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Grilled Cheese is a product of Village Compute

Version devBuilt at: 2026-10-15 18:51:49 EDT

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@roderickscottart.bsky.socialOct 15, 2026, 8:21 AM

Well redacted, burnt and nailed shut from the 10th show by Experimental use of Space: DEID CENTRE O’TOON at the Kirk of St Nicholas, Aberdeen in collaboration with Scot-ART.
#politicalart
#Installationart
#antioppression
#cancellation
#redaction
#bookburning

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@edwardsdna.bsky.socialOct 10, 2026, 10:40 AM

A Digital Swamp Coming to New York City’s MoMA Is 'Made to Envelop You' in Nature With the Help of Cutting-Edge Technology: "Wetland" is the latest installation of a high-tech traveling exhibition designed by Danish… @SmithsonianMag #DigitalArt #MoMA #InstallationArt #JakobKudskSteensen #NatureInArt

@alessandroperini.bsky.socialOct 10, 2026, 7:03 AM

"Polifonia Liquida" (2015) — archive stills, new version in progress.
Showing in "Laconica", AV17 Gallery, Vilnius (Pamėnkalnio Gallery)
22 October – 26 November 2026
With support of the Swedish Arts Grants Committee.

#soundart #installationart #vilnius #AV17Gallery #PolifoniaLiquida

@campradio.bsky.socialOct 2, 2026, 11:29 PM

Rounding off the day with @avantologist.bsky.social's latest release: deep time resonance.

jimmypeggie.bandcamp.com/album/deep-t...

#experimental #atmosphere #darkambient #deeptime #drone #electromagneticfrequencies #industrial #installationart #soundart #soundscape

@avantologist.bsky.socialOct 2, 2026, 7:19 AM

New album release “Deep Time Resonance
#soundart #installationart #phxart #bandcamp

@500ways.bsky.socialOct 1, 2026, 1:03 AM

Unusual new home business opportunity involving the worst artform. It's all free at worlds-worst-website.com/worst-artform ( #art, #artistic, #artistry, #musicalInstrument, #saxophone, #brassInstrument, #trumpet, #cornet, #trombone, #suasaphone, #tuba, #homeBusiness, #artform, #installationArt)

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@jonathanhogg.mastodon.social.ap.brid.gySep 29, 2026, 6:20 PM

Into the solid assembly end of this project now: we have 15 of these to finish this week

#OutputArts #InstallationArt

A near shot of a jumble of LED “neon” tubes and willow structures. The tubes are all lit in a range of colours, but the space is otherwise dark. Careful study would discern that there are 6 stars hanging close to each other.
@rolandmau.bsky.socialSep 29, 2026, 1:24 PM

Vanishing Point by UVA (United Visual Artists), 2013-14 (RGB laser, black voile, code, gallery visitors, installation views)
#unitedvisualartists #art #installationart #lightart

@zaibatsu.bsky.socialSep 26, 2026, 2:31 PM

75,000 Handmade Kites Greet Visitors to SFMOMA With Color, Pattern, and Movement #Installation #installationart

@aivisualsketchbook.bsky.socialSep 26, 2026, 1:31 PM

I imagined a museum installation where the exhibition room transforms into a world of color. The drag queen and burlesque performer become inhabitants of this chromatic world, while the curator remains in the untouched museum space.
#AIart #AIArtCommunity #AI画像 #chatGPT #InstallationArt

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@perithemis.bsky.socialSep 20, 2026, 3:04 PM

Done and installed! Opening day was yesterday. Installation seemed simple and straightforward but it still took us about an hour.

#art #sculpture #installationart #felting #crochet #embroidery #holycrapitsfinallydone

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@500ways.bsky.socialSep 15, 2026, 12:16 AM

Unusual new home business opportunity involving the worst artform. It's all free at worlds-worst-website.com/worst-artform ( #art, #artistic, #artistry, #musicalInstrument, #saxophone, #brassInstrument, #trumpet, #cornet, #trombone, #suasaphone, #tuba, #homeBusiness, #artform, #installationArt)

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@jonathanhogg.mastodon.social.ap.brid.gySep 11, 2026, 2:38 PM

Don't tell anyone I showed you this, but…

#OutputArts #InstallationArt

An illuminated star hanging in the darkened studio. It's 3D and symmetrical, with 6 main points and 8 smaller ones. It's wrapped in neon-style LED strip around the outer edges creating a linear form. The tips of the points are pink and the centre of the star is light blue.
@avantologist.bsky.socialSep 9, 2026, 3:51 PM

