Jacob Van Campen, 'Still Life With Owl', 1645-50.
#OwlishMonday #owl #17thCentury #art
@theghostmonk.bsky.social
@theghostmonk.bsky.socialJacob Van Campen, 'Still Life With Owl', 1645-50.
#OwlishMonday #owl #17thCentury #art
@breakbulk.bsky.socialA 646-tonne #17thcentury ship reconstruction moved 250 metres on 56-axle #SPMT to her final shore berth at #MuseumBatavialand in #Lelystad, closing ten months of engineering for the #Batavia project. #heavylift #projectcargo #maritime
@breakbulk.bsky.socialA 646-tonne #17thcentury ship reconstruction moved 250 metres on 56-axle #SPMT to her final shore berth at #MuseumBatavialand in #Lelystad, closing ten months of engineering for the #Batavia project. #heavylift #projectcargo #maritime
@rembrandtvanrijn.bsky.socialYour daily dose of Dutch art by Rembrandt van Rijn.
Beggar Seated on a Bank,
@pieter-paul-rubens.bsky.socialYour daily dose of Flemish Baroque art by Peter Paul Rubens.
The Meeting between Abraham and Melchizedek, 1616
In museum: Musée des Beaux-Arts de Caen
Location: Caen, France
Size: 250.0 × 204.0 cm
@rembrandtvanrijn.bsky.socialYour daily dose of Dutch art by Rembrandt van Rijn.
The Three Crosses,
@littleconkers.bsky.socialSomeone ordered a set of all four of my 17th Century-style collar tassel variants.
It's a niche market, for sure, but if you have a falling band collar, you gotta have the tassels!
#17thcentury #historicalcostume #17thCenturyCostume #reenactment
@pieter-paul-rubens.bsky.socialYour daily dose of Flemish Baroque art by Peter Paul Rubens.
Amor Asleep, 1630
In museum: Museo del Prado
Location: Madrid, Spain
Size: 98.0 × 81.0 cm
@robinedgar59.bsky.socialI hereby invite any and all white Unitarian lesbians with a master‘s degree in #EnglishLiterature descended from #17thCentury British colonists to read this #ceaseANDdesist demand letter the #UnitarianUniversalist "church" had me served with.
@clairefromclare.h-net.social.ap.brid.gyLondon in the 1660s, a time of great change. Why & how the #HistoricTownsTrust is preparing a new map:
https://www.historictownstrust.uk/post/london-on-the-eve-of-the-great-fire-a-talk-by-professor-vanessa-harding
@histodons
@rembrandtvanrijn.bsky.socialYour daily dose of Dutch art by Rembrandt van Rijn.
Ragged peasant with his hands behind him; holding a stick,
@pieter-paul-rubens.bsky.socialYour daily dose of Flemish Baroque art by Peter Paul Rubens.
The Triumph of Henri IV, 1628
In museum: The Wallace Collection
Location: City of Westminster, United Kingdom
Size: 37.2 × 21.5 cm
@rembrandtvanrijn.bsky.socialYour daily dose of Dutch art by Rembrandt van Rijn.
Self-portrait leaning on a stone sill,
@pieter-paul-rubens.bsky.socialYour daily dose of Flemish Baroque art by Peter Paul Rubens.
The Last Supper,
@boblivion.bsky.social
@rembrandtvanrijn.bsky.socialYour daily dose of Dutch art by Rembrandt van Rijn.
The Ship of Fortune,
@pieter-paul-rubens.bsky.socialYour daily dose of Flemish Baroque art by Peter Paul Rubens.
The Sacrifice of Isaac, 1612
In museum: The Nelson-Atkins Museum of Art
Location: Kansas City, United States of America
Size: 110.5 × 141.0 cm
@fabribald.bsky.socialshs.cairn.info/revue-intern... 📣 a very recent journal issue edited by @arnpelletier.bsky.social and Gabriel Meyer-Bish on Descartes's early physics of Le Monde #Descartes #Cartesianism #17thcentury #histphilo #histsci - usually read through the lens of the Principia, i.e., through the metaphysics,