Grilled Cheese

ExploreLog inSign up

Tanya Goldman

@tanyagoldman.bsky.social

3.4k Following7.6k Followers

cinema studies | media distribution + access | documentary | nontheatrical film | useful media | feminist media history | she/her

https://www.tanyagoldmanphd.com

PostsRepliesMedia
@tanyagoldman.bsky.socialOct 10, 2026, 9:35 PM

I'm always cautious about "the first" narratives but this new research is so intriguing! Did the first talkie actually come from Scotland in 1926?!

www.theguardian.com/uk-news/2026...

@tanyagoldman.bsky.socialOct 10, 2026, 5:26 PM

To celebrate the @femmediahist.bsky.social "Women of IMAX" issue, scholars Janine Marchessault, Jessica Mulvogue, Allison Whitney + artist Oliver Husain are leading a virtual panel discussion with Canadian astronaut Roberta Bondar on October 24. I'm excited to listen in!

rmg.on.ca/events/imax-...

Two-page spread from "Women of IMAX" zine. Profile of Roberta Bondar with two photographs.

Roberta Bondar is a physician, neuroscientist, photographer, and Canada’s first woman astronaut. Having been selected for the inaugural cohort of the Canadian Astronaut Program in 1983, she would travel to space as a payload specialist on the Space Shuttle Discovery mission STS-42, where she participated in the production of the IMAX film Destiny in Space (1994) co-directed by Ben Burtt, Phyllis Ferguson, James Neihouse, and Gail Singer. 

On this mission she conducted a series of experiments in the  International Microgravity Laboratory, many of which are documented in Destiny in Space. Bondar has described her experiences on STS-42, and specifically with IMAX, as key motivators in her ongoing work as a photographer, including her “Space for Birds” project, which incorpo-rates photography of birds and their habitats from surface, aerial, and space perspectives in order to better understand and protect migration routes. More information can be found at https://therobertabondarfoundation.org.TALKS & TOURS

IMAX Panel Discussion with Canadian Astronaut Roberta Bondar
Oct 24, 2026, 1:00 PM - 3:00 PM

Join us for a virtual panel discussion on the history and future of IMAX cinema with special guest, astronaut Dr. Roberta Bondar. Dr Bondar will share her experiences with IMAX filmmaking in space, and how it continues to influence her work as a photographer and environmental advocate. Our panel will consist of scholars Janine Marchessault, Jessica Mulvogue, Allison Whitney, and artist Oliver Husain, whose exhibition I <3 Snail, on display at the gallery, draws on similar themes to the panel.

This event will also mark the publication of a special issue of the journal Feminist Media Histories on “Women of IMAX,” which investigates the transformative work of women as film directors, producers, museum managers, technical writers, and computing experts in the medium’s nearly fifty-year history.  

This event is free and open to everyone. If there are ways we can support your participation, please contact Hannah at hkeating@rmg.on.ca.

Registration is required.

https://rmg.on.ca/events/imax-panel-discussion-with-canadian-astronaut-roberta-bondar/
@feminaridens.bsky.socialOct 10, 2026, 3:01 PMReposted by @tanyagoldman.bsky.social

getting @tjamesdobbin.bsky.social
zine in the mail made my week!! if you read his (essential) substack you know his deeply researched & beautifully observed writing on animation

his new zine on 1930/1931 american animation captures a medium in its infancy. an enormous task & a treasure to behold ❤️

@tanyagoldman.bsky.socialOct 10, 2026, 5:10 PM

🙌

@tanyagoldman.bsky.socialOct 10, 2026, 5:10 PM

Had the pleasure of collaborating w/ Allison Whitney, Jessica Mulvogue, and other contributors to the new @femmediahist.bsky.social special issue on "Women of IMAX" to create a zine of 11 career profiles based on their research. Can't wait to get physical copies!

online.ucpress.edu/fmh/article/...

