www.labiennale.org/it/cinema/20... #venezia83 #veneziafilmfestival2026
@maximmacrae.bsky.social
@maximmacrae.bsky.social
@loudandclearrvs.bsky.socialThis often problematic film represents all the worst traits of Paul Schrader’s unconventional style. 😕
Read Jack's review of THE BASICS OF PHILOSOPHY, which premiered at the Venice Film Festival!
@icsfilm.bsky.socialMarc van de Klashorst does it all for the ratings in Lance Oppenheim's PRIMETIME, an entertaining satire about our lust for negativity and sensation that lacks true bite #Venezia83 buff.ly/ZvLbxov
@stylefeelfree.bsky.socialCRÍTICA CINE #VENEZIA83 | El tándem de cineastas formado por Ann Sirot y Raphaël Balboni estrena en la sección Orizzonti del Festival de Venecia ‘Diane in the Loop’. 🔽
www.stylefeelfree.com/2026/09/dian...
@icsfilm.bsky.socialMatthew Joseph Jenner takes a risk in Ann Sirot and Raphaël Balboni's DIANE IN THE LOOP, an emotionally resonant and beautifully poetic artistic curio that explores heavy subject matter in an unorthodox way #Venezia83 icsfilm.org/festivals/ve...
@josephfahim.bsky.socialI don't wish Amos Gitai on even my worst enemy.
More later.
@icsfilm.bsky.socialMarc van de Klashorst crosses mountain in Pauline Julier and Nicolas Chapoulier's LES INDES, a minor masterpiece of saying much with little, and letting the language of cinema carry it #Venezia83 icsfilm.org/festivals/ve...
@domhnallgleesons.bsky.socialNEW • Domhnall Gleeson at the red carpet premiere of BUCKING FASTARD at Venice Film Festival #Venezia83
🎥 labiennale (03.09.2026)
@icsfilm.bsky.socialMatthew Joseph Jenner takes THE ROAD TO JERICHO with Amos Gital, finding a daunting but striking artistic achievement #Venezia83 buff.ly/DbcBzqm
@radio5rne.rtve.es🔴 El documental sobre la gira que volvió a unir a los hermanos Gallagher en 2025 es uno de los principales atractivos de la Mostra de Venecia, pero hay más
🎙️Lo cuenta, desde #Venezia83, el corresponsal de RNE en Italia @jordibarcia.bsky.social
@icsfilm.bsky.socialMarc van de Klashorst faces the harsh realities of grown-up life in Manuel Wetscher's EKLIPSE, an intimate coming-of-age drama about prejudice, ignorance, and those feelings you don’t quite know what to do with #Venezia83 icsfilm.org/festivals/ve...
@maximmacrae.bsky.social@icsfilm.bsky.socialMarc van de Klashorst dives deep into Shalina Adnani's OUR SHARE OF SAND, a promising debut feature whose underlying themes are what make it a worthwhile watch #Venezia83 icsfilm.org/festivals/ve...
@carloselorza.bsky.socialA Paul Schrader me da la impresión de que #TheBasicsOfPhilosophy le ha quedado un poco descuidada. #Venezia83 #Venecia2026
@eyeforfilm.bsky.social"Marazzi is so focused on the frame of her life that the picture of Taro itself feels lost in the shuffle" - we take a look at Venice Orizzonti opener The Girl With The Leica www.eyeforfilm.co.uk/review/the-g... #Venezia83 #FilmSky🎬
@bgarciate.bsky.social🔊Nueva crítica desde #Venezia83 #83Venezia de la mano de nuestro intrépido compañero
@eljovencineasta.bsky.social
. #TheBasicsOfPhilosophy de #PaulSchrader ya disponible en @butacaybutacon.bsky.social
@butacaybutacon.bsky.social📝 #Crítica #Cine #Cultura #Venezia83 #Festivales
🧠'The Basics of Philosophy': Schrader reflexiona sobre la posibilidad del cambio y el perdón. ⭐️⭐️🌟
📝Por @eljovencineasta.bsky.social
#TheBasicsOfPhilosophy #LaBiennale #VeniceFilmFestival #PaulSchrader
@carloselorza.bsky.socialWhat’s The Story, Morning Glory!! #Venecia2026 #Venezia83
@mymovies.bsky.socialIn concorso nella sezione Giornate degli Autori, un cinema essenziale per chi vuole porsi delle domande. In streaming fino al 7 settembre.