The artist’s installation at Secession is undoubtedly spectacular, but does it move beyond that?

In the distinctly contemporary collages of one Buddhist artist, Suraj Yengde finds echoes of a tradition that stretches back centuries.

From experimental instruments to architectural acoustics, the Lebanese artist explores how listening can alter our experience of bodies, spaces and environments.

Our editors on the exhibitions they’re looking forward to around the world this month – from London and Paris to Tokyo and Tunis.

For all its suspicion of the contemporary artworld and its machinations, the art critic’s debut novel remains surprisingly sincere about art itself.

Is the future nomadic? Jeni Fulton takes a look at the extent to which private foundations are starting to eschew brick-and-mortar structures.

Our editors on the exhibitions they’re looking forward to around the world this month – from London and Paris to Tokyo and Tunis

The artist’s work echoes notions of the Red Army Faction as a ghost entity – and a fading memory.

And is the quest to document the world ever more than just a bid for control?

Riffing off Chaplin, Caguiat Delacruz’s new film acts as a proxy for artists mourning the slow demise of radical culture.

Bangkok Art Biennale has announced the full list of 72 artists participating in its 2026 edition

The Biennale Jogja Foundation, that has run the Biennale Jogja for 16 years, has announced that it is ceasing operations.

Venue: Queensrollahouse, 18 Trading Estate Rd, London, NW10 7LU Date: Monday 12 October Time: Doors open at 17:00. Conversation begins at 18:30.

Join writers Hannah Pezzack and Aram Masharqa in conversation with Fi Churchman, Editor at ArtReview, and Mazzy-Mae Green, Programme Director of Park Royal Design District. They will reflect on their time as the inaugural writers-in-residence for the Manufactory x ArtReview Writer’s Residency.

Artist Maren Karlson’s work echoes notions of the Red Army Faction as a ghost entity – and a fading memory.

For all its suspicion of the contemporary artworld and its machinations, the art critic’s debut novel remains surprisingly sincere about art itself.

The artist’s installation at Secession is undoubtedly spectacular, but does it move beyond that?

The shroud of apparent sincerity over the banal evils of technology is rapidly unravelling. What’s art got to do with it?

A far-right victory in the country will be a disaster for workers – and artists.