Image specs of IMAX technology in blue overlayed with pattern (yellow outlined vertical text reading "IMAX)

WOMEN OF IMAX title in large white lettersBlue and yellow imagery of IMAX schematics overlaid with black tesxt that reads: 

Women of IMAX offers a glimpse into the range of women’s engagement with IMAX cinema from its invention to the present day, featuring research contributions from Monika Gagnon, Janine Marchessault, Jessica Mulvogue, Veronica Paredes, and Allison Whitney. We were inspired by the creativity and insights of Tanya Goldman’s Women of the 16mm Sector zine series, and were thrilled when she and designer John Munshour agreed to work with us on this project. 

Sources for this research include archival materials from Library and Archives Canada, Media Commons at the University of Toronto Libraries, Centro Cultural Tijuana, Science Museum of Minnesota, McGill University Archives, and Ingenium – Canada Science and Technology Museum, and interviews with Roberta Bondar, Diane Carlson, Donna Cox, Mary Jane Dodge, Munro Ferguson, Ingrid Lae, and Cherie Rivers. We have also accessed recorded interviews and oral histories with Althea Douglas, Phyllis and Graeme Ferguson, and Toni Myers.

This project is supported by an Insight Grant from the Social Sciences and Humanities Research Council of Canada.

— Jessica Mulvogue and Allison Whitney, 2026
Two-page spread with text and image description: 

Fusako Shuzui (aka Fusako Morisue, born 1928) is the Senior Editor of the first IMAX film, Tiger Child (1970), presented at Expo ‘70 in Osaka, Japan. Shuzui is credited as editor of numerous Japanese films between 1955-1991, yet it is difficult to locate biographical information about her, or even a photo caption confirming her likeness. She is the woman in profile on the far right of this photograph, taken during the editing of Tiger Child with (from right to left) Yoko Fujisaki, an unidentified assistant editor, Umeko Numasaki, and producer Roman Kroitor. Other assistant editors credited on the film were Haruko Takahashi, Takako Hanamura, and Kazuko Takagi.

While she remains relatively invisible, she had a hand in editing many significant works of Japanese cinema, including the internationally acclaimed Woman of the Dunes (1964), one of seven films she edited made by Japanese New Wave director Hiroshi Teshigahara. She also edited two documentaries directed by Fumio Kamei: It Is Good to Live (1956), an early work about the impact of the atomic bombs in Hiroshima and Nagasaki, and The World is Terrified: The Reality of the ‘Ash of Death’ (1957), on nuclear testing in the Pacific.

Reference: Atsuko Morimune, “Uncovering the History of Women Filmmakers in Japan: A Preliminary Directory of Female Staff Active Before the 1960s,” National Film Archive of Japan (NFAJ) Newsletter No. 18 (October 2022). An expanded  version was provided by archivist Kae Ishihara. Thanks to both for their guidance.
Two-page spread with text and image description:

Phyllis Ferguson (née Wilson) (1950- 2021) was born  in Quetico, Ontario, a status member of the Algonquins of Pikwàkanagàn First Nation. At 12, she was sent to live with her grandmother, Phyllis Tenniscoe, in Thun-der Bay, where she studied audio-visual broadcasting at Confederation College’s new radio and television program. In 1970, she was hired to assist the location manager of North of Superior, one of the first films shot in IMAX. She then hosted the National Film Board of Canada’s weekly “Challenge for Change” television slot, worked as a CBC radio announcer in Whitehorse, and contributed to an Indigenous community newspaper  in Ottawa.
In 1974, she worked as a sound recordist on the IMAX-produced Man Belongs to the Earth (screened at the U.S. Pavillion of Expo ‘74), later returning to tele-vision as a location manager for the Canadian Broad-casting Corporation’s The Fifth Estate and CTV’s W5. Returning to Thunder Bay, she directed her 1977 docu-mentary Nishnawbe-Aski: The People and the Land, a pro bono film addressing the impact of development on Cree and Ojibwa communities and opposing clear-cut-ting. She married her creative partner Graeme Ferguson in 1982, the same year they produced Hail Columbia! which initiated a series of IMAX space films. Among them, she co-produced The Dream is Alive (1985), Blue Planet (1990), Mission to MIR (1997), and co-produced and co-directed Destiny in Space (1994).

