We're thrilled to announce that Sandra Wollner's #NYFF64 selection and Cannes winner EVERYTIME will have a one-week run at FLC beginning November 6! 🎟️ are now on sale at filmlinc.org/everytime

"As richly drawn and intricately crafted as any feature this year, and a surefire contender for best of 2026 honors." -
@nschager.bsky.social of @thedailybeast.bsky.social

An #NYFF64 selection, Lee Chang-dong's POSSIBLE LOVE opens at FLC next Friday, October 23! 🎟️: filmlinc.org/possiblelove

A portrait of Rooney Mara and Kate Mara at #NYFF64 for ‘Bucking Fastard’

📸 @avant_GODLIS

Time to party like it's the summer of 1972: an #NYFF64 selection, William Greaves & David Greaves' ONCE UPON A TIME IN HARLEM opens at FLC this Friday!

See this breathtaking miracle of a movie, now nominated for five Critics Choice Documentary Awards. 🎟️: filmlinc.org/harlem

At the 64th New York Film Festival, Damon Albarn with Brooklyn Youth Chorus and Mike Smith perform The Saddest Song from Luca Guadagnino's ARTIFICIAL ahead of the world premiere of the film, which features an original score and songs by Albarn. #NYFF64

Monday marked the end of #NYFF64 @filmlinc.bsky.social — an awesome array of international films, brilliant performances, premieres & talks.

Wrapped up our #NYFF64 run with some interesting, if frustrating, awards hopefuls. I can't wait for next year! Probably won't go SO hard (22 movies in 16 days!), but can't wait to be back in the #AliceTullyTheater! What a ride! #Letterboxd #LetterboxdFriday #LastFourWatched #Filmsky #MovieSky

Just to name a few #NYFF64 movies I missed and couldn't appraise for myself since I either had my retail job or my body didn't have the constitution: ROSE, IRON BOY (I really wanted to make it to that one), ARTIFICIAL, BUCKING FASTARD, YOU CAN SEE EVERYTHING (I was on my period), PAPER TIGER, etc.

Belated, my Favorite #NYFF64 Films:

AT THE PEAK:
- ALL OF A SUDDEN
- THE DEBUT
- NAZA

OTHER FAVS:
- A LONG WINTER
- A CHAMBERMAID’S DIARY
- GODZILLA MINUS ZERO
- FJORD
- I RARELY WAKE UP DREAMING

Obviously, there were selections I couldn't catch.

I wrote about some of my favorite achievements from #NYFF64

I'll finish out my #NYFF64 thread with two movies about theater, both challenging in different ways. Jesse Eisenberg's The Debut, about a lonely woman (Julianne Moore) whose life changes/expands/crumbles when she gets a role in a community-theater production, is so tonally unusual that I...

"This is a moment where it's critical for us to understand the arc of history, the challenges we face, but also the opportunities that are embedded in the 14th if we can preserve it."

Stacey Abrams, Ava DuVernay & more of the team behind 14th on their #NYFF64 World Premiere.

Watch Ryûsuke Hamaguchi discuss his cinematic pleasures and filmmaking process in the 2026 Amos Vogel Lecture at #NYFF64: filmlinc.org/nyff2026/daily/ryusuke-hamaguchi-discusses-his-filmmaking-process-in-2026-amos-vogel-lecture

Rooney Mara and Kate Mara discuss the experience of working with Werner Herzog on BUCKING FASTARD on the #NYFF64 red carpet.

Rami Malek, Ira Sachs, Mauricio Zacharias, and Luther Ford discuss the passionate process of making THE MAN I LOVE on the #NYFF64 red carpet.

At the #NYFF64 world premiere of 14th, Sherrilyn Ifill, founding director of the 14th Amendment Center for Law and Democracy, discusses the "monumental effort" of examining the importance of the amendment in a documentary.

"What is a life? A live is not what you have lived."

Albert Serra discusses the poetry of Ingrid Caven at the #NYFF64 premiere of SIXTEEN MOMENTS OF MY LIFE.

Listen to a never-before-published conversation with Ken Russell and Vanessa Redgrave on the making of THE DEVILS from our 2010 director retrospective, followed by a discussion with Mark Kermode from #NYFF64: filmlinc.org/nyff2026/daily/ken-russell-vanessa-redgrave-and-mark-kermode-on-the-devils

Rami Malek discusses the relationships in THE MAN I LOVE and how the film is a reminder to enjoy the finite time that life offers. #NYFF64

Nicolás Pereda's Everything Else Is Noise is a wry, knowing, and minimalist comedy of manners in which women fight to be heard.

Read our #NYFF64 review: