Artist in Residence

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@roger1952.bsky.socialReposted by @artistinresidence.co

Created in 1992 by Yuka Taguchi (田口由花), this painting stands as a masterwork of contemporary Nihonga (traditional Japanese-style painting)

Reclined in quiet grace upon a shimmering ground of dusted gold, a sleek black cat gazes with vibrant green eyes toward an overarching vine of brilliant blue morning glories (asagao). The composition masterfully balances the dark, velvety silhouette of the cat with the rich lapis hues of the fully blossomed flower, framed by deep green foliage outlined with fine, golden veins and a single emerging pink bud. The painting exudes an intimate, serene sensory atmosphere: the cool, soft texture of fine silk beneath delicate paws, the faint rustle of garden foliage catching a gentle morning breeze, the dew-drenched freshness of an early dawn bloom, and the quiet, rhythmic purr of a feline resting in watchful solitude. Taguchi utilizes traditional natural pigments alongside sunago (dusted gold leaf) to construct a luminous background that illuminates the deep black tones of the cat's fur. The painstaking precision in the individual whiskers, fine claws, and intricate leaf venation showcases monozukuri—the unwavering devotion to artisanal mastery and technical discipline.
@njalnova.bsky.socialReposted by @artistinresidence.co

Wild Color North: Twelve Fauve Landscapes (1909–1916) 5. Isaac Grünewald – Green Fields against Blue Mountains (c. 1914, Swedish)

@open-art.bsky.socialReposted by @artistinresidence.co

Matsumura Goshun illustrated scenes from 'Essays in Idleness' on a six-panel folding screen. Ink and color on paper. Late 1700s to early 1800s. Cleveland Museum of Art.

A six-panel folding screen by Matsumura Goshun, featuring scenes inspired by the text 'Essays in Idleness'. The artwork is done in ink and color on paper, showcasing delicate lines and soft hues typical of the Edo period.
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