I loved BEHEMOTH!. One of my favourite films at #LFF for sure! Here's my review 👇

#Behemoth #PedroPascal @loudandclearrvs.bsky.social

Selling #lffstubs #lff

1x Misty Green 18th 18:15 BFI Southbank £18 willing to take offers

1x Prima Facie 16th 20:50 Vue West End £18 willing to take offers

#LFF introduced Tender Loving Care as a film we need right now, yet it’s not like Mike sugarcoats what it is to keep your chin up when the rest of the world suffers. And it is still precious light at the end of a long tunnel; all the glorious little joys and laughter of social life against all odds.

selling 1 x artificial for 11:30am Friday at festival hall, balcony row a £10

#lffstubs #lff @lffstubs.bsky.social

AI friends, capitalism and communism and the #Hollywood celebrity machine at #LondonFilmFestival 2026 #BFI - More from the second week of the #LFF, from Markie Robson-Scott, including 'Klara and the Sun', 'Filipiñana', 'Misty Green', 'Woman Unknown' and more www.theartsdesk.com/film/london-...

PCC need to get "I assure you we're open" up on that marquee again pronto #lff

#LFF
Artificial - The OpenAI movie is bone-chilling. Luca, his ensemble and Damon Albarn go turbo chronicling the deadliest bromance of our times, locking you in these lanky dorks’ fragile dreamworlds until you can see through every crack. It’s all we need to see to know how dumb this apocalypse is.

#LFF
Haigh’s signature tenderness comes into full bloom the deeper A Long Winter delves into guilt and queer repression, while André Turpin produces some of the strongest celluloid imagery I’ve seen all year. It just plays it safer, say, Lean On Pete; sluggish in pace and overly blunt in conviction.

London Film Festival 2026: Rose Review
coogsreviews.wordpress.com/2026/10/15/l... #lff #lff2026

My review of The Face of Horror at #LFF is here: boxd.it/gNSe1p

I adored Anna Biller's THE FACE OF HORROR at #LFF - a fabulous medieval melodrama with some of the best shock moments of the year. Kristine Froseth brings remarkable pathos to the lead part - finding the genuine tragedy and heartbreak lurking beneath the vivid colours.

selling a ticket for life / drawing at london film festival tmrw! (16 october at 12:30). i’m happy to sell for £10! pls msg if interested x
#lff #londonfilmfestival @lffstubs.bsky.social

FLORENCE PUGH STUNS at the ‘KLARA AND THE SUN’ premiere during the 70th BFI London Film Festival.

#FlorencePugh #KlaraAndTheSun #LFF

Yesterday someone came into a #LFF press screening an hour after the film started.

Why?
Why bother?

TENDER LOVING CARE is about putting on a brave face despite the hurts that are barely acknowledged or dismissed with a joke. Its depiction of our ever growing societal malaise is acute but I can’t help feeling it lacks the depth of Mike Leigh’s best films. #LFF

>> persuading his daughter, Emilia, to work on this film - and Emilia’s for accepting the role. #FilmSky #LFF

>> while Luengo proves herself more than capable to standing up to him. The camerawork & editing are also superb.

It’s a fascinating, complex portrait of a toxic father-daughter relationship that left me with intriguing questions about the Bardem character’s motives in >> #FilmSky #LFF

I think the BFI should look into funding vaccine research so we don't all get Festivalitis every damn year #lff

>> to appear in his next film. But Sorgoyan does something different to the Trier here, narratively, tonally and stylistically. The performances, particularly Bardem’s, are next level, but very nuanced (I’d love to see him in the Best Actor awards conversations next year), >> #FilmSky #LFF

THE BELOVED (Rodrigo Sorogoyen, 2026).
One of my films of the festival so far! On paper, the set-up sounds remarkably like Joachim Trier’s SENTIMENTAL VALUE, as a successful filmmaker (Javier Bardem) tries to persuade his estranged daughter, an actor played by Victoria Luengo, >> #FilmSky #LFF