We take a look at Children Of The Monkey, which premiered today in Venice www.eyeforfilm.co.uk/review/child... #Venezia83 #FilmSky🎬
@eyeforfilm.bsky.social
@eyeforfilm.bsky.socialWe take a look at Children Of The Monkey, which premiered today in Venice www.eyeforfilm.co.uk/review/child... #Venezia83 #FilmSky🎬
@teamtaynick.bsky.socialNicholas Galitzine via Instagram: (1/3)
“Oh to always be on a boat, eat good food and have great company @armanibeauty
@pennymay.bsky.social"𝑶𝒉 𝒕𝒐 𝒂𝒍𝒘𝒂𝒚𝒔 𝒃𝒆 𝒐𝒏 𝒂 𝒃𝒐𝒂𝒕, 𝒆𝒂𝒕 𝒈𝒐𝒐𝒅 𝒇𝒐𝒐𝒅 𝒂𝒏𝒅 𝒉𝒂𝒗𝒆 𝒈𝒓𝒆𝒂𝒕 𝒄𝒐𝒎𝒑𝒂𝒏𝒚 @/ 𝒂𝒓𝒎𝒂𝒏𝒊𝒃𝒆𝒂𝒖𝒕𝒚"
#armanifragrance #venezia83
📷 Nicholas Galitzine Instagram - September 7, 2026
@eyeforfilm.bsky.socialIn Boatbuilders, "Lorentzen is not looking to question the process but to admire it and, acting as his own cinematographer, he elegantly achieves that goal" www.eyeforfilm.co.uk/review/boatb... #Venezia83 #FilmSky🎬
@josephfahim.bsky.socialI'm not the biggest Žižek fan and his stance on Gaza, which comes across in the film, is questionable (if not without merit), but the dialogue it instigates is paramount to our present culture discourse.
Oh, and you'll never see "Jeanne Dielman" the same way again!
@josephfahim.bsky.socialThere's Jan 6 in there. Trump. China. Gaza. India. More Gaza. And even Egypt.
Didn't expect it to be as intensively political as it is. My favourite entry of the series.
@icsfilm.bsky.socialMatthew Joseph Jenner struggles with the challenges of parenthood in Tommaso Landucci's CHILDREN OF THE MONKEY, a bittersweet glimpse into the lives of ordinary people attempting to survive a hostile and confusing world #Venezia83 buff.ly/tZZkPC7
@icsfilm.bsky.socialAbby Laing finds compassion in Robert Guédiguian's UNE FEMME AUJOURD'HUI, an optimistic vision of socialist politics and the power of mutual aid and community building #Venezia83 icsfilm.org/festivals/ve...
@teamtaynick.bsky.socialArmani Beauty via Instagram:
“Passing the clapper from one icon to the next. Starring @/jbayleaf, @/jbalvin, @/kendalljenner, @/nicholasgalitzine, @/vittoria, and @/madisinrian.
credits: @/aceking
#Venezia83”
@lwlies.comThe long shadow of war painted in Woman Unknown reflects the timeliness of the subject matter, and the uncomfortable truth that the difference between victim and perpetrator is often not as clear as it appears #Venezia83
@lwlies.comAfter watching Queer Edward II, it’s nearly impossible to imagine anyone having spent time in a room with Derek Jarman and not coming out the other side utterly charmed, if not changed on a molecular level #Venezia83
@lwlies.comLee Chang-dong has always had a knack for needling at the specificities of domestic relationships; Possible Love does so with the same precision within the prescient landscape of corporate greed and rapid automated labour expansion #Venezia83
@lwlies.comRobert Pattinson is sharper than ever; while it’s his larger-than-life performances that people tend to love about him, his uncanny take on Chris Hansen is a career high – @hannahstrong.co.uk on Lance Oppenheim’s Primetime #Venezia83
@lwlies.comShinya Tsukamoto relies on the shock and awe of placing us in Allen Nelson’s shoes, while needling at the question of individual responsibility in a war – @hannahstrong.co.uk on Mr. Nelson, Did You Kill People? #Venezia83
@lwlies.comCédric Kahn’s verité-style drama, 5/18 (A Place to Heal), eschews the typical pathologizing that comes with the territory of treating teenage mental maladies, writes @marshallshaffer.bsky.social #Venezia83
@icsfilm.bsky.socialMatthew Joseph Jenner finds poetry in the banality of everyday life in María Aparicio's SOMETIMES SADNESS, SOMETIMES REBELLION, a playful and intellectual exploration of humanity through a distinct social and cultural lens #Venezia83 icsfilm.org/festivals/ve...
@nathanfrancis79.bsky.social#WomanUnknown #Film #Review – postwar paranoia with some deliciously dastardly #DuMaurier touches
#VeniceFilmFestival #Venezia83
A nanny becomes the new lady of a prosperous Copenhagen house as accused Nazi sympathisers are violently shamed
@maximmacrae.bsky.social