Fostoria made both pressed and elegant etched glass in many colours. Similar patterns by other companies make careful measurements and reference photos especially useful.

Fostoria made both pressed and elegant etched glass in many colours. Similar patterns by other companies make careful measurements and reference photos especially useful.
Delft potteries produced tiles, plates, jars and decorative objects. Hand-painted details, glaze wear and factory marks can help separate antique pieces from modern souvenirs.
The tradition grew from European snuff and patch boxes. Signatures and “Limoges France” marks need careful study because quality and authenticity vary widely.
Hall produced many teapot forms for home, restaurant and promotional use. Shape names, decals and backstamps help collectors navigate the enormous variety.
McCoy jars are heavily reproduced, and some originals were marked only “USA.” Shape, size, glaze and known catalogue examples deserve more trust than one stamp.
ANRI worked with noted designers, including Juan Ferrándiz and Sarah Kay. Labels, signatures and crisp carving details help place pieces within different production eras.
Weller employed talented designers and decorators across many distinctive lines. Signatures, impressed marks and glaze details all help identify genuine examples.
The company received a Royal Warrant in 1901 and adopted the Royal Doulton name. Character jugs, figurines and art pottery later became collector staples.
Cold-painted details often wore away with washing and use. Strong original paint can therefore make an honest vintage Shawnee jar especially appealing.
Many early McCoy pieces were unmarked, so shape, glaze and catalogue references matter. Familiar marks alone never guarantee that a piece is authentic.
No two hand-painted vintage pieces are exactly alike. Changes in backstamps and production locations help collectors sort early California ware from later examples.
Designer Frederick Hurten Rhead gave Fiesta its signature concentric rings. Colour changes and backstamps help distinguish vintage pieces from later production.
Carder's iridescent and richly coloured designs define early Steuben collecting. Later Steuben became celebrated for exceptionally clear crystal and engraved forms.
The first shipment included Luke Skywalker, Princess Leia, Chewbacca and R2-D2. The cardboard display, certificate and tiny accessories now matter almost as much as the figures.
Butcher's characters appeared on cards and posters before becoming three-dimensional figurines. Retired designs and early production marks are closely watched by collectors.
The familiar bee and factory marks changed over time, helping collectors date genuine pieces. Many designs capture playful scenes of childhood, music and village life.
A tin's graphics can reveal changing fashions, slogans and brand identities. Hinges, handles and maker marks also help collectors estimate age and original use.
Squarecrow premiums included dolls and novelty kits tied to Chex promotions. Today they survive as wonderfully odd pieces of mid-century advertising history.
Celluloid helped prove that manufactured materials could imitate scarce natural ones. It later appeared in combs, toys, jewellery and photographic film.
The bag used colourful offset-lithographic imagery developed with master printer Kenneth Tyler. Because it was meant to be carried, clean surviving examples are especially striking.