Epistemic Literary- Read Issue 8: Righteous Rage now!

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Read Issue 8! Epistemiclit.com
Digital anthology series celebrating knowledge, connection, and growth through poetry, short fiction, and creative nonfiction.
EICs @melruthwrites.bsky.social and @kristinwrites.bsky.social. CNF Editor @gcbwrites.bsky.social

@ryantpozzi.bsky.socialReposted by @epistemiclit.bsky.social

On This Day in History: October 9, 1959: Yayoi Kusama opened her first solo New York exhibition at Brata Gallery, showing five large white Infinity Net paintings - similar to the red one featured here. In spite of that, it would be thirty more years before she was fully embraced by the art world.

Yayoi Kusama, RED-NETS No. 2.A.3, 1960, oil on canvas, 71.,1 by 55.9 cm
@epistemiclit.bsky.social

John Hunter is a Black poet who lives in the San Francisco Bay Area with his partner and a very polite Chihuahua. He’s worked in oncology research and collegiate athletics, so naturally he turned to poetry. His work appears in The Marbled Sigh.

@psychopomp.comReposted by @epistemiclit.bsky.social

hello, I am doing some research and would like to tap into the collective brains of BSKY: 1. can you share some genre or literary fiction magazines that have closed and the archive is NO LONGER ONLINE 2. the same but the archives remain online FOR NOW i would also appreciate RTs for awareness 💀

@epistemiclit.bsky.social

Spotlight on Issue 9: Agency vs. Determinism

MARIPOSA - #Poetry by James
Hannon

“Do they reflect
on this weird experience?
I know. I know.
Hard-wired for all this.
Get born,
learn to work the milkweed,
eat, breed, and die
or fly, and which is worse?”

with artwork by Vantage

@epistemiclit.bsky.social

I started getting National Geographic (which I love) and Smithsonian (which is ok). My kids get NatGeo Kids, Ranger Rick Dinosaurs, The Week Junior, SwimSwam, and Chickens among them (some we’ll do again, some not). My spouse gets Adventure Journal. I’ve never heard of American Road…

@epistemiclit.bsky.social

Gavin Miller is a writer who resides in Cambridge, Massachusetts. His other work appears in various publications including Maudlin House, God’s Cruel Joke, and on his Substack @wheneverwhatsoever.

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