#bestfilminlondontoday Sep 25 at capitalcelluloid.blogspot.com guide to rep cinema scene. Filmmaker @asifkapadia.bsky.social introduces 35mm screening of Miike's breakthrough film AUDITION (1999) at
@riocinema.bsky.social in great 'Rio Forever' strand capitalcelluloid.blogspot.com/2026/08/capi...

#bestfilminlondontoday Sep 24 at capitalcelluloid.blogspot.com guide to rep cinema scene. 'For viewers who enjoy the grim moral ironies of Highsmith, this can be highly recommended' J Rosenbaum THE CRY OF THE OWL (35mm) in Chabrol season at BFI capitalcelluloid.blogspot.com/2026/08/capi...

#bestfilminlondontoday Sep 23 at capitalcelluloid.blogspot.com. Chabrol's exquisite LES BICHES (1968) in director's season at BFI 'Impeccably performed, often bizarrely funny, the film winds with brilliant clarity to a splendid Grand-Guignolesque ending' capitalcelluloid.blogspot.com/2026/08/capi...

#bestfilminlondontoday Sep 22 at capitalcelluloid.blogspot.com guide to rep cinema scene. Peter Sellers' personal 16mm print of Bryan Forbes' surreal comedy THE WRONG BOX (1966) + intro by the lovely Nanette Newman. Perfect evening NFT1 at BFI capitalcelluloid.blogspot.com/2026/08/capi...

#bestfilminlondontoday Sep 21 at capitalcelluloid.blogspot.com 'a film must see on big screen ... ON THE SILVER GLOBE (1988) 'an extraordinary film' J Romney Film Comment ... lis @thegardencinema.bsky.social in Żuławski season capitalcelluloid.blogspot.com/2026/08/capi...

#bestfilminlondontoday Sep 20 at capitalcelluloid.blogspot.com guide to rep cinema scene. Special screening of restored Von Stroheim masterpiece QUEEN KELLY (1929) with intro by @pamhutch.bsky.social and piano accompaniment by Neil Brand in NFT1 at BFI capitalcelluloid.blogspot.com/2026/08/capi...

#bestfilminlondontoday Sep 19 at capitalcelluloid.blogspot.com. 'Chabrol’s gleefully transgressive film is a gorgeous murder mystery in which a dangerous interloper exposes the rot at the heart of a wealthy family' WEB OF PASSION (1959) at BFI capitalcelluloid.blogspot.com/2026/08/capi...

#bestfilminlondontoday Sep 18 at capitalcelluloid.blogspot.com guide to rep cinema scene. Martin Scorsese's 'bitter-sweet and very charming' ALICE DOESN'T LIVE HERE ANYMORE (1974) in new 4K restoration at Close-Up Cinema capitalcelluloid.blogspot.com/2026/08/capi...

#bestfilminlondontoday Sep 17 at capitalcelluloid.blogspot.com guide to rep cinema scene. Chabrol's THE BEAST MUST DIE (1969) in director's season at BFI + @geoff-andrew.bsky.social intro. 'One of Chabrol’s most affecting and chilling. Not to be missed' capitalcelluloid.blogspot.com/2026/08/capi...

#bestfilminlondontoday Sep 16 at capitalcelluloid.blogspot.com 'One of the few major Westerns of the '70s with a very clear vision of the role played by fear and violence in the taming of the wilderness' Tom Milne THE MISSOURI BREAKS (35mm)
at BFI capitalcelluloid.blogspot.com/2026/08/capi...

#bestfilminlondontoday Sep 15 at capitalcelluloid.blogspot.com. 'a caustic portrait of provincial suffocation and the twisted logic of desire' 'A smashing work from a master craftsman' Chabrol's WEDDING IN BLOOD (1973) at BFI in director's season capitalcelluloid.blogspot.com/2026/08/capi...

#bestfilminlondontoday Sep 14 at capitalcelluloid.blogspot.com. Excellent @riocinema.bsky.social 'Rio Forever' season: Ashley Clark, author of 'Facing Blackness', + filmmaker Dionne Edwards intro Gunn's radical vampire flick GANJA AND HESS (1973) capitalcelluloid.blogspot.com/2026/08/capi...

#bestfilminlondontoday Sep 13 at capitalcelluloid.blogspot.com. @lostreelsuk.bsky.social presents 'Women on the Edge' day at Cinema Museum: BUTTERFLY KISS (Winterbottom, 1995); SAFE (Haynes, 1995); GIRLFIGHT (Kusama, 2000) & KISSED (Stopkewich, 1996) capitalcelluloid.blogspot.com/2026/08/capi...

#bestfilminlondontoday Sep 12 at capitalcelluloid.blogspot.com guide to rep cinema scene. Special UK 007 Fan Club screening of CASINO ROYALE (2006) with special guest director Martin Campbell at Olympic Studios Barnes capitalcelluloid.blogspot.com/2026/08/capi...

#bestfilminlondontoday Sep11 at capitalcelluloid.blogspot.com 'The observation of bourgeois life is so sharp but its fundamental seriousness emerges in a magnificent last act, & an unforgettable last shot' @davekehr.bsky.social LA FEMME INFIDELE at BFI capitalcelluloid.blogspot.com/2026/08/capi...

#bestfilminlondontoday Sep 10 at capitalcelluloid.blogspot.com 'Chabrol's movies grow less and less like anyone else's; this is one worth seeing again and again' Tony Rayns, Time Out Film. Welles & Perkins in TEN DAYS' WONDER (1971) at BFI capitalcelluloid.blogspot.com/2026/08/capi...

#bestfilminlondontoday Sep 9 at capitalcelluloid.blogspot.com guide to rep cinema scene. Claude Chabrol’s most celebrated and sinister film LE
BOUCHER (1969) in director’s season with curator Catherine Wheatley introduction at BFI capitalcelluloid.blogspot.com/2026/08/capi...

#bestfilminlondontoday Sep 8 at capitalcelluloid.blogspot.com guide to rep cinema scene. Extended extended introduction by lead actors Kristin Scott Thomas and Ralph Fiennes to gala screening of THE ENGLISH PATIENT (1996) at Cine Lumiere reopening capitalcelluloid.blogspot.com/2026/08/capi...

#bestfilminlondontoday Sep 7 at capitalcelluloid.blogspot.com. 'conceivably Huston's very best film—a very close rendering of Flannery O'Connor's remarkable first novel' WISE BLOOD (1979) 35mm at BFI in Harry Dean Stanton season capitalcelluloid.blogspot.com/2026/08/capi...

#bestfilminlondontoday: #LFF picks: Day 12 (Sun Oct 18) Director Clio Barnard returns 'creating an absorbing and moving social-realist picture' @peterbradshaw1.bsky.social. I SEE BUILDINGS FALL LIKE LIGHTNING screens at Curzon Soho capitalcelluloid.blogspot.com/2026/09/capi...