Record Collector is not exactly my go-to source of good music journalism, but that question hits a new low in inanity. Why would they feel compelled to ask a question about AI? And why put it to a musician of Thompson's stature?

Title lettering giving a strong Herbie / Forbidden Worlds vibe there...is this from an ACG book?

If Netflix decided to "remimagine" Soylent Green as a TV series, this would be the cliff-hanger for the final episode of Season 1.

While we're still piling on that awful cover, what's with those lamentable sight gags? Creme surrounded by flies? Idiotic badges on Godley's jacket? Bird's nest in the hair is about the naffest thing that could be conceived!

Strongly agree! Let's remind ourselves of some of their original covers, fcull of wit and invention, much like the music. Credits L-R, Lol Creme & David Anstey; Hipgnosis & Maurice Tate; Humphrey Ocean; Hipgnosis & George Hardie.

Anyway, I'd better get back to my 2AM grinding session...

I totally misread his name as AI Mega. I thought it was a way of boasting about how much he uses AI! But apparently he really is someone called Alexander Mega, a Puerto Rican fellow from Brooklyn.

First panel is a good example of suggesting depth in the panel by use of the character's eyelines. Dan Spiegle was excellent at doing this sort of thing. But not to detract from your lager point, Colin, the page composition and layout are very well done here.

After the duo split up, one of them went to make a solo album

Ah, that must be the Classics Illustrated version of 'Waiting For Godot'.

Vinyl score from Crocodisc Paris

Bandes dessinees score from Boulinier Paris

If you're collecting bad Stravinsky cover art, this 1997 CD could be a contender. Both the cover, and the way the music itself is conducted, are trying far too hard to say "hey, avant-garde music can be fun!"

Sound Projector Radio back on the air today @resonancefm.bsky.social for a new season! Tune in today at 16:00 for a fine 90 mins of autumnal progressive rock from the 1970s!

From Action Comics 376 (1969). Written by Leo Dorfman, art by Kurt Schaffenberger.