Aegeus vents working-class grit on 'Free'. Thick self-made beats, Manchester dirt, and pure political exhaustion.
@telnhq.bsky.social
@telnhq.bsky.socialAegeus vents working-class grit on 'Free'. Thick self-made beats, Manchester dirt, and pure political exhaustion.
@telnhq.bsky.socialBlack & White, Digital Capture Skatepark Nostalgia on 'Last Days Of Youth'. Rough guitar chords, live-room bleed, and a five-minute coming-of-age cut from Andorra.
@telnhq.bsky.socialFilip.ak Stacks Heavy 808s and Dark Synths on 'SUPERSTAR'. Straight-up German trap verses over cold, bass-heavy underground beats.
@telnhq.bsky.socialHaunted Water Crafts a Warm Folktronica Pulse on 'Uirapuru'. Woodsy hand drums, quiet acoustic guitar plucks, and an easy whistled hook recorded straight out of Berlin.
@telnhq.bsky.socialMOTH TLK Nails That Weird Feeling of Drifting Apart on 'These Friends Of Mine'. Scuzzy garage chords, upbeat drums, and the sting of watching your crew move on without you.
@telnhq.bsky.socialEthan Davis Channels Everyday Frustration into Gritty Rock on 'Are You Alright In The Head?'. Distorted bass growl, mic'ed up tube amps, and a catchy chorus born out of one-sided conversations.
@telnhq.bsky.socialAslan Merges Fretwork Discipline and 80s Pop-Rock on 'The Light'. Late-night highway vibes, sharp guitar chops, and honest songwriting straight out of New Zealand.
@telnhq.bsky.socialLiving Chivalry Channels Pure 2000s Pop-Punk on 'Best Kept Secret'. Basement riffs, honest vocal hooks, and the kind of fast drum fills that defined the golden era of the scene.
@telnhq.bsky.socialVincent Nova Locks into Pure 140 BPM Drive on 'Black Glass'. Modular synth hooks, rolling basslines, and classic peak-time trance energy out of Brisbane.
@telnhq.bsky.socialSaint Otherwise Dials into Warm Disco Filters on 'Living stereo groove'. Classic French house bounce, dusty chops, and a hypnotic synth hook written at 3 AM.
@telnhq.bsky.socialKargo Merges Pop-Rock Riffs and Fast Flows on 'God and Me'. Distorted guitars, driving hooks, and upfront rap verses across a 10-track collection.
@telnhq.bsky.socialCrispy C Notes Floats Over Space-Bound Trap on 'Atmosphere'. Slow-burning cloud rap textures meet grounded street bars behind production from UK beatsmith The Essence.
@telnhq.bsky.socialKEEP OUR NAMES GODLY Bring Slowed-Down Houston Heat on 'KONG SUMMER ANTHEM'. A smoked-out debut cut mixing classic 713 chopped and screwed vibes with loose cloud rap bars.
@telnhq.bsky.socialDerek Corcoran Layers Irish Flutes Over Heavy Guitars on 'Follow me up to carlow'. Bouzouki, tin whistle, and loud riffs recorded solo out in Denmark.
@telnhq.bsky.socialPaperthin Fleet Push Heavy Guitars On Their Debut Cut 'Lights'. The Münster-based quintet delivers a massive alternative rock track, merging rehearsal room grit with a polished studio mix right in our backyard.
@telnhq.bsky.socialCooper Kenward Keeps It Loose on 'Bit Better'. Scruffy guitars, casual drumming, and a song about burning out on self-improvement.
@telnhq.bsky.socialJulie Maxwell Keeps It Simple on 'A Hurt I Don’t Name'. A quiet piano piece tracked with Pianoteq and a Yamaha keyboard.
@telnhq.bsky.socialThe Unmarked Tapes Put Out Tense Piano Track 'The Doors of Uncertainty'. Rough piano chords and layered MIDI drums from an Akron basement setup.
@telnhq.bsky.socialTELN's Golden Hour Isn't About the Drop - It's About What Comes Before It. Warm, hypnotic, and built on restraint, the UK house producer's newest single lingers in the moment instead of chasing the peak.
@telnhq.bsky.socialMichael Fang Drops DIY Cloudrap Track 'Addition and Subtraction'. Cracked software, machine noise, and hazy synths come together on this bedroom cut.