@loudandclearrvs.bsky.socialWhen the world ends, where do you want to be? And when any day could be our last, how do you remain yourself?
Penélope Cruz and Javier Bardem star in Florian Zeller’s BUNKER, which has just premiered at #Venezia83!
Read @jwalters204.bsky.social's review!
@rottentomatoes.comOur latest #Venezia83 scorecard features Tomatometer scores for #PossibleLove, #Oasis: Don't Look Back In Anger, and more.
@criticsnotebook.com"The problem is that the film’s coyness eventually begins to feel less like suspense than self-congratulation."
@martintsai.bsky.social reviews Casey Affleck's "Company" at #Venezia83. bit.ly/3UFHouo
@jakobkolness.bsky.socialLooks like Florian Zeller has done it* again!! #Venezia83
*oh no!!!
@icsfilm.bsky.socialMarc van de Klashorst is befuddled by the final act of Phuttiphong Aroonpheng's THE BURNING GIANTS, when the easy to follow narrative melodrama suddenly becomes like punching through fog #Venezia83 buff.ly/SrmcOfZ
@xanbrooks.bsky.socialMy review of Casey Affleck’s Company, which offers a diverting ramble through familiar American Gothic territory #Venezia83 www.theguardian.com/film/2026/se...
@icsfilm.bsky.socialMatthew Joseph Jenner hangs between adolescence and adulthood in Alina Şerban 's I MATTER, a film that proves that the most effective stories are often the simplest on the surface #Venezia83 buff.ly/MbDnwqL
@mediasit.skyfleet.blue#Venezia83. Tra i primi film della Settimana della Critica anche lavori dall’Abruzzo
@bgarciate.bsky.social¡¡Nueva review desde #Venezia83 #83Venezia de
@eljovencineasta.bsky.social
!! Ha llegado el momento de meterse en el #Búnker con dos titanes como Javier Bardem
y #PenelopeCruz.
@butacaybutacon.bsky.social📝 #Crítica #Cine #Cultura #Venezia83 #Festivales
🏠'Búnker': Ya estamos viviendo en el Fin del Mundo. ⭐️⭐️⭐️ @elasticafilms.bsky.social
📝Por @eljovencineasta.bsky.social
#BÚNKER #BUNKER #LaBiennale #VeniceFilmFestival #FlorianZeller #JavierBardem #PenelopeCruz
Our Nicholas Bell reviews Florian Zeller’s 𝗕𝗨𝗡𝗞𝗘𝗥 “Strangely, it’s a film which bungles any elegant rumination on its subtexts by both talking too much but saying too little.” @la_Biennale #Venezia83
https://www.ioncinema.com/?p=143291
@icsfilm.bsky.socialMarc van de Klashorst reads the blueprint of Florian Zeller's BUNKER, a gorgeous looking film that works best when it manages to hide its machinations #Venezia83 buff.ly/UGnCC2y
@loudandclearrvs.bsky.social"Somehow, it manages to take all the hottest trends of modern action films and apply them to a formula that feels refreshingly classic and traditional."
Read @jwalters204.bsky.social's review of Sabu’s ARRESTED MEMORY! 🔥👀
@slantmagazine.comWith POSSIBLE LOVE, Lee Chang-dong offers another trenchant look at simmering divisions in South Korean society along the lines of class, gender, and labor. Read @marshallshaffer.bsky.social's #Venezia83 review.
@icsfilm.bsky.socialMatthew Joseph Jenner survives a plague in Nathalia Acevedo's SALÓN DE BELLEZA, a masterful work of art that asks the question: how do you find hope in a situation where destruction seems inevitable? #Venezia83 buff.ly/1lhMjvN
@icsfilm.bsky.socialAt #Venezia83, Nataliia Serebriakova spoke with Kuba Dorabialski about his debut feature Agata the Writer, his fascination with literature, cultural distances in Eastern Europe, his visual approach, and how he learned to direct Mia Wasikowska buff.ly/nZrvAxA
@maximmacrae.bsky.social