@pabaldini.bsky.social🎞️🔴 #MarilynMagazine #MM @Corriere.bsky.social #7Corriere @PaBaldini.bsky.social #LaBiennalediVenezia #Venezia83 #LaMostraDelCinema #CheSpettacolo 🌍 decalogo dell’amore secondo #NanniMoretti, la coppia #PenelopeCruz #JavierBardem 🔥 leggi il post di #MarilynMag 🔜 marilyn.corriere.it/2026/09/09/v... 🎵
@dwhdaily.bsky.socialWith TOO MUCH SUGAR, Robert Greene ventures further into a territory where fiction and nonfiction are up to a lot more than a mere blurring of the lines — www.criterion.com/current/post...
@rottentomatoes.comSydney Sweeney, Jonathan Bailey, George Clooney, and more arrive at the #Venezia83 red carpet.
@rottentomatoes.comCome with us to watch some movies at the 2026 #VeniceFilmFestival! 🎬 🎥 🍿 #Venezia83
@eyeforfilm.bsky.social"For all the strangeness of the premise of Bucking Fastard there’s not a lot of meat on the bones of this story" www.eyeforfilm.co.uk/review/bucki... #Venezia83 #TIFF26 #NYFF26 #74SSIFF #FilmSky
@lwlies.comLuca Guadagnino serves as an enthusiastic and determined shepherd of Bernardo Bertolucci’s legacy with a mammoth seven-hour documentary examination of contemporary cinema culture through Bertolucci’s lens
– @hannahstrong.co.uk on Joie De Vivre from #Venezia83
@lwlies.comBarbara Kopple’s non-fiction filmmaking feels more akin to music itself, writes @marshallshaffer.bsky.social
Union Town – first-look review from #Venezia83
@lwlies.comAlina Șerban’s rough-hewn feature shows real potential and is a brilliant showcase for its young lead, Denisa Farcaș
– @balanescumiriam.bsky.social's review of I Matter from #Venezia83
@lwlies.comIt feels ironic that Casey Affleck’s gothic horror, built upon the notion of inviting one in, is so relentlessly intent on shutting us out, writes @rafiews.com
Company – first-look review from #Venezia83
@lwlies.comBunker’s true source of intrigue boils down to one simple thing: Penélope Cruz and Javier Bardem married on screen – t’s like De Niro and Pacino sharing a scene for the first time in film history but more niche.
– Luke Hicks on Florian Zeller’s latest from #Venezia83
@icsfilm.bsky.socialMarc van de Klashorst wonders where he belongs in Xavier Tera's stunning debut THE COLOR OF THE SUN, a emotionally resonant and visually evocative film about human connection and finding your place #Venezia83 icsfilm.org/festivals/ve...
Our Nicholas Bell reviews 🇷🇺 Ilya Khrzhanovsky's masterwork 𝗗𝗔𝗨 ★★★★½ “this latest mutation of Dau, arguably the most definitive version, is a formidable, cohesive crystallization of a pure cinematic audacity.” @la_Biennale #Venezia83
https://www.ioncinema.com/?p=143289
@stylefeelfree.bsky.socialCRÍTICA CINE #VENEZIA83 | ‘Moolah’, el falso documental de Jérôme Pierrat, desmitifica la narcocultura en un ejercicio de honestidad brutal. La película se estrenaba hoy en la sección Orizzonti del Festival de Venecia.
www.stylefeelfree.com/2026/09/mool...
@butacaybutacon.bsky.social📝 #Crítica #Cine #Cultura #Estrenos #Documental
🎶'Oasis: Don’t look back in anger': Éxtasis de felicidad. ⭐️⭐️⭐️🌟 @disneyes.bsky.social @liamgallagherdaily.bsky.social @noelgallagher.bsky.social
📝Por @inmagr85.bsky.social
@enprimerafila.bsky.socialEn la nueva crónica de #Venezia83 abordamos historias que hablan de las relaciones humanas, desde conflictos bélicos o familias y comunidades.
#Boatbuilders #IFigliDellaScimmia #NoParadiseIfYouAreKilledByAWoman #SalonDeBelleza #LaMoula
@serenaseghedoni.bsky.social