My #TIFF26 day: Look Back, Everytime, Ink, packing up.

'La bola negra' representará a España en los Óscar. Vemos el paso de la película por el #TIFF26 de Toronto y compartimos la crítica de @agusgcascales.bsky.social, en que analiza por qué es una película tan bella y necesaria, que conecta con todo tipo de público. shangay.com/2026/09/16/b...

Las reacciones que están saliendo de #TIFF26 papá ya está hecho

HOW WE STAND - Admired the film for its attempt to color outside the lines. Adapted by Marie Clements from her own play, it confronts recent Indigenous history while striving to be genuinely cinematic, especially in its leaps toward magical realism. Mileage will vary, but I admired it. #TIFF26 📽️

Unsurprisingly LADIES AND GENTLEMEN, BRIAN MULRONEY is probably the most Canadian movie ever made. Nostalgic (certainly for me), funny as hell, creative, and pertinent as hell. The only un-Canadian thing about it is how unapologetic it is in its portrayal of its subject. #TIFF26

ONCE UPON A TIME IN HARLEM - One of the most memorable films of 2026 was… made in 1972? So it is. A miracle of preservation, dropping us into Duke Ellington’s house as Harlem Renaissance luminaries debate, converse & get a little tipsy. My, what conversation. And what a cultural treasure. #TIFF26 📽️

Brash and brimming with bravado, #Ink is Danny Boyle at his bombastic best. Embracing the punk rock attitude of Trainspotting to tell the story of the rise of Rupert Murdoch’s media empire, it’s like The Social Network on acid, set amid the backdrop of 1960s Fleet Street. #TIFF26

BITTER CHRISTMAS - My most anticipated film of #TIFF26 may not have lived up to my sky-high expectations, but any new Pedro Almodóvar movie is a vibrant, must-see event (even if minor). A fascinating exploration of creativity’s destructive nature and the cost of turning others’ lives into art. 📽️

TENZING: In DEEP IMPACT/ARMAGEDDON terms, the first of TIFF's two Mount Everest movies is firmly in the Mimi Leder camp — conventional, well-cast polite period piece that aims for the heart more than the eye. Why Apple made a mountain flick that you'll watch on a phone is their business. #TIFF26

#TIFF26 “Marie Madeleine” (Géssica Généus)

For the sinners.
For the spirited.
For the seers.

#WomenInFilm #FilmSky

Turkish director Ferit Karahan speaks to @nuralsumbultepe.bsky.social about cinematic language, recurring images, and confronting darkness in Djinn Wedding #TIFF26 #TIFF #TIFF2026. You can read the interview in @torontospark.bsky.social: torontospark.ca/director-fer...

25 - Inherit: A centipede demon seeks a new host in this mediocre Thai horror splatterfest #TIFF26

WILD HORSE NINE: Malkovich is great in The White Lotus: Easter Island — and Buscemi gets one killer line — but this isn’t nearly as airtight as McDonagh might think. I do enjoy, though, a film-festival-tilted movie that baldly declares its love for Venice, over and over. #TIFF26

Tehran, Under the Skin is an intimate documentary that explores the world of cosmetic surgery in Iran and a land of contradictions. #tiff26 povmagazine.com/tehran-under...

Sunburn review from #TIFF26: Serville Poblete’s charming Toronto-set debut is a sun-soaked celebration of youth, friendship, community, and growing up.
thatshelf.com/sunburn-revi...

Revenge may NOT be a dish best served cold in “We are born good” at #tiff26 Really well constructed, twisty first feature from HK director Leung Cheung Yeung. Excellent acting, casting, pacing and cooking (you may end up hungry). Highly recommended #tiff