Type foundry in New York and London.
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Commercial Type
@commercialtype.bsky.social
@commercialtype.bsky.social@commercialtype.bsky.social6 weights from Regular to Black, 4 optical sizes from Text to Poster, and an additional "director's cut" of the italic.
Read more about the family and its origins here:
commercialtype.com/news/spectator
commercialtype.com/about/collec...
@commercialtype.bsky.socialNEW RELEASE! Spectator by Paul Barnes, a restoration and reimagination of Alexander Wilson’s legendary but elusive English No. 1.
@letterror.bsky.socialReposted by @commercialtype.bsky.socialGo on, make a sign. Tell them where you're at. Don’t use the bollocks system fonts from the machine that is spying on you. Your words are none of their business. As real as it gets, this Kosmik. letterror.com/kosmik/
@boogypaper.bsky.socialReposted by @commercialtype.bsky.socialPlace’s place
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Photography by Marjorie Ray
@commercialtype.bsky.social
@letterror.bsky.socialReposted by @commercialtype.bsky.socialLook here: new, actual shapes drawn for actual stones, placed in front of a real building that you can visit in person. The work was achieved without any help of word-guessers! Some things sketched by hand! Non-vibe code for actual trigonometry and so on. #lettering
letterror.com/articles/klo...
@letterror.bsky.socialReposted by @commercialtype.bsky.socialAn optical size for big? Pixels without hinting? Ligatures that are not really ligatures? Nothing is ever what it seems in type (but everything does its job and you didn’t even notice!) Action Grotesque: platform independent, private equity free. At Commercial Type commercialtype.com/catalog/acti...