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@newyorker.comThe writer Rick Bragg says that he doesn’t always get it right, but that he always writes true. What’s the difference? www.newyorker.com/culture/pers...
@newyorker.comIf the coming midterm elections result in a blue wave, Trump will be faced with the fact of his diminishment. The rest of us will be faced with the wreckage. www.newyorker.com/magazine/202...
@newyorker.comBetty Gilpin accepted her first Emmy with a rhyming poem. Here’s why she believes in swinging for the fences. www.newyorker.com/culture/the-...
@newyorker.comCan you make a longer word with each new letter? www.newyorker.com/puzzles-and-...
@newyorker.comIf the coming midterm election does result in a blue wave, Donald Trump will be faced with the fact of his diminishment. The rest of us will be faced with the wreckage. www.newyorker.com/magazine/202...
@newyorker.comKevin Barry discusses his story “Chuck Murphy’s Last Run.” www.newyorker.com/books/this-w...
@newyorker.comAt Creola, the chef Lana Lagomarsini puts French technique to work exploring Black American foodways—and overhauls her prix-fixe menu every few weeks. www.newyorker.com/culture/the-...
@newyorker.comCan you guess when these New Yorker cartoons were originally published? www.newyorker.com/puzzles-and-...
@newyorker.comCan you sort the items into the correct order? www.newyorker.com/puzzles-and-...
@newyorker.comThe New York Giants quarterback Jameis Winston has spent more than a decade wowing crowds with his daring and charisma—when he isn’t baffling them. www.newyorker.com/sports/sport...
@newyorker.comComedians such as Caleb Hearon now routinely give their audiences hours of new material every week in the form of podcasts. Read more about the good-hang economy: www.newyorker.com/culture/crit...
@newyorker.comKash Patel’s hockey beer league. www.newyorker.com/magazine/202...
@newyorker.comRichard Avedon transformed the fashion photograph, magazine issue after sensational magazine issue. www.newyorker.com/culture/phot...
@newyorker.comOn the heels of her Emmy win for “Widow’s Bay,” Betty Gilpin reflects on growing up with actor parents, taking on Cole Escola’s role in “Oh, Mary!,” and the importance of performing with your whole heart. www.newyorker.com/culture/the-...
@newyorker.comThe author Kevin Barry reads his short story from this week’s issue. Listen here. www.newyorker.com/podcast/the-...
@newyorker.comHow could you give up the throb of urgent throttle and the surge of roaring power that take you through the gates of fear to a state of nerveless bliss? www.newyorker.com/magazine/202...
@newyorker.comThe ballet “Oscar,” on now at New York City Center, imagines Oscar Wilde enclosed in a cell, tortured by images from his own works about the relationship between life and art. www.newyorker.com/culture/danc...
@newyorker.comRichard Avedon was the first, and for a long time the only, staff photographer at The New Yorker. His early work at Harper’s Bazaar was some of his best. www.newyorker.com/culture/phot...
@newyorker.comAround the world, there are groups practicing how to pick locks. But they aren’t interested in what’s behind them. www.newyorker.com/culture/the-...
@newyorker.com“The political environment is so toxic for Republicans that the Party no longer looks likely to realize anything near its projected redistricting gains,” Jon Allsop writes. Read more about the ongoing redistricting war. www.newyorker.com/news/the-pol...
