together forming a collective portrait that both embodies and complicates an understanding of the queer world of Neel’s moment and the artist’s place within it.

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This catalogue is the first to focus on queer communities, those who were part of their circle, as well as allies and others with whom the artist was in broader conversation;

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Dannison Wong photos via CULTUREEDIT.

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He would assume his pseudonym “Go Mishima” after his friend, the infamous poet and political figure Yukio Mishima (1925-1970), who he had met through the bodybuilding community in Tokyo.

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Majoli’s Blueboys series is a rumination on illness, loss, and history via images born of liberation, an attempt to locate and document a period when queer political and sexual identities became visible to a larger public.

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Driven by these questions, the work results in a highly erotic, almost psychedelic world where personal fears, loves and intimacies are depicted.

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His intriguing and expressive use of pencil lines and colour reflects these introspective fascinations and obsessions. What does it mean to understand others? Can we survive without being connected with others?

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In his work, Ataru Sato shows the dualities of life by deeply questioning his own soul and his interactions with the world around him. Life, sex and happiness, but also death, decay and sadness are simultaneously present in his work.

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Artistic touchstones tend toward cult figures like Forrest Bess or Antonin Artaud, and recurring subjects include Greek sculpture, butoh dance-theater, OnlyFans, and celebrity crushes.

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Over three decades, Richard Hawkins has developed a body of work that turns on the erotics of visibility, fueled by what he calls “a combination of historical research and boyish obsessions.”

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[September 2026]

Lots of Cavs this month, human and automaton. Cav-tember if you will.

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#OPM

Part of the Tom Daley and Patrick Church's collaborative series.

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Maxim Bondarenko, Snail, 2026.

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Carmine Santaniello, Boy With a Cigarette #4, 2025.

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Image by Irene Cruz.

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Tom of Finland drew this portrait of a young model in 1988 and inscribed it to him: “To Gavin — Tom of Finland.”

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A glimpse into my website from 1999 — the early days of the Internet.
Archived digital history — long before social media.

#InternetArchaeology #DigitalArtHistory #WebHistory #EarlyInternet #NetArt #PastelArt #HamarArt #MartineJacobs #DigitalPioneer #ArtArchive #InternetArt

[September 2026]

I feel like every time, close to Halloween, the phantom brain worms come back worse then ever. And I know it's bad because I made a self-insert to torment him.

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#phantomposting
#ThePhantomoftheOpera