Kevin Kulp

@kevinkulp.bsky.social

Shiftwork & human fatigue specialist, writer, award-winning game designer (Swords of the Serpentine, TimeWatch), storyteller, BBQ guy; some of these actually tie together. Crappy shark movie enthusiast. He/him.

@kevinkulp.bsky.social

I do the same, only pulling it out for fun more-complicated fights where it helps people visualize the scene. Unfortunately for the bad guys, this just makes my players’ tactics even cleverer.

@crowsmack.bsky.socialReposted by @kevinkulp.bsky.social

Can confirm this book is so good! I'm playing through Keep on the Borderlands with my family at the moment, and I'm thinking about introducing Bait as an NPC.

@kevinkulp.bsky.social

CRAPPY SHARK MOVIE PITCH #763: A girl meets her fairy godmother. Instead of a prince & true love, though, the girl demands her enemies be devoured by sharks—and the horrified fairy godmother is compelled to fulfill her wish until she finds a way to outwit the girl. Title? MAKO WISH FOUNDATION.

@mmcarthur.bsky.socialReposted by @kevinkulp.bsky.social

Jason Anderson (UK, b.1970) : Tree in the MidNight Blue, 2025 Acrylic and oil on wood panel 60 x 80 cm Further description in the alt text 👇

Known for his unique style that blends precise geometric mosaic-like patterns with atmospheric abstraction, this artwork captures a glowing tree structure dramatically silhouetted against and reflecting onto a deep, midnight-blue landscape. The painting showcases his signature pixelated impasto technique, utilizing thick, sculpted patches of oil paint applied with a palette knife to guide the viewer’s eye toward a singular, radiant focal point. Geometric Abrication: He simplifies complex natural landscapes into bold, angular planes and blocky, pixel-like tiles. The "Glow" Effect: By carefully arranging high-contrast pastel and neon tones, the central tree seems to emit its own vibrant light source, creating a stark juxtaposition against the surrounding dark midnight hues. Textural Impasto: The thick, raised edges of the palette knife work add a heavy three-dimensional quality to the surface, allowing the painting to change character depending on how physical light hits it. Restrained Compositions: Anderson creates a distinct sense of depth by transitioning from detailed, thick tilework in the focal zones to smooth, hazy, and sweeping gradients toward the edges of the canvas.
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