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@ooearth.orgOct 6, 2026, 7:08 AM

05 OCT 2026 France

French prosecutors say bronze cover designed by artist Salvador Dalí for “L'Apocalypse de Saint Jean” was stolen

#France #Dalí #news

@rod2ik.bsky.socialOct 5, 2026, 5:17 PM

Le HuffPost – Un #livre illustré par Salvador #Dalí, « pièce exceptionnelle et unique », #volé dans un #musée du Puy-de-Dôme

www.huffingtonpost.fr/culture/arti...

@campersmuikje.bsky.socialOct 4, 2026, 9:41 AM

Dit hadden jullie nog tegoed: foto’s uit het huis van de excentrieke kunstenaar #Dalí in Portlligat (Cadaqués). Eerder bekeken we zijn museumcreatie annex mausoleum in Figueras, maar dit huis was intiemer. Logisch ook, er liepen minder toeristen rond en het oude vissershuis was kleiner, bescheidener

@kill-bait-es.bsky.socialOct 3, 2026, 9:44 AM

Fotografía histórica de Salvador Dalí y Man Ray en París en 1934 capturada por Carl Van Vechten

🤖 IA: No es clickbait ✅
👥 Usuarios: No es clickbait ✅

#surrealismo #fotografíahistórica #dalí

👇👇👇

@seamusaloysius.bsky.socialOct 2, 2026, 12:47 PM

Salvador Dalí
"L'Amour de Pierrot" (1920)
chromolithographic postcard | 3.5 x 5.5 in
There is no confirmed museum or public institution that holds an original painting of this specific piece.
#ArtSky #Dalí

 "L'Amour de Pierrot" (Pierrot's Love), a famous skull optical illusion. 

Artwork Details
• Artist: Salvador Dalí
• Year: Painted around 1920 when the artist was a teenager.
• Subject: Up close, the piece shows two lovers in vintage Pierrot costumes sitting at a table with champagne.
• Optical Illusion: When you step back, the shapes of the people, their clothing, and the background merge to form a large human skull, symbolizing how love and death coexist
@seamusaloysius.bsky.socialSep 25, 2026, 1:10 PM

Salvador Dalí
"The Invisible Man" (L'homme invisible) (1932)
oil on canvas | 140 × 81 cm (55 × 32 in).
Museo Nacional Centro de Arte Reina Sofía, Madrid
#ArtSky #Dalí

The Invisible Man (L'homme invisible) by Spanish surrealist artist Salvador Dalí. 
Key Details
Artist: Salvador Dalí
Created: 1929–1932Medium: Oil on canvas
Dimensions: 140 cm × 81 cm (55 in × 32 in)
Location: Museo Nacional Centro de Arte Reina Sofía in Madrid, Spain
Significance: It is recognized as Dalí's first canvas to feature a double image, marking an early materialization of his paranoiac-critical method. 
Visual Breakdown: If you look closely at the center, the structural elements of a surrealist landscape—such as columns, ruins, shadows, and drapery—blend together to form the outline of a large sitting male figure.
@seamusaloysius.bsky.socialSep 24, 2026, 11:18 AM

Salvador Dalí
"The Lugubrious Game" (1929)
Oil and collage on cardboard | 44.4 × 30.3 cm (17.5 × 11.9 in).
Private Collection
#ArtSky #Dalí

"The Lugubrious Game" (also known as The Mournful Game or Dismal Sport), a seminal early masterpiece painted by the Spanish Surrealist artist Salvador Dalí in 1929. 
Key Details & Significance
Format: It is an oil paint and collage composition executed on cardboard, measuring roughly 44.4 cm × 30.3 cm.
The Surrealist Entry: Dalí created this painting while living in Cadaqués during the summer of 1929. When prominent Surrealists like poet Paul Éluard (who actually suggested the artwork's title) and Gala visited his home and saw it, they were profoundly transfixed. This piece directly solidified Dalí's formal entry into the official Surrealist movement. 

