@noosphaere.wsocial.eu#MicroRezi der #ScienceFiction #Kurzgeschichte
Die Glocke im Turm
von #HPLovecraft und #LinCarter
im #phantastischmagazin 4 (2001)
Achim Havemann Verlag
Die maßlose Gier nach dem Zugang zu anderen Welten, die sich hinter einem[...]
#Phantastik #Rezension
[AI image]
![[Image source: genAI]
Hintergrund:
Flux 3 Image Prompt:
Dark, octagonal tower room built from rough-hewn stone, with shuttered, locked windows. Viewed from above through an open, rotten trapdoor in the floor, a heavy, ancient dark-wood table stands at the center of the dusty room. On it: a folder of aged parchment sheets, a small inkpot, neatly arranged quill pens beside the folder, and a burned-down candle stub in a brass candlestick. A massive Victorian wooden chair with a high, intricately carved back stands at the table. Directly above the chair hangs a large silver bell darkened by black patina, engraved with alchemical symbols and archaic runes. Its clapper is shaped like an inverted trident, the points hanging downward. A greasy black cord connects the trident to a rusty floor mechanism of gears and springs. Eerie, oppressive, dust-laden atmosphere; horror graphic novel illustration, rough scratchy pen-and-ink drawing, heavy shadows, stark contrast, intricate hand-drawn textures, no color, no text, no watermark.
Links unten: Cover der Zeitschrift phantastisch!, Heft 4
Text: phantastisch! 4
H. P. Lovecraft und Lin Carter: Die Glocke im Turm](https://cdn.bsky.app/img/feed_fullsize/plain/did:plc:idgwfxmwoc2hpavwy6hckteu/bafkreiei3ezegdy7fpwtqacbfz5r22uhxavxdbf67vinultcxgi6rgwn3a@jpeg)
@noosphaere.eurosky.social#MicroRezi der #ScienceFiction #Kurzgeschichte
Die Glocke im Turm
von #HPLovecraft und #LinCarter
im #phantastischmagazin 4 (2001)
Achim Havemann Verlag
Die maßlose Gier nach dem Zugang zu anderen Welten, die sich hinter einem[...]
#Phantastik #Rezension
[AI image]
![[Image source: genAI]
Hintergrund:
Flux 3 Image Prompt:
Dark, octagonal tower room built from rough-hewn stone, with shuttered, locked windows. Viewed from above through an open, rotten trapdoor in the floor, a heavy, ancient dark-wood table stands at the center of the dusty room. On it: a folder of aged parchment sheets, a small inkpot, neatly arranged quill pens beside the folder, and a burned-down candle stub in a brass candlestick. A massive Victorian wooden chair with a high, intricately carved back stands at the table. Directly above the chair hangs a large silver bell darkened by black patina, engraved with alchemical symbols and archaic runes. Its clapper is shaped like an inverted trident, the points hanging downward. A greasy black cord connects the trident to a rusty floor mechanism of gears and springs. Eerie, oppressive, dust-laden atmosphere; horror graphic novel illustration, rough scratchy pen-and-ink drawing, heavy shadows, stark contrast, intricate hand-drawn textures, no color, no text, no watermark.
Links unten: Cover der Zeitschrift phantastisch!, Heft 4
Text: phantastisch! 4
H. P. Lovecraft und Lin Carter: Die Glocke im Turm](https://cdn.bsky.app/img/feed_fullsize/plain/did:plc:fmhdgexyqywaptecevpzie5k/bafkreiei3ezegdy7fpwtqacbfz5r22uhxavxdbf67vinultcxgi6rgwn3a@jpeg)
@noosphaere.eurosky.social#MicroRezi der #ScienceFiction #Kurzgeschichte
Liebe mich
von #ArthurGordonWolf im
#phantastischmagazin 3
beim Achim Havemann Verlag
Patriarchale Strukturen führen zu männlichen Wunschvorstellungen, die so rein gar nichts mit [...]
