Takashi Miike’s Bad Lieutenant: Tokyo proves a dull, insipid, lazy take on a formula designed to let loose.
Read @cjprince.bsky.social's #TIFF26 review:
@thefilmstage.com
@thefilmstage.comTakashi Miike’s Bad Lieutenant: Tokyo proves a dull, insipid, lazy take on a formula designed to let loose.
Read @cjprince.bsky.social's #TIFF26 review:
@thelogicalmind.bsky.socialARRESTED MEMORY is a bit like its central character: generally confused, really good at its job when it remembers what to do and not at all interested in tying up any loose ends. Mostly a fun time. #TIFF26
@hyceate.bsky.socialI had to draw him to manage my energy from the event.
#HudsonWilliams #TIFF26 #HyceateDraws
@thatshelf.com#River is a tight and tense slasher worthy of the beloved subgenre. Read @sarahgopaul.bsky.social's #TIFF26 review
thatshelf.com/river-review...
@jeratthemovies.bsky.socialWOMAN UNKNOWN - A rich, layered, exquisitely directed post-WWII thriller about secrets, survival, and gendered punishment. Difficult to revisit but impossible to shake, it lingers through devastating images and thoughtful questions about who society chooses to shame, protect, and forgive. #TIFF26 📽️
@hrnews.bsky.social🧵 of Hudson for his "Making Waves With…” panel at #TIFF26
@usabach.leftodon.social.ap.brid.gyחמישה סרטים ביום, אני חושב ששברתי שיא אישי, יש לי ותק משנות התשעים בירושלים.
סרט פלסטיני בבוקר (שיחה עם הים حوار مع البحر), שני סרטים איראנים / על איראן שהצלחתי להשיג כרטיסים להקרנות שלהם ב Rush line, סרט אנימציה חמוד עם נמר צמחוני (Muyi), ומשהו אוסטרי ממעבה היער. #TIFF26
@thelogicalmind.bsky.socialASSASSIN(S) is a pretty solid rollicking political thriller until the last half hour when…it isn’t. It becomes a weighted down preachy melodrama with over the top screaming and an unsatisfactory epilogue. Some great stuff before that though! #TIFF26
@mainelymovies.bsky.socialTHE DIARY OF A CHAMBERMAID is such a mixed bagged. It emotionally works when focusing on the main character's struggles and its familiar themes of class and discrimination, but the choppy editing and slow pacing make it a chore to watch. #TIFF26
@madterriers.bsky.social35 - The Violinist: A beautiful, sweeping animated tale following two young musicians in love in Singapore during WWII #TIFF26
@chrisreedfilm.bsky.socialThere's a reason FJORD won this year's Palme d'Or at Cannes, and I explain what makes it so good in my #TIFF26 review for @filmfestivaltoday.bsky.social #filmsky @tiffnet.bsky.social
@filmfestivaltoday.bsky.social@chrisreedfilm.bsky.social reviews FJORD out of #TIFF26 filmfestivaltoday.com/film-reviews... @tiffnet.bsky.social #filmsky
@thatshelf.comMarie Madeleine is a vibrant look at friendship and the hypocrisies found within organized religion. #TIFF26
thatshelf.com/marie-madele...
@mainelymovies.bsky.socialA very frustrating watch, ATONEMENT attempts to explore the nature of guilt and forgiveness, but ultimately feels selfish and hollow. It's periodically emotional, but mostly just leaves behind a bad taste and an unearned ending. #TIFF26
@madterriers.bsky.social34 - The Only Living Pickpocket in New York: Excellent character study following John Turturro as an aging pickpocket who gets in over his head #TIFF26
@thatshelf.comA touching portrait of sisterhood and family pressure, Happily Ever After is a stunning and simple exploration of personal joy starring Shuhua Yeh and Xuan Chen. #TIFF26
thatshelf.com/happily-ever...
@slantmagazine.comLike the celebrated fictions of its subject, Mariano Llinás’s LIFE OF JORGE LUIS BORGES is a work of many dimensions. Read William Repass's #TIFF26 review.
@i-dle-bot.eurosky.social
