It’s fascinating to see actors in a role they did years before their big breakout performance. Take the giant clam from SpongeBob who got hit by a peanut, for example.

If anyone is leaking the Problem Solverz stuff, I’d love to get my hands on it since I forgot to backup my work.

And they also got the North American rights of RKO’s library (minus remake/sequel rights), including “King Kong” and “Citizen Kane”. Exceptions included “It’s a Wonderful Life” and “Bells of St. Mary’s”, both belong to Paramount, now Skydance like the Turner-RKO catalog.

With this, Warner got access to massive properties they still use to this day: Scooby-Doo, Flintstones, Tom & Jerry, Nightmare on Elm Street, the most iconic Wizard of Oz, Casablanca, Christmas Story, among others. And it FINALLY gave WB the full Looney Tunes library again.

I almost forgot that today’s the 30th anniversary of the late Ted Turner’s company (owner of Hanna-Barbera, New Line Cinema, CNN, Cartoon Network, pre-1986 MGM films, and the 30s and 40s WB color cartoons) merging with Time Warner. Probably the least crappy WB merger to date.

Yes, a massive gigaleak happened with Cartoon Network today, a few days after the Skydance merger deal. Never before seen images and even FLASH FILES of Gumball found their way onto the internet.

Please oh please oh PLEASE let Scoob Holiday Haunt be leaked given the CN and WB Animation stuff that leaked today

Coyote vs. Acme despite having both 2D and cel-shaded 3D Looney Tunes does not qualify as animation on Letterboxd because the TMDb mods are fascists

Also, I reached 600 followers on April 15th of this year (I screenshot each time I reach a new follower peak)

I reached 700 followers on Letterboxd today!

It premiered today in London.

*insert GIF of Woody laughing*

I highly doubt Ray Gunn would win if it got a Best Animated Feature Oscar nomination, considering Wildwood has a stronger chance. Also, Brad Bird confirmed that David Ellison was mostly hands-off with Ray Gunn, so Ellison will try claiming credit for it like he did with Top Gun Maverick’s success.

What really sucks about living in the current AI driven era is having to carefully treading lightly when it comes to sharing and reposting artists work. I often have to make a conscious effort by going through an artist’s portfolio before I can even share their work.

;-)