#Phantastik #Rezension
[AI image]
![[Image source: genAI]
Hintergrund:
Byte Plus Seedream 5.0 Pro Prompt:
Extreme close-up of a young female android's flat abdomen, indistinguishable from that of a biological woman — smooth, lifelike skin with natural texture and subtle pores, soft studio lighting. Just above the navel, a discreet horizontal card slot is seamlessly integrated into the skin, and a sleek futuristic credit card is sliding out of it, partially ejected, catching a cool metallic sheen with glowing circuit-like accents along its edge. Shallow depth of field, macro lens look, clean minimal composition, sci-fi realism, photorealistic, high detail. No watermarks, no logos, no text on the card, no other body parts in frame.
Links unten: Cover der Zeitschrift phantastisch!, Heft 3
Text: phantastisch! 3
Arthur Gordon Wolf: Liebe mich](https://cdn.bsky.app/img/feed_fullsize/plain/did:plc:fmhdgexyqywaptecevpzie5k/bafkreicpefhm432vdb4kx3a2a67brdoc2md7qfr74bgy5zn3acve6yz3la@jpeg)
@noosphaere.wsocial.eu#MicroRezi der #ScienceFiction #Kurzgeschichte
Liebe mich
von #ArthurGordonWolf im
#phantastischmagazin 3
beim Achim Havemann Verlag
Patriarchale Strukturen führen zu männlichen Wunschvorstellungen, die so rein gar nichts mit [...]
#Phantastik #Rezension
[AI image]
![[Image source: genAI]
Hintergrund:
Byte Plus Seedream 5.0 Pro Prompt:
Extreme close-up of a young female android's flat abdomen, indistinguishable from that of a biological woman — smooth, lifelike skin with natural texture and subtle pores, soft studio lighting. Just above the navel, a discreet horizontal card slot is seamlessly integrated into the skin, and a sleek futuristic credit card is sliding out of it, partially ejected, catching a cool metallic sheen with glowing circuit-like accents along its edge. Shallow depth of field, macro lens look, clean minimal composition, sci-fi realism, photorealistic, high detail. No watermarks, no logos, no text on the card, no other body parts in frame.
Links unten: Cover der Zeitschrift phantastisch!, Heft 3
Text: phantastisch! 3
Arthur Gordon Wolf: Liebe mich](https://cdn.bsky.app/img/feed_fullsize/plain/did:plc:idgwfxmwoc2hpavwy6hckteu/bafkreicpefhm432vdb4kx3a2a67brdoc2md7qfr74bgy5zn3acve6yz3la@jpeg)
@noosphaere.eurosky.social#MicroRezi der #ScienceFiction #Kurzgeschichte
Ein toter Mann in New York
von #SPSomtow im
#phantastischmagazin 2
beim Achim Havemann Verlag
Die Trauer ist eine Phase, in der vielerlei Gefühle in unterschiedlicher Intensität [...]
#Phantastik #Rezension
[AI image]
![[Image source: genAI]
Hintergrund:
Byte Plus Seedream 5.0 Pro Prompt:
Victorian-era black and white photograph, 1865 style. A woman in her 30s wearing a black crinoline dress and black Victorian cloak with lace trim, kneeling in prayer before Abraham Lincoln's corpse lying in state on an ornate catafalque draped in velvet and brocade. In the dim background, a bearded man in his 40s with a white beard stands in shadow wearing a torn and weathered coat. The setting is a small chapel with high ceilings, candlelight flickering, rich tapestry hangings, and dark atmospheric shadows. Sepia-toned, Daguerreotype aesthetic, soft grain, high contrast, shallow depth of field, period-accurate 19th century composition, solemn and somber mood, faint candlelight glow, cinematic lighting from above illuminating the catafalque
Links unten: Cover der Zeitschrift phantastisch!, Heft 2
Text: phantastisch! 2
S. P. Somtow: Ein toter Mann in New York](https://cdn.bsky.app/img/feed_fullsize/plain/did:plc:fmhdgexyqywaptecevpzie5k/bafkreidwbi63hhyyqzwp3yb76ynqwqrsra45chricwbc5bpzj2y35gs52i@jpeg)