Symbolism & Imagery: The piece heavily utilizes Dalí's "paranoiac-critical method," plundering his subconscious for raw psychological anxieties. It visually maps out deeply personal Freudian complexes regarding castration fears, childhood memories, and sexual desires. Notable details include a classical statue with a disproportionately massive hand, a monument inscribed with weight increments (Gramme, Centigramme, Milligramme), a grasshopper masking a profile of Dalí's own face, and heavily controversial scatological elements that initially startled other Surrealist contemporaries
@seamusaloysius.bsky.socialSep 23, 2026, 3:11 PM

Salvador Dalí
"Autorretrato Cubista" (Cubist Self-Portrait) (1923)
Oil and collage on paperboard glued to wood.
104 x 75 cm (41 x 29.5 in).
Museo Nacional Centro de Arte Reina Sofía, Madrid
#ArtSky #Dalí

"Autorretrato Cubista" (Cubist Self-Portrait), painted by the Spanish artist Salvador Dalí in 1923. 
Key Details About the Artwork
Artist: Salvador Dalí
Movement: Cubism (specifically drawing from the influence of Analytical Cubism and L'Esprit Nouveau)
Medium: Oil and collage on paperboard glued to wood
Current Location: It is housed in the permanent collection of the Museo Nacional Centro de Arte Reina Sofía in Madrid, Spain 

Artistic Context
Created while Dalí was a student in Madrid, this painting captures a brief period before he became a defining figure of Surrealism. In the piece, his face is reduced to a stylized, mask-like shape heavily inspired by African aesthetics and fractured into abstract, geometric shards. Interwoven within the shards are collaged newspaper clippings and everyday objects, typical of the Cubist exploration of multiple perspectives and textures
@katphoto.bsky.socialSep 22, 2026, 8:05 PM

Plongez dans l'univers fantastique du Défilé Dalí à Perpignan (Août 2026) 🎨🦄
Découvrez comment Salvador Dalí a été imaginé à cheval lors de cet événement exceptionnel ! 🐎
📸
paysagepoetconseiljardin.over-blog.com/2026/09/defi...

#Dalí #Perpignan #DéfiléDalí #Art #Culture #Photographie

@seamusaloysius.bsky.socialSep 22, 2026, 12:45 PM

Salvador Dalí
"The Elephants" (1948)
oil on canvas | 49 × 60 cm (19 × 24 in).
Private Collection
#ArtSky #Dalí

The Elephants (Els Elefants) by the Catalan artist Salvador Dalí. 
features two gigantic elephants with extremely long, spindly, multi-jointed legs walking across an empty, hazy landscape against an orange-red sunset. Each elephant carries an architectural obelisk or pavilion on its back, a motif inspired by Gian Lorenzo Bernini's elephant sculpture in Rome. Two tiny human figures stand in the vast desert space near a small building in the center, emphasizing the monumental and dreamlike scale of the creatures.
@seamusaloysius.bsky.socialSep 21, 2026, 4:45 PM

Salvador Dalí
"The Triangular Hour" (1933)
oil on canvas | 62.3 x 47.9 cm (24.5 x 18.9 in).
Kagoshima City Museum of Art, Kagoshima, Japan
#ArtSky #Dalí

"The Triangular Hour" (L'heure triangulaire), painted by the Spanish surrealist master Salvador Dalí in 1933. 

Visual Themes
The painting incorporates several recurring motifs typical of Dalí's subconscious, dreamlike landscapes:
The Melting Clock: A distortion of time draped softly over a prominent rock formation.
The Hollow Rock Formation: A large hole opening up a window into a quiet desert horizon.
Classic Catalonian Landscapes: The rocky hills, dramatic cloud-filled sky, and isolated elements like the cypress tree reflect Dalí's native Portlligat region
@seamusaloysius.bsky.socialSep 21, 2026, 4:02 PM

Salvador #Dalí on his chopper

Photo, no description
@seamusaloysius.bsky.socialSep 19, 2026, 10:32 AM

Salvador Dalí
"Autumnal Cannibalism" (1936)
Oil on canvas | 65.1 × 65.1 cm (25.6 × 25.6 in).
Tate Modern, London
#ArtSky #Dalí

