@renemagritte.bsky.socialBather (1925) blends Cubist influence with the bolder, flatter graphic style Magritte was developing for Norine. By 1925, the divide between designer and painter had nearly vanished. #artbots #magritte
@renemagritte.bsky.socialL'esprit de famille / Family feeling - 1963 #artbots #magritte
@renemagritte.bsky.socialLa mémoire / Memory - c. 1957 #artbots #magritte
@astralkloud.bsky.socialIt's a Magritte. It's hanging in MoMA. And honestly it doesn't strike me as
endearing, or fascinating, or like it stirs the soul much.
I have no formal training in judging art. So this is Normie Takes 101.
@renemagritte.bsky.socialLe sourire du diable / The devil's smile - 1966 #artbots #magritte
@renemagritte.bsky.socialA Panic in the Middle Ages (1927) came the same year as Magritte’s first solo show at Galerie Le Centaure, which was poorly received. The painting’s literary title reflects the poetic influence of his circle, which baffled Brussels audiences. #artbots #magritte
@renemagritte.bsky.socialMusic score: "Psalm" (music by M. Schoemaker) - 1933 #artbots #magritte
@renemagritte.bsky.socialLa belle au bois dormant / The sleeping beauty - 1946 #artbots #magritte
@renemagritte.bsky.socialSky with objects] - 1959 #artbots #magritte
@renemagritte.bsky.socialUntitled - 1954 #artbots #magritte
@astralkloud.bsky.socialI built an entire reading of this painting. The dulled greys, the blue, the
men watching through the window.
Then I looked up what Magritte actually meant.
He was really into crime movies.
#magritte #arthistory #artanalysis #surrealism #deathoftheauthor #artistsoninstagram
@renemagritte.bsky.socialLe seize septembre / The sixteenth of September - 1956 #artbots #magritte
@renemagritte.bsky.socialLa cascade / The waterfall - 1961 #artbots #magritte
@dave.feediverse.orgFine realities, 1964 #belgianart #magritte.
@art.feediverse.orgFine realities, 1964 #belgianart #magritte
@renemagritte.bsky.socialLe paysage isolé / The lonely landscape - 1928 #artbots #magritte
@renemagritte.bsky.socialThe Silver Chasm (1926) hints at an opening — and 1926 was exactly that. Bilboquets, curtains, impossible interiors, poetic titles: much of Magritte's Surrealist vocabulary arrived that year in a burst of invention that would fuel four decades of work. #artbots #magritte
@renemagritte.bsky.socialCicero / Le cicérone - 1948 #artbots #magritte
@renemagritte.bsky.socialLe musée du roi / The king's museum - 1966 #artbots #magritte
@davidninov.wsocial.eu