If she knows that, yes, she knows our relation must have involved your writing to me."

If she knows that, yes, she knows our relation must have involved your writing to me."
"All the while she and I here were growing intimate, you and I were in unmentioned relation?
She came straight to his aid, formulating for him his anxiety, though quite to smooth it down.
If our friend knows that all the while—?"
"There's something you must definitely tell me.
He could make out by this light something of what he saw, but a dimness also there was, undispelled since his return.
He had dropped a little in presence of the explanation; then she had brought him up to a sort of recognition.
She put it to him before they joined—as was high time—the others.
#HenryJames #Fiction 🧶 n° 2
Henry James dans cette conférence commence par s'insurger contre la tendance de l'auteur à marquer la feinte fictionnelle à destination de son lecteur, le faire-semblant que constitue la fiction (par exemple par un commentaire explicite entre parenthèses)
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"You do then see your way?"
Still she had a distance to go.
She had come back to another, which was one of her own; her own were so closely connected that Densher's were at best but parenthetic.
She smiled, but he saw her the next instant as smiling through tears; and the instant after this she had got, in respect to the particular point, quite off.
"So you think you'll kill *me* in time to prevent it?"
#HenryJames #Fiction Dans les posts sous ce #HEF je regrettais l'absence de traduction pour 𝘛𝘩𝘦 𝘈𝘳𝘵 𝘰𝘧 𝘍𝘪𝘤𝘵𝘪𝘰𝘯 (1884), la conférence d'Henry James en défense du roman comme un des beaux-arts: patate suis-je, elle existe bien sûr!
& une copine a trouvé cette vieillerie introuvable - hourra!
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She looked at him a minute with no response but her eyes.
It would kill me."
"Don't fail me.
"Don't what?"
"See here, you know: don't, *don't*—!"