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@brenthemusicman.bsky.socialSep 15, 2026, 1:01 PM

Yeat, ON NOTHING | Song Review

⭐️⭐️⭐️ Yeat disses Travis Scott diss on his brief, energetic single, “ON NOTHING.” The results are a mi...

https://themusicalhype.com/yeat-on-nothing-song-review/

#2026 #CXSKET #diss #disstracks #hiphop #Luc1us #musicreview #musicreviews #NoahSmith #rap #rapsingles #r…

Yeat, ON NOTHING | Song Review
@rosathephox.bsky.socialSep 15, 2026, 11:32 AM

Penultimate review before I disappear for a long weekend, spending the time well discussing the @vexpo.uk official theme song by Starlight & Wonder. Day 462 of the Redundancy Review out now!

#writing #writingcommunity #WordPress #WP #VTubers #VTuberMusic #musicreview

@sleepingbagstudios.bsky.socialSep 14, 2026, 5:25 PM

Pablo Embon – “The Last Breath”
sleepingbagstudios.ca/pablo-embon-...
#PabloEmbon
#TheLastBreath
#Singles
#MusicReview
#sleepingbagstudios

@outsideleft.bsky.socialSep 14, 2026, 5:00 PM

New in Outsideleft → Short Circuit Electronic Pioneer By Alan Rider #NewMusic #MusicReview

@elizaneals.bsky.socialSep 14, 2026, 4:14 PM

⭐️ #MusicMonday #LivePerformance #MusicReview #ElizaNeals #shortsvideo @... youtube.com/shorts/ZzQxl... via @YouTube #Bluesrock #FloridaMusicScene ❤️ www.facebook.com/share/1UKmJK... Read This One

Image is of super blues-rock performer Eliza Neals and guitarist co-producer Michael Puwal performing at the Buckingham blues bar in Fort Myers FL. Eliza Neals garnered rave reviews from the venue saying she was the best female performer ever in 25 years of business. See the full review on their facebook page.Image is a live music review “🔥🎶 ELIZA NEALS TOOK US TO CHURCH LAST NIGHT AT THE BUCK. 🎶🔥 There really isn’t a better way to say it. Eliza Neals rolled into Buckingham Blues Bar with her longtime guitarist, collaborator and co-producer Michael Puwal, and an all-star group of local musicians came together around them to complete the band, including Ephraim Lowell, Detroit Mike on the Keys, and Mitch Mastel on bass. And then we got to watch a master at work. In my recent memory, Eliza may be the most accomplished single female musician, songwriter and bandleader we’ve ever had on the stage at the Buck. That’s a big statement, but after watching what she did last night, it’s one I’m comfortable making. She was behind the keyboards, singing straight from her soul and commanding the band at the same time. But even “commanding the band” doesn’t quite explain it. She was literally pulling the music together with her whole body. Reviewing through the live mode photos today, you can see it. Her hands, her face, her shoulders, her gestures as everything was part of the music. She would gather the band in, shape a moment, hold something back and then seem to push the song right back out through her soul. The players were focused on her through every measure, to their tremendous credit. A look, a movement, a hand gesture, the smallest cue, and they were right there with her. She could stretch a phrase, pull everything back, change the feel or drive the whole thing forward while still playing keyboards and delivering those vocals. There was never a hole. Considering there’s a very good chance several of those musicians had never played with her before, it was remarkable to watch. Eliza led with the instinct of someone who completely understands her music and knows exactly how to communicate it without stopping to explain it. Then there’s the voice. Gritty. Melodic. Guttural. Soulful. Sometimes almost otherworldly and, a moment later, downright heavenly. The growls, cries…whispers, power and little vocal utterances in between were unmistakably hers. You could actually watch the music move through her. And then there is the whole presentation. Eliza walked onto that stage looking every bit like the artist she is; beautiful, polished, completely professional and put together from head to toe. Her look somehow matched the music perfectly: bold, feminine, soulful, original and unmistakably her own. And yes, possibly the best manicure in show business. Nothing about her felt accidental. The music, the voice, the writing, the keyboards, the way she led the band, the way she moved, and the way she presented herself, it all came from the same place. She was solid from the tips of those nails straight down to the soul. That is what made the whole thing feel complete. Eliza Neals didn’t just come in and perform a show. She arrived as a fully formed artist. A world-class one. Her covers didn’t sound like covers. She made them hers. And her originals had that rare quality where you found yourself wondering, “How do I already know this song?” Eliza is Detroit born, classically trained, and was mentored by Motown songwriting legend Barrett Strong. She’s a singer, songwriter, pianist, arranger, producer and bandleader with a serious body of work behind her. Michael Puwal has been part of that musical story for years as guitarist, collaborator, songwriter and producer, and watching the connection between the two of them onstage made that history obvious. There were moments last night when you could hear a pin drop in the Buck. Then there were others when the room was hollering back at her, dancing, laughing and completely giving itself over to the show. She had them both ways. Quiet when the song demanded it. Raising the roof when she decided it was time. By the end of the night, Buckingham Blues Bar had a new love. We hope Eliza Neals and Michael Puwal come back again and again. Thank you, Eliza. You absolutely took us to church. ❤️
@halifaxbloggers.bsky.socialSep 14, 2026, 4:00 PM

Sam Roberts and his band looked to be having a blast performing their first show in the storied Shore Club at the end of July, and the heat didn't slow anyone down. More on HAFILAX:

buff.ly/eJ2qGox

#livemusic #musicreview #concertphotos #halifax #novascotia #musicsky @hafilaxdotcom.bsky.social

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@telnhq.bsky.socialSep 14, 2026, 3:00 PM

Nickewer Pulls from Late-Night Nostalgia on 'Back To Moments EP'. Argentine producer Nickewer delivers a moody two-track melodic techno EP, dialing in 130 BPM rhythms through an untreated DIY setup.

www.spinlog.de/post/nickewe...