Image: Woman standing in front of rocket. Phyllis Ferguson at NASA. Photo: Media Commons Archive, University of Toronto Libraries.
@tanyagoldman.bsky.socialOct 9, 2026, 3:29 AM

❤️

@tanyagoldman.bsky.socialOct 8, 2026, 12:28 PMReposted by @tanyagoldman.bsky.social

Been working on this event for awhile! Glad it has come together! Thread for registration details (we’ve opened to non-members). I relish talking research methodologies + when it comes to my own research, have been pointedly asked many times: "why should we care about this person*?” soo here we go!

@tanyagoldman.bsky.socialOct 8, 2026, 12:30 PM

* my book happens to be centering a male film distributor but this all still stands. Cheers to a great event!

@tanyagoldman.bsky.socialOct 8, 2026, 12:28 PM

Been working on this event for awhile! Glad it has come together! Thread for registration details (we’ve opened to non-members). I relish talking research methodologies + when it comes to my own research, have been pointedly asked many times: "why should we care about this person*?” soo here we go!

@tanyagoldman.bsky.socialOct 7, 2026, 8:40 PM

Oh hello Missouri State University Library display of spooky DVDs! Great selection! #longlivephysicalmedia

@philipleventhal.bsky.socialOct 1, 2026, 12:43 AMReposted by @tanyagoldman.bsky.social

With William Greaves's eagerly anticipated *Once Upon a Time in Harlem,* coming this Fall, now is the perfect time to pick up a copy of WILLIAM GREAVES: FILMMAKING AS MISSION, edited by Scott MacDonald and Jacqueline Najuma Stewart! tinyurl.com/8crh87zf @columbiaup.bsky.social

@tanyagoldman.bsky.socialOct 6, 2026, 6:42 PM

Fun! I'll have to give it a listen! DAISIES is always a good time.

@tanyagoldman.bsky.socialOct 6, 2026, 6:30 PM

....and it's open access. Link below.

quod.lib.umich.edu/j/jcms/image...

...And here are some of the contributors earlier this year at Czech Center NY at a special event celebrating the film. We missed you Maggie and Aurore!

@tanyagoldman.bsky.socialOct 6, 2026, 6:23 PM

Happy to share that "Sixty Years of Daisies: Perspectives on Věra Chytilová’s Anarchic Classic" is out now in @jcmsjournal.bsky.social. Essays by @hennefem.bsky.social, @aurspiers.bsky.social, Leana Hirschfeld-Kroen, Barbora Bartunkova, Dijana Jelača + Meta Mazaj, edited by Masha Shpolberg + me.

@tanyagoldman.bsky.socialOct 6, 2026, 3:20 PM

JUST ONE?!

@tanyagoldman.bsky.socialOct 4, 2026, 10:42 PM

I love her soooo much

@tanyagoldman.bsky.socialOct 4, 2026, 2:30 PM

Perfect response

@tanyagoldman.bsky.socialOct 4, 2026, 3:16 AM

Ha, nope. I did read that though! I did not like it as much as I wanted too. Expectations too high? I’m listening to a (non-academic) book on Anna May Wong and it is satisfying my general curiosity. (Listened to something in sim vein about Merle Oberon by Mayukh Sen recently that I recommend!)

@tanyagoldman.bsky.socialOct 4, 2026, 2:50 AM

Petty complaint: Listening to an audiobook and reader keeps referring to the German studio Ufa as U-F-A and it is driving me crazy.

@tanyagoldman.bsky.socialOct 3, 2026, 2:30 AM

I’m still riding the ODYSSEY discourse high! 🤣

Older posts
Terms of UsePrivacy PolicyCommunity StandardsHelpGet the app

Grilled Cheese is a product of Village Compute

Version devBuilt at: 2026-10-10 20:13:24 EDT