Sept 12 & 13 at SonarAZ, Tempe, AZ. Curated by Jimmy Peggie with artwork by Thomas Catlaw, Jennifer Dam, Sutton O’Neill, Jimmy Peggie, Cyd Peroni, Mia Salazar, Irena Velickovic #phxart #installationart #tempeart #sonaraz

Flyer for Deep Time Resonance art installation at SonarAZ, Tempe, AZ Sept 12 & 13
@500ways.bsky.socialSep 8, 2026, 9:29 PM

Unusual new home business opportunity involving the worst artform. It's all free and complete at worlds-worst-website.com/worst-artform/ ( #art, #artistic, #artistry, #saxophone, #brassInstrument, #trumpet, #flute, #cornet, #trombone, #suasaphone, #tuba, #homeBusiness, #artform, #installationArt)

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@rolandmau.bsky.socialSep 8, 2026, 1:04 AM

Oak Room by Andy Goldsworthy, 2009 (Château Lacoste, Provence, France)
#andygoldsworthy #natureart #installationart #art

ENtrance to underground room: Detail: Site-specific installation titled "Oak Room" by Andy Goldsworthy, 2009, created for Château Lacoste, Provence, France. A room within the château's stone buildings whose walls are entirely lined with large panels of densely packed, interlocking oak leaves — thousands of dried leaves pressed flat and layered to cover every surface from floor to ceiling, the warm amber, brown, and ochre tones of the dried foliage transforming the interior into something between a natural archive and a living membrane. The leaves are arranged with Goldsworthy's characteristic attention to pattern and flow, creating a surface that reads simultaneously as geological strata, as wallpaper, and as accumulated time made visible. Light catches the varied textures and tones of the individual leaves while the overall effect is one of deep, enveloping warmth. The work is characteristic of Goldsworthy's practice of bringing the materials and processes of the natural world into built or institutional spaces, asking the two to hold each other in tension — the ephemeral and the permanent, the organic and the architectural, the forest and the room.Stairs leading down: Detail: Site-specific installation titled "Oak Room" by Andy Goldsworthy, 2009, created for Château Lacoste, Provence, France. A room within the château's stone buildings whose walls are entirely lined with large panels of densely packed, interlocking oak leaves — thousands of dried leaves pressed flat and layered to cover every surface from floor to ceiling, the warm amber, brown, and ochre tones of the dried foliage transforming the interior into something between a natural archive and a living membrane. The leaves are arranged with Goldsworthy's characteristic attention to pattern and flow, creating a surface that reads simultaneously as geological strata, as wallpaper, and as accumulated time made visible. Light catches the varied textures and tones of the individual leaves while the overall effect is one of deep, enveloping warmth. The work is characteristic of Goldsworthy's practice of bringing the materials and processes of the natural world into built or institutional spaces, asking the two to hold each other in tension — the ephemeral and the permanent, the organic and the architectural, the forest and the room.Inside of the underground room lined with interwoven oak branches: Detail: Site-specific installation titled "Oak Room" by Andy Goldsworthy, 2009, created for Château Lacoste, Provence, France. A room within the château's stone buildings whose walls are entirely lined with large panels of densely packed, interlocking oak leaves — thousands of dried leaves pressed flat and layered to cover every surface from floor to ceiling, the warm amber, brown, and ochre tones of the dried foliage transforming the interior into something between a natural archive and a living membrane. The leaves are arranged with Goldsworthy's characteristic attention to pattern and flow, creating a surface that reads simultaneously as geological strata, as wallpaper, and as accumulated time made visible. Light catches the varied textures and tones of the individual leaves while the overall effect is one of deep, enveloping warmth. The work is characteristic of Goldsworthy's practice of bringing the materials and processes of the natural world into built or institutional spaces, asking the two to hold each other in tension — the ephemeral and the permanent, the organic and the architectural, the forest and the room.Inside of the underground room lined with interwoven oak branches: Detail: Site-specific installation titled "Oak Room" by Andy Goldsworthy, 2009, created for Château Lacoste, Provence, France. A room within the château's stone buildings whose walls are entirely lined with large panels of densely packed, interlocking oak leaves — thousands of dried leaves pressed flat and layered to cover every surface from floor to ceiling, the warm amber, brown, and ochre tones of the dried foliage transforming the interior into something between a natural archive and a living membrane. The leaves are arranged with Goldsworthy's characteristic attention to pattern and flow, creating a surface that reads simultaneously as geological strata, as wallpaper, and as accumulated time made visible. Light catches the varied textures and tones of the individual leaves while the overall effect is one of deep, enveloping warmth. The work is characteristic of Goldsworthy's practice of bringing the materials and processes of the natural world into built or institutional spaces, asking the two to hold each other in tension — the ephemeral and the permanent, the organic and the architectural, the forest and the room.