#IndieMusic #NewMusic #SpinlogMAG #FreeSubmission #MusicReview

@theprogthief.deSep 14, 2026, 1:05 PM

#MusicReview #MusicSky #Ambient #CD

Arguably for me the most progressive ambient (not rock!) album by the Swedish band Carbon Based Lifeforms was released in 2017. You can find out why I think so here.

theprogthief.de/en/stochasti...

@telnhq.bsky.socialSep 14, 2026, 10:29 AM

Black & White, Digital Capture Skatepark Nostalgia on 'Last Days Of Youth'. Rough guitar chords, live-room bleed, and a five-minute coming-of-age cut from Andorra.

www.40mag.de/post/black-a...

#IndieMusic #NewMusic #40MAG #FreeSubmission #MusicReview

@telnhq.bsky.socialSep 14, 2026, 6:44 AM

Filip.ak Stacks Heavy 808s and Dark Synths on 'SUPERSTAR'. Straight-up German trap verses over cold, bass-heavy underground beats.

www.40mag.de/post/filip-a...

#IndieMusic #NewMusic #40MAG #FreeSubmission #MusicReview

@tyistheguy.bsky.socialSep 13, 2026, 9:53 PM

Nirvana - Incesticide compilation review #nirvana #incesticide #washington #grunge #noiserock #musicreview

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@arppodcast.bsky.socialSep 13, 2026, 7:33 PM

Album Review_ Passport to Summer Vol. One Songs#AlbumReview #SummerSongs #MusicReview

@telnhq.bsky.socialSep 13, 2026, 6:23 PM

Haunted Water Crafts a Warm Folktronica Pulse on 'Uirapuru'. Woodsy hand drums, quiet acoustic guitar plucks, and an easy whistled hook recorded straight out of Berlin.

www.40mag.de/post/haunted...

#IndieMusic #NewMusic #40MAG #FreeSubmission #MusicReview

@freqzine.bsky.socialSep 13, 2026, 3:51 PM

@acloudtotheback.bsky.social writes: "Although more organically earthbound and less sonically expansive overall, this triumvirate of nascent offerings doesn’t simply dispense thin sketchy outlines for Weaver’s latter-day Technicolored presentations." #indie #musicreview freq.org.uk/reviews/jane...

Although more organically earthbound and less sonically expansive overall, this triumvirate of nascent offerings doesn’t simply dispense thin sketchy outlines for Weaver’s latter-day Technicolored presentations. #musicreviewAlthough more organically earthbound and less sonically expansive overall, this triumvirate of nascent offerings doesn’t simply dispense thin sketchy outlines for Weaver’s latter-day Technicolored presentations. #musicreviewAlthough more organically earthbound and less sonically expansive overall, this triumvirate of nascent offerings doesn’t simply dispense thin sketchy outlines for Weaver’s latter-day Technicolored presentations. #musicreview
@beyondtheencore.bsky.socialSep 13, 2026, 1:52 PM

Review: www.beyondtheencore.com/live/julian-...

#JulianLage #WorldsFair #DunstanPlayhouse #Adelaide #LiveMusic #MusicReview #EllaIon #Guitarist #SouthAustralia

@AdelaideFestivalCentre

@telnhq.bsky.socialSep 13, 2026, 8:03 AM

MOTH TLK Nails That Weird Feeling of Drifting Apart on 'These Friends Of Mine'. Scuzzy garage chords, upbeat drums, and the sting of watching your crew move on without you.

www.40mag.de/post/moth-tl...

#IndieMusic #NewMusic #40MAG #FreeSubmission #MusicReview

@outsideleft.bsky.socialSep 12, 2026, 11:10 PM

New in Outsideleft → David Myhr: The Outsideleft Sunday Interview By Jonathan Thornton #NewMusic #MusicReview

@telnhq.bsky.socialSep 12, 2026, 7:56 PM

Ethan Davis Channels Everyday Frustration into Gritty Rock on 'Are You Alright In The Head?'. Distorted bass growl, mic'ed up tube amps, and a catchy chorus born out of one-sided conversations.

www.40mag.de/post/ethan-d...

#IndieMusic #NewMusic #40MAG #FreeSubmission #MusicReview

@halifaxbloggers.bsky.socialSep 12, 2026, 6:00 PM

Kathleen Edwards has pulled herself back up and returned to where she belongs, says Trev, still making some of the best music of her career. Review and photos of her recent show are on HAFILAX:

buff.ly/QqwPpu4

#livemusic #musicreview #concertphotos #novascotia #musicsky @hafilaxdotcom.bsky.social

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@outsideleft.bsky.socialSep 12, 2026, 5:30 PM

New in Outsideleft → Outsideleft Weekly Digest: September 5th - 11th, 2026 By OL House Writer #NewMusic #MusicReview

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