity."
- Ben Ratliff
Celebrate the John Coltrane Centennial 🎂💯
📷 Lee Friedlander, 1960
#Trane100
"John was like a visitor to this planet. He came in peace and he left in peace; but during his time here, he kept trying to reach new levels of awareness, of peace, of spirituality."
- Albert Ayler
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Today is the centenary of a certain legend so there's a jazzy feel to this one. #Trane100