Autumnal Cannibalism, created by Spanish surrealist artist Salvador Dalí in 1936. 
Key Details
Subject: Two figures locked in a mutually destructive, cannibalistic embrace on a table-top that blends into a Spanish landscape.
Symbolism: Painted just after the Spanish Civil War began, it symbolizes countrymen destroying one another. The apple on the male figure's head alludes to the legend of William Tell.
Location: The original oil painting is held by the Tate Modern in London. 
Context & Historical Background
Dalí painted this piece in 1936, directly following the outbreak of the Spanish Civil War. While his contemporary Pablo Picasso responded to the devastation of the war with political rage in Guernica, Dalí took a more detached, surreal approach. He famously claimed to view the tragic conflict not through a political lens, but as a "delirium of edibles"—a natural, institutionalized self-destruction inherent to human history. 
The Cannibalistic Embrace: The central focus shows an amorous, intertwined couple sitting on a chest of drawers. They lack clear facial features, and their bodies melt together as they use spoons, forks, and knives to slice and eat each other's flesh. This represents how the civil war forced countrymen of the same nation to destroy one another in a mutually assured path of ruin. 
The William Tell Apple: Balanced perfectly on the head of the male figure is an apple. Dalí frequently used the legend of William Tell (where a father is forced to shoot an arrow at an apple on his son's head) as a deep psychological symbol for generational conflict, family trauma, and a father trying to destroy his son. 
The Catalonian Landscape: The tabletop transitions seamlessly into the barren, rocky, and sun-baked earth tones of the Empordà region in Catalonia, Spain, where Dalí grew up.
@seamusaloysius.bsky.socialSep 16, 2026, 4:11 PM

Salvador Dalí
"Surrealist Flower Girl" from 'Memories of Surrealism Suite'
(1971)
lithograph and etching | Image/Plate Size: 20.75 × 16.38 in. (52.7 × 41.6 cm)
Plates intentionally destroyed.
#ArtSky #Dalí

"Surrealist Flower Girl" (also known as Surrealist Flower-Girl or Femme à la Tête de Rose). It is a famous 1971 color lithograph and etching created by the Spanish surrealist master Salvador Dalí. 
The piece belongs to his celebrated portfolio suite titled Memories of Surrealism (Souvenirs du Surréalisme), published by Transworld Art in New York. 
Key Elements of the Artwork: 
The Rose Head: Replacing a human head with a blooming flower is a signature recurring motif in Dalí's surrealism, juxtaposing natural beauty with the human form. A stamp-like emblem on the left explicitly marks the work as "Dali nouveauté 1971". 
The Gown of Eggs: The woman's torso and dress are formed from an intricate grid arrangement of various bird and reptile eggs, heavily detailed with distinct speckling and patterns. Eggs were one of Dalí's most prominent symbols, representing hope, birth, and purity. 
The Landscape Background: The background opens up into a vast, minimalist desert-like plain, framed by a chaotic, stone-textured or water-like undulating cavern gateway. A lonely blue flower grows isolated on the distant horizon.
@seamusaloysius.bsky.socialSep 15, 2026, 2:12 PM

Salvador Dalí
"Assumpta Corpuscularia Lapislazulina" (1952)
oil on canvas | 229.9 x 144.2 cm (90.5 x 56.8 in).
Masaveu Collection, Oviedo, Spain
#ArtSky #Dalí #NuclearMysticism

Assumpta Corpuscularia Lapislazulina (also known as Lapis-Lazuli Corpuscular Assumption), painted by the famous Spanish Surrealist artist Salvador Dalí in 1952. 
Key Elements of the Artwork
The Central Theme: The painting represents the Assumption of the Virgin Mary into heaven. Dalí integrates religious themes with his fascination for modern nuclear physics—a phase in his career often referred to as Nuclear Mysticism. 
Gala as the Madonna: The face at the top of the canvas belongs to Dalí's wife and muse, Gala, who portrays the ascending Virgin Mary. The structure above her head echoes the architecture of the Pantheon dome in Rome, serving as an architectural halo. 
The Crucified Christ: Suspended mid-canvas, a figure of Christ is shown from a dramatic overhead angle, a perspective heavily borrowed from Dalí's own famous work, Christ of Saint John of the Cross (1951). 
The Base Sphere: At the bottom, a delicate, latticed armillary sphere floats over the sea, encapsulating a cluster of small spheres that resemble cosmic eggs or atomic particles.
@seamusaloysius.bsky.socialSep 14, 2026, 3:32 PM

Salvador Dalí: Feminine head which has the form of a battle
#Dalí

Photo, no description
@seamusaloysius.bsky.socialSep 14, 2026, 1:33 PM

Salvador Dalí
"The Madonna of Port Lligat" (1949)
Oil on canvas | 49.5 x 38.3 cm. (19 1/2 x 15 1/16 in.). Haggerty Museum of Art, Marquette University, Milwaukee, WI
#ArtSky #Dalí

The First Study for the 'Madonna of Port Lligat' (1949) by the famous Spanish Surrealist artist Salvador Dalí. 

Key Elements & Meaning
The Transition to "Nuclear Mysticism": Painted after World War II and the atomic bombings, this piece marks Dalí’s transition away from traditional Surrealism toward a phase he called Nuclear Mysticism. He combined his renewed interest in Catholicism with his fascination and fear of modern nuclear physics. 

The Floating Elements: Notice how all the objects, figures, and architecture are disconnected and floating in mid-air. Dalí explained this fragmentation and levitation as the "atomic age" equivalent of divine gravitation, showing matter being broken down into particles. 

The Madonna: The Virgin Mary is modeled after Dalí's beloved wife, manager, and primary muse, Gala. 

The Torsos: Both Mary and the Infant Jesus have large, rectangular holes cut completely through their torsos. This "dematerialization" opens up the solid figures, allowing you to see directly through them to the sea and sky, symbolizing their transcendent and spiritual status. 

The Egg and Shell: Hanging directly above the Madonna’s head by a fine thread is an egg suspended from a seashell. Heavily inspired by the Renaissance masterpiece The Brera Madonna by Piero della Francesca, the egg serves as a medieval symbol of the Immaculate Conception and purity. 

Dalí actually presented this specific initial 1949 version to Pope Pius XII in Rome for his personal blessing. A year later in 1950, he expanded upon these ideas to paint a massive, final version of The Madonna of Port Lligat featuring even more elaborate details (such as a rhinoceros horn, bread, and angels).
@seamusaloysius.bsky.socialSep 12, 2026, 4:38 PM

Salvador #Dalí and Babou, his pet Ocelot, 1965

Salvador Dalí and Babou, his pet Ocelot, 1965
@seamusaloysius.bsky.socialSep 11, 2026, 2:58 PM

Salvador Dalí
"Surrealist Object Gauge of Instantaneous Memory" (1932)
oil on canvas | 75 x 63 cm (29.5 × 24.8 in).
Private Collection
#ArtSky #Dalí

Surrealist Object Gauge of Instantaneous Memory painted by Salvador Dalí in 1932. 
It is an oil on canvas painting showcasing Dalí's classic surrealist landscape style featuring dreamlike reflections, a cypress tree, and strange objects.
The original piece measures 75 x 63 cm and is currently held in a private collection.
@seamusaloysius.bsky.socialSep 11, 2026, 1:44 PM

Salvador Dalí
"The Elephants" (Large) (1948)
oil on canvas | 72 cm × 91 cm (28.3 in × 35.8 in).
Museum of Fine Arts, Boston, Massachusetts
#ArtSky #Dalí

"The Elephants" a famous 1948 surrealist oil painting by Spanish artist Salvador Dalí. 
The Subjects: Two gigantic, weightless elephants with extremely long, multi-jointed spider-like legs pace through a sparse desert landscape under a reddish-orange twilight sky. 
The Symbolism: Each elephant carries a symbolic architectural feature (specifically an obelisk reminiscent of Bernini's sculpture in Rome) on its back, representing weight, power, and future fragility.
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